PREGNANCY MYTHS, by Author Michael D. Benson, M.D. provides an easy to read, informative guide to understanding many of the significant issues confronting pregnant women today. I would highly recommend this book to all pregnant women as well as women considering pregnancy. In addition, this book is a wonderful tool for the practicing obstetrician to help us understand many of our patients thoughts, ideas, and concerns during this emotional and exciting time in their lives.

I just had the opportunity to read "Pregnancy Myths" by Dr. Michael Benson. I found the book to be very comprehensive -- yet easy to read and understand. His book is an excellent resource, which addresses a variety of pregnancy-related questions and myths -- from conception through birth. I wholeheartedly recommend this book to all those considering pregnancy as well as those in the midst of the experience.

Pregnancy Myths is an absolute must for the pregnant woman and obstetric health care providers. As an obstetric nurse, I would highly recommend this book to my patients as well as to other nurses. It provides clear,consise, and easy to understand answers to the questions we are asked on a daily basis! Pregnancy Myths is a valuable resouce!

I have tons of design books! Too many books! Of all the books this one travels with me everywhere I go just in case I need a little inspiration. Tibor and his pack of designers I believe have defined what design and communication is all about. They have pushed ideas to the point of rare novelty. With many of the designs in this book I can see that M&Co never stops asking the greatest of all creative questions: "What if?" There is only one thing I hate about the book - It makes me second guess everything that I do. Is it orginal? Is it "What if" enough? Am I following the creative line that is widely walked or have I grown enough spine to stray off the beaten path?

...Or am I just full of s**t?

Think Tibor Kalman. Think Bennetton's controversal advertising. Think COLORS Magazine (http://www.benetton.com/colors/). Creative advertising, copywriting and photography at its best.

Includes a biography of Tibor, some of his writing about design, countless visuals -- spreads from COLORS magazine, Tibor's ads, clock designs, promotional campaigns, etc.

This is an excellent book I recommend to everyone who has interest in photography, advertising, graphic design or promotion.

Buy it. Or go to a bookshop and spend the day with it.

I don't own this book--yet. I read it at the bookstore and I am waiting for amazon to release it so that I can get the 18 dollar off the 60 dollar list price. This is a great catalogue of all the work Tibor has done in his career. The book starts with a series of Tibor's saying and open into the 'catalogue' itself. Each of them contains very detailed description of the design process so it's a great read.

Good clean design by Bierut, as usual.

The ESPN Sports Almanac is the most complete source of sports information on the planet. It has everything in it from baseball to badminton to the history of the soap box derby. There are other sports almanacs out there, but none comes close to measuring up. This book should be on the desk of every sports fan.

When it comes to sports, the letters that come to most people's mind are ESPN. Those letters have stood for sports for the last two decades. And the Sports Almanac delivers, every year.

This book is for everyone from the casual sports fan to the stats geek. It covers all sports. (At least every one I could think of!) For the amount of content and the price, you can't beat it!

In my sports journalism career, I find it necessary to refer to this book often. I buy the new almanac every year - it never disappoints. Whether a reporter like me, or just a regular fan, its a good book to have.

I have a copy of Practical English Usage on my desk at school. I have other grammar reference books, such as Quirk and Greenbaum, at home, but this is by far the most useful for a teacher of English as a foreign language. Swan's style is to focus on the problem points of learners, and explain them and in simple, pithy and purposeful, everyday language to the extent that an advanced learner would be able to understand. As a teacher, you can often save yourself a lot of hassle simply by quoting from it. I like Practical English Usage because the examples are real, living English taken from the British National Corpus, or are realistic enough to be acceptable as such. Too many grammar books borrow their English from the past, or from the dialects of ivory-tower academics. This book redresses this imbalance. If you are not British, fear not, as another feature is its thorough coverage of the differences between British and American usage. (Other dialects are not covered.) If you are a teacher of English as a foreign language, or a smart student, you will not be disappointed with this Practical English Usage.

I have used this book a lot while studying English and I think IT IS WORTH BUYING for everybody who regularly uses English language and wants to speak and write correctly.

