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At the same time, Sally's friends Fred and Jim are trying to figure out who is trying to kill a famous magician, Mackinnon. This magician can see images of something that happened by touching an object. He once saw a murder taking place using this talent, but he did not see the murderer of the victim. The person who is trying to kill Mackinnon was the murderer, and he thinks Mackinnon knows everything.
The man who Sally is looking for is the same man who is trying to kill Mackinnon, but they do not realize this until later.
As they are trying to solve these mysteries, Sally realizes that she is in love with Fred, as he had said many times. Jim falls in love with Mackinnon's wife, the daughter of a duke.
I liked this book because it had two mysteries going on at the same time, but in the end they met up and were really just one mystery. This book had mystery, suspense, romance, and tragedy all in one. Sally and Fred realize they love each other but something happens to keep them apart. This is the second book in a trilogy. I read the first one, A Ruby in the Smoke, which I loved, so I thought I would like this one. There is also a third book and another trilogy by the same author, The Golden Compass trilogy, which I also liked a lot. I thought The Shadow in the North was just as good, if not better, as these other books by Philip Pullman.
Sally Lockhart is now 22. Even though a woman,in the year 1878, she has a business and a mind of her own. When one of her clients lose a large sum of money Sally is determined to find out what happened. Like always her friends Jim and Fred are there to help. Together the three of them embark in an unpredictable adventure which leads to heartache but happiness too.
Philip Pullman surely found a way to keep you wanting to read this book. He introduces the characters in such a way that you cry and cheer for them as they face obstacles. That makes you want to keep reading to see what's going to happen until you find it is the best book you have ever read.
The thing that I like the most about the book is the courage that Sally Lockhart has to fight for her self and what she believes in.(Even though it took her a while to actually realize she could be in love and still be her own person.)
This book is really, really good, although my words may not have described it well. I MOST DEFINITELY recommend this book to anyone who enjoys reading a mystery, adventure or romance book!
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Although I am a strong advocate for free-speech and I am happy that I read these books, I am also an adult who enjoys comparing differing religious viewpoints. For those who hold strong Judeo-Christian beliefs, this can be a very disturbing series. I STRONGLY RECOMMEND PARENTS OF CHILDREN UNDER 14 READ THESE BOOKS BEFORE THEY BUY THEM FOR THEIR CHILDREN. In my opinion, the books are a direct, literal attack on "God", and will likely raise questions that I believe should be discussed by families.
I am also upset that the author's bias does not appear until the second book, allowing readers (i.e. parents and teachers) to read the Golden Compass and determine it to be acceptable, referring young readers to it who then go on to The Subtle Knife and The Amber Spyglass on their own, without adult guidance on the issues raised.
Lyra's world is amazing, and it is great as literature. I just don't want parents caught unaware when their child asks tough questions after reading this trilogy.
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I found the writing good, creating that dreamlike, unreal, almost nightmarish feeling when your world is suddenly turned upside down.
The book grips you and you feel dragged along with our heroine as she tries to make sense of what is happening and the 'visions' she has; the only failing is the ending which seems a bit of an anticlimax.
Nevertheless, a very good read.
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Anyway, the second book in Pullman's trilogy, "The Subtle Knife," continues his exploration of themes like courage, love, free will, sin, God, the Church, and, of course, swirling around all of this, the ever-mysterious dark matter, or "dust." Plus, the terrifying Mrs. Coulter is back, as are many of the other characters we have become acquainted with in Book 1 (plus some new ones too, especially former nun and current "dark matter" scientist, Dr. Mary Malone). And just as the "The Golden Compass," can be thought of as being about Lyra (and her beloved daemon, Pantalaimon), "The Subtle Knife" is mainly about a powerful and fascinating new character, Will Parry. To my mind, "The Subtle Knife" is really the key book in the entire trilogy, and possibly the best of all. As soon as Will steps through the window into Cittàgaze, the beautiful yet terrible "city of magpies", where only children and horrible soul-sucking specters live, Pullman's themes begin to really kick into gear. Perhaps the turning point in the entire trilogy occurs when Will gains possession of the "subtle knife" (again, a parallel with "Paradise Lost," in which the Archangel Michael has a sword which "was given him temper'd so that neither keen nor solid might resist that edge") in the Torre degli Angeli, and learns how to use it, allowing Will and Lyra (his soul mate who immediately trusts him because he is a murderer!) to cut windows through into different universes (the knife has MANY more powers than that, including - possibly - God destroyer!), and opening up a whole range of amazing possibilities for this gifted author -- and his readers...
All in all, "The Subtle Knife" is even richer, more complex, more exciting, and more mind boggling than "The Golden Compass." And extremely complex morally, although some have (falsely) accused Pullman of being anti-religion (Catholicism in particular). But, really, this is NOT a simple book at all, and Pullman is a great enough author to basically leave it up to YOU to decide whether you agree with statements such as ''every church is the same: control, destroy, obliterate every good feeling." In my opinion, at least, Pullman is not preaching or didactic, but just laying out a view of things, which I basically find very satisfying, but which of course some will disagree with...
