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Rudnytsky's Introduction begins by noting that Winnicott has been largely overlooked by literary scholars -- a neglect which is "all the more surprising since Independent object relations theory can claim to offer the first satisfactory psychoanalytic account of aesthetics." (p. xii) He then proceeds to provide a definition of that "aesthetics" utilizing three of Winnicott's best-known concepts: transitional objects, potential spaces, and the use of an object. Since the editor goes on to describe the particular contributions of each of the essays which follow (not all of which are as readily accessible as Winnicott's own writing), a careful reading of this Introduction will be amply rewarded.
The first section, "The Analytic Frame", begins with Winnicott's own reflections on "The Location of Cultural Experience" (from PLAYING & REALITY) and includes a particularly useful (to my areas of interest) essay by Christopher Bollas on "The Aesthetic Moment and the Search for Transformation." Part II, "Literary Objects", focuses on six interpretations of particular authors or works, and Part III concludes with four essays applying Winnicott to various "Cultural Fields" (including Brooke Hopkins' "Jesus and Object-Use"). At least two of the essays (by John Turner and Claire Kahane) critique Winnicott's theory for lack of attention to the social, economic, and political relations which shape subjectivity and perpetuate injustice, or the ways in which culture's prevailing symbolic network of representations are constructed according to the norms of a masculine subject. These more critical voices contribute to a well-balanced collection. Whether you've read a lot of Winnicott, or have only begun to study his theories, this book is well worth having and reading.
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You will learn everything from theme to plotting to building believable characters.
I highly recommend The Writer's Digest Guide to Good Writing.
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The material was delivered clearly, not necessarily simple... but it is clear. The book is worth all my hard saved money... and im glad to have it, and its fun to read too...
The book wastes no space on trivial stuff like how to open your compiler or use a non-standard C function. Instead, it goes directly into what's important, explaining the concepts and giving concrete examples where appropriate, all using ANSI C.
Since most of the issues aren't dependant on the implementation schemes, almost any advanced programmer would benefit from this book, even if he/she is not programming in C (assuming advanced knowledge of C, of course). The only exceptions are the topics that talk about the ANSI C rules and code organization and optimization. The only disadvantage here is that this book doesn't cover object oriented concepts, but that's not a surprise of course as the book is titled "C Unleashed." But still for anything else other than that, this could be a great help even to C++ programmers.
The book chapters have been written by more than 10 experienced programmers, 6 of them are really good, which makes each chapter standalone as a small tutorial on some issue. The writing style of Richard Heathfield and many of the co-authors is very nice to read and clear to understand. Some parts, of course, do not have that nice writing style, but throughout the book, the technical information is very clear and easy to comprehend.
I wouldn't recommend this book to any new programmers. But for the more advanced ones, this is something they would want to check.
-Mokhtar M. Khorshid
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This book does it.
*It tells how a tree grows and how it effects the lumber
*What to expect from a piece of lumber.
*How wood is milled
The front section lists about 50 different woods along with a neat chart that includes costs, density, workability, and finishing for each of the woods.
The only reason i didnt rate the book higher was I would love to see more woods listed. There were a couple of exoitics that i was looking for.
It is just a real good book to get a lot of basic knowledge from. It is written very well and its real easy to read.