Practical English Usage contains hundreds of entries on English grammar, from elementary to advanced topics and some entries on other issues (pronunciation, usage of problematic words, style etc.). The entries are well selected with and well indexed, so I found answers for the vast majority of questions I have ever tried to look up.

Keep in mind, however, that the book can be used primarily as a REFERENCE. It is NOT structured for systematic, regular study and it is too dry for that purpose.

If you want to learn English grammar, I recommend that you get this book, together with Basic English Grammar by Eastwood and Mackin (with the exercises). Use Eastwood and Mackin's book for systematic study and complement it with Swan's book whenever you have any specific question. These books together cover ALL you'll ever need on English grammar (except if you need to be a professional in the field - such as a translator, university professor etc.).

I didn't read the book from the begining to the end, mainly I used it a reference when I got stuck with a word o prepositions (most of the time). My English teacher asked me to buy it because it would be very useful. I liked that every word mentioned comes with examples of its american, british, canadian or australian usage. It was convenient to me because I studied in a British English school, but I've only been to the USA, so I had trouble communicating because of the difference in vocabulary and spelling. This book helped me a lot. Laura Fernández

My family collected Tintin and Asterix books when I was growing up. My parents have a complete set as do several of my sisters. "Tintin: The Complete Companion" was the perfect gift for them.

"The Complete Companion" discusses the political, scientific, and sociological climate present when Herge wrote the Tintin books. It is very satisfactory to read about the state of space travel and to know where Herge was citing research and where he was leaping ahead.

This is not a story book but inquisitive minds from 8-88 will enjoy it.

If you are even mildly interested to know how Herge choose his name or those of his characters, if you are kind of interested in the historical background to your favorite adventure or if you are a crazy Tintin fan and hunger for anything you can get your hands on, this book is for you!

I have enjoyed it a great deal and I know you will too!

Well, now that you have hungrily read and collected all the titles of Herge, the marvelous artist & story teller, this book completes your appetite, as a slurping dessert!.

Contains detailed background on each and every title that Herge published upto the unfinished 'Alph Art'. Contains several sketches and reference photographs the artist used. You live through the mind of Herge, the times and his efforts. How carefully he chooses realism, timely topics and authenticity to spin those wonderful tales of Tintin! It is fascinating to go behind the scenes of the favourite stories. contains tons of information.

This ought to serve as a wonderful reference for artists.

If you are a diehard fan of Tintin & Herge, this book is a must! Great paper quality & print too!

I've been a big fan of the Tra Vigne restaurant for years. It's a fun place with fantastic food, and fun events such as wine tastings. I swear it has the best smelling food of any restaurant anywhere. It's delicious torture to wait for your food and get whiffs of the entrees going by.
It was with this excited expectation that I opened this book. And although I just received it as a birthday gift, I'm anxious to dig and try to recreate some of the fantstic food I've experienced in Michael's restaurant.
I can tell you already that this cookbook has a wonderful layout. For example, the table of contents (usually dreadfully dull) is a beautiful display of graphic design. Along one side are the seasons, and along the top different types of food. It's an unusual and neat way of showing this information and immediately leads the cook to think of seasonal meals and menus.
Some of the recipes in the book look surprisingly complex so this isn't a volume for beginners. But if they can help me recreate the great meals I've had in the restaurant without needing to travel to St. Helena they will be worth the extra effort.

I've had the Tra Vigne Cookbook for a year now, and I use it regularly. It's an attractive book, with beautiful photos and surprisingly intriguing introductions to the recipes. It's hard to stop browsing once you open the book, and it's harder to close the book without doing some cooking. The dishes are fantastic. The Chicken with Roasted Lemon and Rosemary Sauce is a favorite, as is the Fusilli Michelangelo. (Read the intro to either of these dishes and try to resist cooking them.)

The book is arranged seasonally, with chapters on essential ingredients for each season. Spring ingredients include asparagus, garlic, peas, and potatoes. Summer ingredients include corn, tomatoes, and bell peppers. And so on. I shop at a grocery store, not a farmers market, and I've had a less-than-happy relationship with vegetables since infancy, so I was skeptical of the whole seasonal-cooking thing at first. But I enjoy browsing through the new season's recipes as the year changes, and I've tried dishes and ingredients that are not usually a part of my diet. It's hard to object to broccoli when it's served in a creamy Very Green Soup sprinkled with crunchy gremolata.