To summarize three points I made in my review of "The Golden Compass": 1) this is far darker and more disturbing material (especially if you have a closed mind towards explorations of God, religion, the Church and the nature of man - all the interesting and important things, in other words) than the perfectly serviceable "Harry Potter" books, to which the Pullman trilogy inevitably is going to be compared (this trilogy is far, far greater than Potter!!); 2) Pullman is a master of language, and his use of names (among other things) is fascinating.. "Lyra," for instance, is a constellation in the NORTHERN Hemiphere, plus of course "Lyra" sounds awfully much like "liar," which is Lyra Belacqua's main skill (besides reading the alethiometer), and one in which she takes great pride. (Coincidence? Hmmmm...I don't think so!); and 3) Pullman has borrowed freely from this all-time classic poem by John Milton, "Paradise Lost," in creating his own take on Genesis, God, Satan, free will, the temptation in the Garden of Eden, and the "Fall" of man into "Sin" (among other things). In interviews, Phillip Pullman has confirmed that the biblical Creation story, Adam and Eve in the Garden of Eden, and "Paradise Lost" are major sources for "His Dark Materials" trilogy, and that the title itself comes from the following quote: "Unless the almighty maker them ordain / His dark materials to create more worlds." But don't forget that there is real science behind "dark matter" - scientists right now are investigating this as a possible sub-atomic force which could help hold the universe together!
Anyway, I strongly recommend that you read Phillip Pullman's magnificent book, "The Subtle Knife" (and the other two books in the trilogy) whether you want a great story that you won't be able to put down, or whether you want to be challenged, amazed, intrigued, and deeply moved. And OF COURSE you should read it if you're curious to know more about the ever-enigmatic, but ultimately all-important "dust" ("From DUST thou art....").
"The Subtle Knife" continues the plot of "Compass" as Lyra Belacqua (now Lyra Silvertongue) continues her search for the nature of the spiritual particle known as Dust. After crossing over into the haunted world of Cittagazze, she encounters young Will Parry. Will is from our world and, after providing a respite for his ill mother, begins the search for his father, an explorer who disappeared in the arctic shortly after Will was born. Will accidentally trips into Cittagazze through a slice in the continuum. Once they stumble onto one another Lyra and Will's adventures really take off. Witches, soul-eating Specters, exploding dirigibles, shoot outs, break-ins at an English mansion, tortures, communications with spirits on an Oxford computer, even angels, percolate to the top in this adventure. Wow!
We are reminded, however, that this is a little above "Harry Potter" as for the second time in two books one of the main characters close to Lyra dies. As a matter of fact, a number of folks die in this story. The much ballyhooed allusions to "Paradise Lost" abound. While no 12-year-old will necessarily be familiar with Michael and the fall of the angels, the subplot of Lyra's father, Lord Asriel, building a fortress to prepare to battle the "High Authority" for heaven will keep them glued to the pages. References to a "New Eve" and a "New fall" keep the Milton comparisons churning along for literay students more interested in scholarship than in entertainment. Asriel, for example, is a son of Manasseh, who was related to Joseph of Technicolor Dreamcoat fame. But who cares?
Still, if you think Pullman is anti-Christian because he paints the church in Lyra's world as totalitarian and shows little clarity as to whether the "Authority" is good or not, or whether you think he is sexist because Lyra cooks for Will, please don't lose sight of the fact that this is still a children's book where, hopefully, children's heroes will prevail.
As with all middle books of a trilogy, Pullman ends this one with a cliff hanger ending. He concludes the series with "The Amber Spyglass". I can hardly wait.
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This is a really gripping story with no loose ends. Sally goes on a journey through the underside of Victorian London, ending up in Spitalfields. I used to live in this area, and loved reading the way that Pullman brought its history to life. The baddies are very bad, and get their comeuppance. The finale is worthy of a Hollywood action movie.
I came to these books after reading The Golden Compass and The Subtle Knife. The Sally Lockhart trilogy has none of the fantasy aspects of these books - it's set firmly in gritty, dirty Victorian England. The stories are simpler, so the books would be easier for a younger reader. Sally is a real role model heroine for a young girl - she never gives up, and is very smart and brave.
For the older reader, the attractions are the quality of the stories (except perhaps for the middle book), and the excellent descriptions of life in Victorian England. These stories rattle along at a fast pace, with plot twists coming from the baddies trying to outwit Sally and her friends. Sally ends up in the Victorian underworld, and the portrayal of street gangs, and the lives they lead, is very believable. A nice piece of social history. Highly recommended.
