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Author Rodney Johnson takes us into a fascinating world with a plot that is simple but extremely effective -- by being naturally inquisitive, Rinnah Two Feathers finds herself in the middle of a mystery that leads to a search for the legendary Dead Man's Mine. Fortunately for us, the clever writing, the glimpse that the book provides into the Indian world and the fun illustrations (by Jill Thompson of Scary Godmother fame!) take this book to the next level.
Rinnah is the type of girl you want to know, and her best friends, Tommy and Meagen, are wonderful, fully drawn characters, similar to the kids in the Harry Potter series. In fact, all of the characters are not only interesting but also integral to the story, such as the bullies at school, the Indian family members and the numerous adults staying at the lodge run by Rinnah's mom.
I won't give away the ending, but I will say that it was both surprising and satisfying. I can't wait for the next Rinnah Two Feathers book!
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His basic argument is that Plato took a number of what he calls "pieces of identifiable proto-history" and wove them together into a contemporary commentary on the world. Castleden suggests that the basis of this is a faint memory of Minoan civilization. He points out what is often forgotten by those who take the Atlantis story literally, that for Plato it is Athens that is written about as a utopia, not Atlantis, Athens that is the "excellent land with well-tempered seasons."
He illuminates several puzzles that have misled many people, eg. Plato's comments about the Pillars of Hercules. This is often assumed to refer to the modern day features by that name, but in ancient Greece the term could have other meanings, eg it could refer to the two southward-pointing headlands on each side of the Gulf of Laconia. Thus the large island outside the pillars of Heracles would be Crete.
Castleden follows this with a very detailed discussion of the archaeology and geography of Minoan Crete and Thera and how that compares with Plato's tale. He goes into detail about how the story might have been transmitted to Plato and Plato's possible motives in writing the two essays. (He also mentions that there was a century older text by Hellanicus, of which only a small fragment survives, called 'Atlantis'!).
He suggests that the size of 'Atlantis' was distorted by a misreading of either Linear A or B numerals or hieratic or demotic copies made by Egyptian scribes sometime since the fifteenth century, multiplying dimensions by ten so that the Plain of Mesara, which would fit into Crete, became the size of the southern Aegean and Atlantis thus became too large to be in the Mediterranean. A similar problem changed the 900 years between the eruption of Thera and Solon's visit to Egypt to 9000 years. If this is the case it becomes much easier to reconcile the relatively accurate description Plato gives of bronze age Athens with the story of Atlantis (something usually ignored by those who take the Atlantis part of Plato's story literally).
What he is not arguing is that either Minoan Crete or Cyladic Thera was Atlantis. He is suggesting that instead Plato drew his story of Atlantis from proto-historical elements about both civilizations. He also suggests that Plato draws from Syracuse (eg the fortifications of Syracuse) and Sparta for both physical descriptions and some of his political commentary, writing circumspectly so as to avoid Socrates fate.
He provides a wealth of archaeological evidence and the book is generously sprinkled with sketches and photographs. He even goes into detailed points such as the fact that Santorini (destroyed by a massive volcanic eruption) has red, white and black rocks matching Plato's description of the building materials used in Atlantis.
Atlantis Destroyed is a must read for anyone interested in the possible historical background to the Atlantis story.
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Each chapter has a brief summary of the topic in question -- say tools and materials. Next, each chapter moves on to showcase the work of two or three automata artists with many pictures and a page or two of information about each artist.
The photographs of automata in this book are outstanding. You can really get a sense for the devices, their construction, and most especially, their finishes.
If you love automata, want to see more of them, and want to learn about some of the top automata artists in the contemporary scene, this book is a must-have.
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This book is chock full of information and recipes pertaining to the past 130 years. It has trivia, origins of liquors and pictures as well as history of drinks that are famous today.
Examples include: did you know that Absinthe was eventually replaced with what we use nowadays called Bitters? Also has origins of liquors (you know "Eau-De-Vie"? No, I didn't, but if you don't either it's the pear-in-the-bottle liquor -- they literally fasten the bottle to the pears before they get too big and the pear grows inside the bottle.)
If you're looking for a guide to help you make that "time period" party just right, this is the one for you. Tells you how to stock your bar properly, glasses to use and drinks for special occasions, such as Wassail for Christmas and tropical drinks from the 40s. You name an ingredient -- they've got a drink for it.
If you're not a social drinker, this pretty much makes a good read. I've literally curled up in bed just browsing the information aside from the recipes.
A must have for the serious bartender-wannabe for authentic drinks and history.