It would have been nice in book a subtitled "Seasons in the California Wine Country" to have more information about wine. Few recipes actually use wine and there is no advice on what wines to pair with the food.

Despite the elegant presentations shown in the photos, none of the recipes are too difficult to try. They're just challenging enough for the amateur cook who likes to do a little more than the usual home cooking. The Tra Vigne Cookbook is a lot of fun, and the food is delicious.

His PBS show is incredible, his recipes are to die for, and he is gorgeous to boot. What other reasons are there for buying this book?

eliot is the greatest poet of the 20th century. His work has done more to usher in the myriad of styles that have come after his than any other writer to date. he is Modern poetry and the wasteland is the benchmark upon which all others should be judged. his blending of style and concept are stunning- his words and word choice amazing- that one man could craft such greatness and still go on to write more great works is simply amazing. this poem requires work- don't know about a guide but at least dedication to intelect and insight. as pound said nothing good comes easily and this poems is the best and should be worked at and understood because with understanding and appreciation of this great work comes an insight into the minds and mindset of many of the 20th centuries great writers and thinkers.

Literature scholars universally recognize Eliot's "Waste Land" as one of the most influential poems of the 20th century. The poem draws on a wealth of images, everything from classics of Western literature to Tarot cards, from anthropology to Eastern sacred texts. The title refers to the barren land of the Fisher King in Arthurian legend; both the king and the land eventually find redemption through the Holy Grail. Through a masterful use of language and symbols, Eliot brilliantly portrays the problem of meaning in the modern world --- and the way to deeper meaning!

Unfortunately, many of Eliot's references are arcane, and not easy for the lay reader to pursue. For example, few modern readers happen to have a copy of Webster's play "White Devil" or excerpts from Shackleton's account of the Antarctic expedition readily available on their shelves. Hence, the virtue of this particular edition: in addition to Eliot's original poem and original notes, this book includes the relevant passages from every single work Eliot quotes in the "Wasteland", all translated into English. For the first time I have seen in print, this book allows the reader to understand this magnificent poem in light of the full scope of its allusions. A triumphant achievement!

Simply put, THE WASTE LAND is one of the strangest, most complicated, and interesting poems ever written. Try reading an unannotated version of the poem and you will see why even TS Eliot scholars need a little help with some of the images and literary references Eliot uses. This NORTON CRITICAL EDITION of THE WASTE LAND is an essential book for any Eliot fan, new or old. It provides you with practically every single piece of literature, history, and music that inspired Eliot to write his manifesto of the Lost Generation. If you have any questions concerning THE WASTE LAND, this is the book you need...this is the book you want. Buy it and realize how well-read you are not.

apart from the magnificent photographs and compelling text,this book is powerful because it forces a reader to think about the shameful issue of america's prisons. at a time when most citizens would rather look at the latest celebrity du jour on the cover of every magazine, a work of art that presents real people -- most often old, a no-no in this society -- in grim situations should be applauded. "prisoners of age" peers into the abyss with courage and the result is the antithesis of fantasyland.

Prisoners of Age is visually and intellectually stimulating. I was fortunate enough to see the actual exhibition in San Fran. Having the book to peruse through at my leisure is a bonus and brings back the vividness of the photographs on display in Alcatraz while in addition providing some very interesting reading. I recommend it for personal or a gift purchase.

RIVETING!! Not only does this book graphically depict the often horrible treatment of America's aging prison population, but also serves as a sample of how Americans view the elderly in general. Our fast-paced, high-tech society places too much value on youthful vitality and pure intellect, not realizing the contribution that wisdom and decades of experience can bring to heighten our humanity and sensitivity for our fellow man. Even if you choose to ignore the deeper meaning of this book, the quality and impact of the photographs and artwork still make it a bargain for the price.