He also has an exquisite command of characterization. Not for Pullman the weak, wishy-washy characters. His positively jump off the page at you and drag you into their world of Victorian London. There's something of Dickens in Pullman's stuff. The good guys are very good and the bad guys are very bad. But that makes it sound trite and clichéd - which it isn't. It's much more complex than that, which probably explains why Philip Pullman is one of the few authors from this side of The Big Pond, who succeeds on that side of The Big Pond.
The Sally Lockhart trilogy is on my list of 'Books you MUST read before you die'. And since I'm no longer a Young Adult, I've made sure to read them quickly!
*The Tin Princess
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Philip Pullman's unbelievable description and detail makes it easy for the reader to be sucked into the story and make it seem real. The book starts off with a bang and never settles down until the end - Sally's life is always in danger. "Her name was Sally Lockhart, and within fifteen minutes she was going to kill a man." What kind of a reader could put down a novel after an entry like that?! This suspenseful mystery is best not read right before bedtime, if you'd like untroubled dreams. The Ruby in the Smoke is real, the realest I've ever seen in a mystery, and the best.
I'd also like to recommend: The Shadow in the North, The Tiger in the Well, The Tin Princess, The Golden Compass, The Subtle Knife, and The Amber Spyglass
A great book!
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So why did I not rate this book 5 stars? The ending. All right, yes, the ending was beautifully written - no question about that. It was, however, a rather weak ending to such a strong trilogy. It was so terribly sad it made me cry, and I was disappointed that Pullman chose to end his series with a whimper rather than a bang. In my opinion, this ending is the coward's way of finishing the trilogy (or maybe I just like happy endings). Nevertheless, it was meant to tug at the heartstrings and so it did. It was, really, unbearably sad, and made me think about what became of the characters for far too long afterwards.
The religious part I enjoyed, because it isn't a very popular opinion in the world today. The "killing God" angle really was very interesting. To everyone who objects to this book for religious reasons, remember: it's called freedom of speech. If you don't like it, don't read it. Be forewarned now that the book presents controversial views of the Church.
All in all, a book worth reading. Just be sure to have some Kleenex for the end.
I didn't realize until I read this book that the His Dark Materials trilogy is essentially a sequel to Paradise Lost. Really fascinating stuff -- Milton was inspired to write Paradise Lost by an enigmatic passage of the bible... some early part of Genesis. Adam and Eve eat from the tree of knowledge and god says, "You know good and evil, now you are one of us." Milton thought "what does he mean by 'us?'" and wrote an epic poem about how angels had a fight with god before creation and god banished some of the angels from heaven. By 'us' he meant the angels he had banished. Starting to see the similarities? Now Lyra being Eve starts to make sense, huh?
Anyway, buy this book. It's well worth the money.
P.S. The passage around page 30 involving Metatron is really incredible writing... he manages to give a sense of urgency and immediateness without resorting to tired fantasy cliches.
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The hero and heroine are sympathetic characters, they are 'human' (neither perfectly good nor increadibly bad). They are forced by circumstance (a.k.a. the author's slightly heavy-handed manipulation of his characters) to make adult choices and through that process grow up themselves, feel love, and change the world(s) around them.
In short (though it's already too late for that), it's good, honest writing, that deserves more than one reading by anyone old enough (or young enough in spirit) to be considered a "young adult."
A note to parents: The world that Pullman conjurs is a bit darker than Harry Potter's. There is more violence and some very frightening situations. I'd say 11 and up would be a good age for these books.
With the Catholic Church scandal revealing painful new developments every day, Pullman's work becomes even more timely. Are institutions created to teach morality capable of staying moral? Can moral authorities resist authoritarianism? Which is more important, the integrity of the institution or protecting our most vulnerable citizens? All these issues come to fore in _His Dark Materials_.
Written as a fantasy-adventure featuring 2 pre-teens, Lyra and Will, this three-volume set features an alternate Oxford (UK) where everyone has a animal-daemon who stays close at hand, intrigue in our own Oxford and the travel between the two, a dangerous Mediterranean world where soul-sucking wraiths only kill adults, and the underworld of the dead. Armored and intelligent polar bears figure, along with corrupt church adminisrators who kidnap and experiment on children.
Pullman clearly detests the evil done in the name of religion, which is why the Good and Evil discussion gets intricate. He is not necessarily anti-Catholic or anti-Christian but anti-authoritarian. Anyone who has studied European history will recognize the characterization of a corrupt and overly powerful Church (denomination never specified in this book, btw). Lyra and Will are bringing The Enlightenment to several worlds who are as politically forward as pre-Reformation Europe, and must defeat powerful forces who have no interest in power-sharing. The books work both as a springboard to the Big Questions and as an allegory for growing up and finding one's own way.
Literate, informed, evocative, and conceptually brilliant, this supposed Young Adult release will captivate adults as well.