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Lottman's work on Camus has not been as well received as one might hope, and that is a great shame. Ironically, I think his reception by Camus scholars mirrors the incivility which the French elite reserved for Camus himself. I think the treatment both men received from the literati is explained by the fact that they are both outsiders. Neither man was a French native (Camus was an Algerian of French-Spanish descent and Lottman is an American expatriate living in Paris) and neither was a professional academic (Camus was a newspaper editor, a novelist, and a man of the theater, while Lottman is a journalist). It seems that the elite are simply never willing to admit any reason to listen to an outsider, no matter how worthy that person might be. That is so at least in retrospect, anyway; I think that as time passes the elite will recognize Lottman's greatness, just as, with time, they recognized the greatness of Camus.
Anyway, this book is a touching, very readable glimpse into the life of a fascinating man, by an author who himself clearly loves Camus and has taken great pains to paint him truthfully.
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Orage's commentaries on Beelzebub gives a presentation of Gurdjieff's All & Everything with the knowledge and understanding of the man who was mainly responsible for the English version of the book.
This book became important for me when I entered into correspondence with Stanley Nott and after three years of exchanging letters moved to London to join the Work.
Stanley Nott lived to the age of 91 and passed away in 1978. His wife, Rose Mary Nott (Lillard) was the first American to enter the Gurdjieff Work. Mrs. Nott taught music and movements to a great number of people.