Chris

This book is really amazing. I thought that this was a very detailed book about John Michael Hayes and his rise to being a screenwriter, and how he came to work with Alfred Hitchcock. There are some great photos included that I've NEVER seen anywhere else before from Rear Window, To Catch a Thief, and more. I must say this is the best book that I've read about Hitchcock (and especially the best when it comes to talking about Rear Window). Whether you read this book for educational purposes or just pure enjoyment, you will be glad that you got it. I really recommend this to anyone that may wonder how a movie really comes about....how the REAL men do it!

At last someone has challenged the myth that Hitchcock did everything himself. Not so. He had some very skilled writers whose talents helped make his films so memorable. One of those writers - perhaps the most important - was John Michael Hayes, whose screenplays for Rear Window, To Catch a Thief, Trouble with Harry and the remake of The Man Who Knew Too Much, had a tremendous impact on Hitchcock's films of the fifties, and on the way we view Hitchcock today.

In "Writing With Hitchcock", Steven DeRosa gives Hayes his long overdue credit. Hayes' contributions to each of the films are described in detail, as are the steps taken by the censors to reign things in - to protect audiences from the idea that Cary Grant and Grace Kelly would have premarital relations, or that Jimmy Stewart and Doris Day's boy was kidnapped, are just a couple of examples! Each film is gone over in detail from the writing phase to release, and the reader is given a chance to see the relationship between the writer and director blossom, and then die.

There are lots of anecdotes and a summarizing of both Hitchcock and Hayes' careers after they parted which is very illuminating, especially the potential sequel to Rear Window that Hayes worked on that would have been far more interesting than the Chris Reeve tv version. The final chapter is an analysis of each of the screenplays, and this was especially interesting to me as an aspiring screenwriter. Well worth the price of admission! I only wish it was in hardcover.

One of the most important writers to work side by side with Alfred Hitchcock was John Michael Hayes, who collaborated with the director on Rear Window, To Catch a Thief, The Trouble with Harry, and The Man Who Knew Too Much. These films made over a two-year period (1953-55) lifted Hitchcock to a level of popularity at a time when he seemed to be growing out of touch with his audience.

This fascinating book details the relationship between Hayes and Hitchcock, exploring how the two collaborated on the writing and production of the films. Relying on a mass of documents from studio records to Hitchcock's and Hayes' personal papers, as well as anecdotal accounts, Steven DeRosa chronicles the ups and downs of this collaboration, and then analyzes the films themselves. DeRosa presents a fresh and complex portrait of the director while also providing one of the best accounts of the process of writing for film and the indignities screenwriters often endure.

In rating a book I feel I am usually rating the author as well. However, in books such as this that is based upon transcripts it is hard to truly rate the author. Mr. Beschloss' contribution was limited to doing research to explain the circumstances of the transcripts, choosing the transcripts to use, and the tedious task of transcribing. Original thought, though, is not part of the book. The actual content was provided by Lyndon Johnson and many of the major government movers and shakers of the mid-1960s.

I was a little disappointed and surprised at how "sanitized" the tapes were. I had always thought Johnson's vocabulary was one of the more profane and obscene of all presidents but in both this book and in "Taking Charge" you do not see much evidence of this.

As I read the transcripts I gained a new appreciation for the man. Although I inherited a dislike for the Kennedys and LBJ from my parents, I found myself impressed with many aspects of LBJ. Unlike many others then and now, he was not awed by the Kennedys -- he feared them but was not awed by them. I thought the transcripts of his conversations with Jackie Kennedy in the weeks after the assassination (left out of "Taking Charge" at the request of the Kennedy family) were interesting and even flirtatious as he tried to woo her and keep her friendly while Bobby was becoming less friendly.