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I had often wished I could take a course in "Street Smarts." I found that course in EXPOSING MANIPULATION. I only wish I had read it as a teen-ager; I could have avoided damaging relationships and saved thousands of dollars.
Thankfully, I didn't have to develop a suspicious nature. In his one-friend-to-another conversational style, Dr. Pearson taught me to recognize the signs in people who mean me no good.
I'd like to see everyone I love armed with the knowledge contained in EXPOSING MANIPULATION.
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Another thing I like (and I'll confess something of a prejudice over this) is that the book is arranged primarily by geography. I hate guidebooks with chapters on restaurants, chapters on museums and so forth. After all, after all that wrestling smack down with a baby stroller, diaper bag big enough for a body and two kids on a jaunty tram, we like to take advantage of all the stuff to do in each location we visit. We're not coming back tomorrow, baby.
You get separate sections on the Old Side of town, the New Side, the Canals, Jodenbuurt and the Old Port and a nice chapter on day trips outside the city. To be fair, there is one non-geographic section organizing Amsterdam's many museums for you, but otherwise things are handily arranged for walking, strolling and cruising the interesting parts of each area you visit. There are also colorful maps, showing the sites, key streets and canals. You won't get too lost.
Each site/attraction includes info on which tram to take to get there, any admission fees, opening days/hours, phone numbers and, if applicable, web sites and email addresses. There's a capsule statement for each along the lines of "Suitable for children aged 7 and over".
The real meat is in the descriptions, which allow you both to decide what to see and, as parents, get a sense for what is inside so you can match places to your kiddies' ages, attention spans and interests. Here are two examples:
Rembrandt's home has been restored to look like it was when he lived there. In addition to the basics, this guide book also mentions that the painter liked to work images of himself in crowd scenes in his paintings. Can you think of a better way to interest a younger kid in boring, old art than to set them on a mission to find all the Rembrandt's in a particular image?
A second example is Anne Frank's house. The description challenges you and your kids to imagine Anne's life in hiding, as revealed in her diary. Older kids can read the book in advance, while younger kids can have key passages read to them just before or even during a visit to the house. Looking out a window, maybe you see a street scene as Anne did; what must it have been like to face the fear of capture and death each day, every night, at an age when our own children's worries may be no more complex than when Rugrats is on?
Another parentally cool feature in the guide book is little boxed text blurbs labeled "Can you spot?" These challenge kids to look for interesting details (a tilted roof gable, a brass plaque, a strange doorway) near famous sights. Older kids will learn things, younger kids will likely enjoy the game as a diversion near things they may otherwise find boring, or over their head.
The book also includes a similar feature throughout, asking questions that can be answered by visiting certain sites. For example, when listing restaurants, the question is "If an Amsterdammer asks for 'hagelslaag' ('hailstones') on his bread for breakfast, what does he want?"
(If I was mean, I'd make you not only buy the book, but also go to the Pancake Bakery on Prinsengracht Street for your morning meal to learn that 'hagelslaag' are tiny bits of chocolate sprinkled on buttered bread. And yes, that sounds very tasty to me too.)
For those who stay up for "Top 10" lists on late night shows in the U.S., the book includes a "Best of Kids' Amsterdam" section, with lists of things like "Best Museum", "Best Family Hotel", "Best Ice Cream", "Best Windmill" and the like. Each "Best of..." place listed includes the page number in the guide book where you can track down its particulars.
Note for some Dads: the helpful phrases in Dutch section includes the important phrase "Ein pils, alstublieft" (a beer please), followed by the helpful phrase "Waar is het toilet?"
Some other excellent stuff for parents:
A list of toy stores in Amsterdam, with annotations telling what stuff they have;
Restaurants good for lunch (and not dinner with kids), including info on which serve "spicy" food;
Tips on finding a short-term apartment or a bed and breakfast;
A note that most big hotels have Cartoon Network available on cable;
A spill-proof, coated paper, tram map on the inside cover;
A way to take a canal boat taxi to popular museums;
A sober description of Amsterdam's Red Light district that will allow you to decide if your kids should or should not pass through one of Amsterdam's infamously best-known locations;
How to ask for applesauce in a restaurant.
I thoroughly enjoyed this fast moving young adult mystery. All the characters are well developed. The plot is complicated enough to keep me guessing with a couple of nice twists, but comes to a logical conclusion.
This book is a definite step ahead of the Nancy Drew and Hardy Boys books and I'm looking forward to Rinnah's further adventures.