



The three subjects of the volume-Lionel Atwill, Colin Clive, and George Zucco-were extraordinary stage-trained actors who became legendary players in the great Universal Studios' horror classics of the 1930's and early 1940's. Even more interesting is the fact that each man was far more interesting in real life than he was in the roles he played on stage and screen. Each in his own way was a tortured soul.
Atwill, the great matinee idol of the British and American stages of the 1920's, was a powerful character actor whose lead roles in such classics as "Dr. X" and "The Mystery of the Wax Museum" elevated him to the same pedestal as Karloff and Lugosi in the horror genre. However, in real life he was a self-destructive free spirit whose sexual escapades led to his downfall. Bitter in his last years, he died an outcast in an industry that was appalled at his unabashed sexual proclivities.
Colin Clive, whose masterful portrayal of Dr. Frankenstein ranks as one of the best pieces of acting in any genre, was a tormented soul who lacked self-confidence and took refuge in the bottle. He would die tragically at the age of 37 from kidney and liver failure, his talent only partially tapped.
Finally, there is the gentlemanly George Zucco who could play virtually any role with equal skill and grace, but who nevertheless was stereotyped in "mad doctor" roles to his everlasting chagrin. Zucco would die unfulfilled, wondering to the last how his career might have been different if only he had gotten more diverse dramatic and comedy roles.
Mank does a super job in bringing out the irony in each man's career-we remember them best for the mad, often tragic characters they portrayed on film. Yet it was in real life that these men played out their most genuinely tragic roles.
I highly recommend Mr. Mank's book to all true fans of these three unsing heroes of early horror films. Each was very talented and very troubled. To his credit, Mank does an excellent job in illuminating both the professional and personal components of their lives. A fine job.





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These shocking and horrific crimes were well documented by the author, Gregory A. Freeman. He did a wonderful job of backing up this true tale with documented facts, figures and pictures. It's sad that this story had to be told but it illustrates that the south wasn't used to the idea, some 56 years after slavery- that all men are created equal. It is sad that Mr. Manning felt the need to comply with Mr. Williams wishes to kill his own people for fear of his own life and that of his family. Sadly not a lot of Georgians know about this case and I'm trying to determine if it is because this is just one of many cases and in the telling of family history this was commonplace. Read this book not to anger yourself but to get a greater understanding of the true side of history.

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Unfortunately, it takes the authors too long to get to the "good stuff" and that's the main downfall of this novel, IMHO. The selection of the astronauts assigned to save the world is interesting enough. And so are the frequent depictions of the smaller meteor strikes in advance of the main astral body known as "Shiva". Benford and Rotsler's view of worldwide paranoia, religious zeal, and sexual depravity in reaction to this pending catastrophic event is disturbing at best. But... probably not too far from the truth if a disaster of this proportion ever threatens the earth.
This story becomes more uneven as the authors try and describe how world governments would react during a situation like this. Would world leaders be shallow enough to take their own lives instead of attempting to save their countrymen? Would a US President turn to debauchery and apathy instead of trying to be a leader? (The analogy of a banjo-playing President and Nero, his violin, and a burning Rome definitely came to my mind as the asteroid got closer to Earth.)
The other main complaint that I have is that there are so many characters introduced in this novel, that the authors can't really do justice to character development. In particular, I would have really liked to have seen Brother Gabriel's character developed a little more.
As an earlier reviewer pointed out, the last third of the book is riveting. You'll be on the edge of your seat as the book takes a few twists and turns before arriving at it's (expected) ending. It should be noted that this book is often given credit for spawning movies like "Armageddon" and "Deep Impact". It should also be noted that like most books, the novel is superior to the film version(s).
Should you read this book? Yes. It is well-researched and imaginative. Is it one of the best of the Apocalyptic genre' books? No. I would recommend instead ... "Rift" by Walter Williams, "The New Madrid Run" by Michael Reisig, or "Earth Abides" by George Stewart.


How does the earth's populace prepare for this devastating event? On balance, not well at all. NASA and the military are the only heroes, our government gets a grade C, organized religion rates a D, and the general population flunks. Pandemonium, lawlessness, strange sects and anarchy reign. As Shiva nears Earth's orbit, the level of civilization declines drastically. The only hope for humanity is if the massive asteroid can be deflected away from earth. Enter NASA and the astronauts carrying a bomb load that would make Anola Gay look like a peashooter.
More than a nodding acquaintance with astronomy and physics would add to the enjoyment of this book. The technical passages are many and sometimes too long. The male characters are well delineated, surprisingly so for this type of book. The anti-hero, Carl Jagen, is particularly complex; he creates tension whenever he appears. The females, with the exception of the clear-eyed astronaut, are pliant, ...... ravenous, and servile. The story contains a few dead spots, but provides a rousing, spot-on finale when the astronauts do battle with Shiva in space. After barely retaining my interest in the opening passages, I was riveted by the last third of the story. Grade B-

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In Greek mythology it was well established that Heracles "died" on a funeral pyre: as a demi-god he could not truly die, so the fire burned away his mortal side. But in the hands of Sophocles the tale takes a certain twist. Heracles demands that Hyllus marry Iole. Sophocles presents this not as an act of repentance, but rather as a last attempt to keep Iole, using his son as a surrogate. Ultimately the question Sophocles poses is whether Heracles deserves transfiguration. In this regard it is similar to his play "Ajax," although I do not think the verdict is as clear or as positive in this play, which was performed sometime after 458 B.C. While the psychology of the characters is certainly what we expect from Sophocles, there is a touch of the cynicism we usually associated with Euripides.


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1. I really enjoyed the sample problems in the book. It helped prepare me for the additional problems in the book.
2. For the most part, I understood everything. Reading it was not too difficult.
The cons about this book:
1. Some answers were incorrect. I had to speak with the instructor to get a couple of problems cleared.
2. The worst is that there is a solution manual available for only the Odd problems. I'd prefer a solution manual with both even and odd problems so that I can compare my work with and not hassle the professor's as much as i do to make sure i'm understanding the material.

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