I was impressed with the progression into that nightmare in southeast Asia as the President, his senior staff, and Congressional leaders all saw little good coming out of the Vietnam adventure, yet despite their misgivings could not avoid it. There were too many factors that made the decision to escalate that conflict the right choice in the mid-1960s although the risks were well known and the suspicions about the Joint Chiefs of Staff were apparent. Many are critical of President Johnson for publicly proclaiming the conflict as winnable while privately proclaiming the conflict as unwinnable -- yet sending many brave men there anyway. I still recall how the liberal news media proclaiming men such as Senators Church, McGovern, Fulbright, etc as being courageous for being critical of the administration's decision to escalate, but the decision to escalate was in itself was courageous. I also know that Bobby Kennedy was critical of LBJ and that many of President Kennedy's aides and supporters have proclaimed that if JFK had been allowed to serve two full terms we would have pulled out and avoided the problems that LBJ put us through. However, JFK was a politician too. JFK was going to delay any major withdrawals until after the 1964 elections so as to avoid the specter of losing Vietnam during an election campaign. After winning re-election, though, he may have felt compelled to maintain and escalate our involvement because the public was still supportive and to avoid the specter of losing Vietnam during the 1966 mid-term election campaign. After 1966 he may have felt compelled to maintain and escalate our involvement because the public was still supportive and to avoid the specter of losing Vietnam during the 1968 election campaign to choose his successor. And so it goes...

This book covers a short period of the Johnson years. It covers the 1964 campaign and election, the Walter Jenkins sex scandal of October 1964, the crisis in the Dominican Republic in spring 1965, the gradual escalation of forces in Vietnam, etc. I understand Mr. Beschloss is limiting this series to three books so the next book will have a lot to address including the 1966 mid-term elections, the continued escalation of Vietnam and increasing demonstrations against his policies there, race riots, the Pueblo incident, the TET offensive, his decision not to seek re-election, the campaign within the Democratic party to succeed him, the assassinations of Martin Luther King and Bobby Kennedy, the Chicago convention, the 1968 campaign, the transition to Richard Nixon, etc. Wow! That will be a lot to cover for one book!

This is truly an astounding book. Now, years later, we finally know the truth: Lyndon B. Johnson was not merely a tragic president who stuck to his guns and fought a war he mistakenly believed he could win (with various political restrictions on the military).
He was, this book proves beyond a shadow of a doubt in its lively transcripts of his secretly taped phone conversations, a tragic president who stuck to his guns and fought a war he firmly believed would be LOST no matter WHAT.
He didn't want to lose, but he didn't want to be the one to pull out, so he got in deeper and deeper, losing sleep and agonizing all the way -- and the consequences to his administration and the country were catastrophic.
There are a slew of reasons why you should read (or gift) this amazing book.
The main one: true, it does give you perhaps more than you wanted to know about LBJ (but I don't care WHAT some reviewers have said: I LOVE the sections where he is flirting with Jackie Kennedy)...but if you read it you get a clear idea of how a president operated -- and many parts of this book are so dramatic and gripping, they read like a movie script. In fact, I can see the Oliver Stone movie now..
Historian Michael Beschloss makes it seem easy when you read it, but transcribing and annotating (so you know through footnotes what LBJ is referring to when he talks and get some historical context..and know when LBJ is spinning) these conversations taped between 1974 and 1965 could not have been easy. Yet, he gives you the meat and you get to "know" how LBJ thinks and, politically, works.
It shows Johnson, warts and all, as a man who could have been one of the very best presidents because of his skills, will and sincere desire to serve. But it shows a highly conflicted, contradictory, at times paranoid and highly depressed man. On the night of his monster landslide 1964 election he is angry and "down," steaming over Bobby Kennedy's influence and possible future machinations. As he presses and manipulates to get his Great Society legislation passed, he's leaking info on election opponent Barry Goldwater, keeping the lid on information regarding his number one aide's role in a sex scandal. He talks of victory in Vietnam, but repeatedly tells politicos and his wife that there is absolutely no way the U.S. can ever win, and he is tormented by his terrible choice and unwanted role. He wants to help the poor and the blacks, but will talk a little more "southern" if he has to while talking to someone who doesn't quite agree with him to make them think he's on their wavelength.
The famous Gulf of Tonkin resolution? Even Johnson believed it may not have happened. But he took the resolution in Congress and ran with it -- using it to justify the war he knew he the U.S. could not win.
In Feb. 1965 he told a Senator "a man can fight if he can see daylight down the road somewhere. But there ain't no daylight in Vietnam. Not a bit."
If you went back and contrasted his public pronouncements with what he was saying privately, it would be shocking indeed: pep talks to the country (and troops) to the contrary, he never felt we could win. Meanwhile, he kissed J. Edgar Hoover's you-know-what to keep hoover on his side (actually, they had been neighbors in Washington and Johnson had carefully kept Hoover on his side for years) in his battle against Goldwater, Kennedy and others.
Not all of the book is about the sad, deceitful slide into Vietnam. Many of the transcripts deal with his election campaign, domestic legislation...but by the end of the volume Vietnam is devouring LBJ alive as it did the country and the innocence and joy of the early 60s.
I read this book rather quickly. It was an INCREDIBLE experience. Read it and you're a fly on the wall in the White House.

This is truly an astounding, superbly compiled, book. Now, years later, we finally know the truth: Lyndon B. Johnson was not merely a tragic president who stuck to his guns and fought a war he mistakenly believed he could win (with various political restrictions on the military).

He was, this book proves beyond a shadow of a doubt in its lively transcripts of his secretly taped phone conversations, a tragic president who stuck to his guns and fought a war he firmly believed would be LOST no matter WHAT.

He didn't want to lose, but he didn't want to be the one to pull out, so he got in deeper and deeper, losing sleep and agonizing all the way -- and the consequences to his administration and the country were catastrophic.

There are a slew of reasons why you should read (or gift) this amazing book.

The main one: true, it does give you perhaps more than you wanted to know about LBJ (but I don't care WHAT some reviewers have said: I LOVE the many sections where he is flirting with and flattering Jackie Kennedy!)...but if you read it you get a clear idea of how a president operated -- and many parts of this book are so dramatic and gripping, they read like a movie script. In fact, I can see the Oliver Stone movie now.....

Historian Michael Beschloss makes it seem easy when you read it, but transcribing and annotating (so you know through footnotes what LBJ is referring to when he talks and get some historical context..and know when LBJ is spinning) these conversations taped between 1964 and 1965 could not have been easy. Yet, he gives you the meat and you get to "know" how LBJ thinks and, politically, works.

It shows Johnson, warts and all, as a man who could have been one of the top presidents because of his skills, will and sincere desire to serve. But it also shows a highly conflicted, contradictory, at times paranoid and highly depressed man. On the night of his monster landslide 1964 election he is angry and "down," steaming over Bobby Kennedy's influence, lack of political deference and possible future machinations. As he presses and manipulates to get his Great Society legislation passed, he's secretly leaking negative info on election opponent Barry Goldwater, keeping the lid on information regarding his number one aide's role in a sex scandal. He talks of victory in Vietnam, but repeatedly tells politicos and his wife that there is absolutely no way the U.S. can ever win, and he is tormented by his terrible choice and unwanted role. He wants to help the poor and the blacks, but will talk a little more "southern" if he has to while talking to someone who doesn't quite agree with him to make them think he's on their wavelength.

The famous Gulf of Tonkin resolution? Even Johnson believed it may not have happened. But he took the resolution in Congress and ran with it -- using it to justify the war he knew he the U.S. could not win.

In Feb. 1965 he told a Senator "a man can fight if he can see daylight down the road somewhere. But there ain't no daylight in Vietnam. Not a bit."

If you went back and contrasted his public pronouncements with what he was saying privately, it would be shocking: pep talks to the country (and troops) to the contrary, he never felt we could win. Meanwhile, he kissed J. Edgar Hoover's you-know-what to keep Hoover on his side (actually, they had been neighbors in Washington and Johnson had carefully wooed Hoover for years) in his battle against Goldwater, Kennedy and others.

Not all of the book is about the sad, deceitful slide into Vietnam. Many of the transcripts deal with his election campaign, domestic legislation etc....but by the end of this fast-moving volume Vietnam is devouring LBJ alive as it did the country -- and the innocence and joy of the early 1960s.

I read this book rather quickly. It was an INCREDIBLE experience. Read it and you'll be a very sad fly on the wall in the White House.