This book is well written and painstakingly researched. Mank has personally interviewed as many of the players in the Bela Lugosi and Boris Karloff story as was possible, and to his credit he includes plenty of conflicting stories. He has poured through studio records and includes information on star billing, salaries and even production updates. Mank even goes to the trouble of giving exact addresses of the stars homes! The end of the book features complete career information about each star (including theatre, film and television) and a detailed filmography of the films they made together.

The book takes a linear route, and Mank treats it like a slowly unraveling story beginning with Karloff's arrival on the Universal lot to play Frankenstein's monster and ending with his death. In between those events he devotes entire chapters to the eight films Lugosi and Karloff made together: The Black Cat (1934), Gift of Gab (1934), The Raven (1935), The Invisible Ray (1936), Son of Frankenstein (1939), Black Friday (1940), You'll Find Out (1940) and The Body Snatcher (1945). In addition a few chapters are provided in between to fill out the story between movies (including a chapter devoted to Bride of Frankenstein) and separate chapters at the end devoted to the end of each star's life. The chapter on the Black Cat is particularly detailed and informative and makes the book worth the price and the time in and of itself.

The 372 pages are packed with information. There are quotes from the stars themselves, their wives, friends, fellow actors and directors. As I said before many of these stories disagree especially when it comes to Lugosi. There are many mini-biographies of such luminaries as James Whale, Dwight Frye, Edgar Ulmer, David Manners, Colin Clive, Peter Lorre, Val Lewton, and just about every other major figure to come in contact with the two actors. There are many great full-page pictures (many that I haven't seen anywhere else).

Mank proceeds from the premise of contrasting "Dear Boris" as a gentle beloved distinguished and successful actor and "Poor Bela" as a doomed tragic figure who was misunderstood and a victim of circumstance and his own mismanaged affairs. This is a great hook to give the book some spice, but ultimately it is the weakness of the book. Mank is up front about the fact that he is biased towards Karloff, and I feel he misses the point at times about Lugosi's talent and his ultimate fate. For instance he praises Karloff for knowing when he was in a dog and phoning in his performance and condemns Lugosi for always playing his heart out no matter how bad the film. I disagree with this approach completely. However, despite the sometime distracting Karloff bias, this book is still the best and most informative book I have ever read on the subject. To his credit, Mank tries hard to be fair (who after all is truly unbiased and at least Mank recognizes his) to the point of printing opinions that don't agree with his.

I highly recommend this to any fan of Boris Karloff, Bela Lugosi, classic horror movies, old Hollywood and film in general. It is both fascinating and easy to read.

This book is a masterpiece! As a practicing attorney and former English major, I have never seen such meticulous and detailed study of how lawyers and witnesses talk. I found it useful for my legal practice and just plain fascinating intellectually. I strongly recommend it for attorneys, legal scholars, and anyone interested in this case.

This is the reference standard for studying Agency and Partnership in todays law schools. This is truely the "Bible" when it comes to studying this subject.

Mindfield is an expansive retrospective of poems by one Gregorio Anuzio Corso. This guy is one of the original Beats. He was part of the original seven of Ginsberg, Kerouac, Burroughs, Huncke, Holmes, Cassidy and Corso. Corso wrote an excellent collection called Gasoline which is generously represented in this book. This volume also includes poems from Corsos books for New Directions. Poems like Bomb and Marriage are Beat classics. Long Live Man should be retitled Long Live Corso! Corso never attained the level of noteriety of Ginsberg, Kerouac or Burroughs but there is work in this collection that will really make you wonder why. Shorter poems like Italian Extravaganza and I Am 25 really hit the spot. (amazingly Corso can still pull off I Am 25 at readings even as he reaches the age of 70) This is American poetry by an American original. It would be great to see Corso garner the recognizion that he has so long deserved.

I'm from Beijing, China. I've read this book, and find it is indeed very useful and helpful!

The Sociology Student Writer's Manual is an excellent resource. Every student, major and minor, in the discipline will benefit from a close study of each chapter. Following the instructions will make citations and referencing a cinch! All the tips and clues necessary to provide your instructor with perfect copy, both in content and in form, are included. There is even a chapter on the www. This offering is both a writer's manual and a model for doing research, with examples in all areas of the sociological endeavor. IT IS WELL WORTH THE INVESTMENT!

SPADA is a journal that contains some of most current ideas on historical swordsmanship by a number of the field's leading researchers. As a student of historical swordsmanship myself, I think it is an excellent step in the right direction for the progression of this school of study.

As far as the contents of the book are concerned, my hat goes off to the editor, Stephen Hand, for distilling such a diverse, and yet interesting range of papers from the vast array of excellent treatises available.

The book also features some interesting reports on some of the most recent activities undertaken in the WMA community. This provides the reader with a very good 'big picture' perspective into what advances are being made in what fields, and an appreciation for the vast range of people who are now interested in historical swordsmanship.

With regards to it's practicality, the book caters for many different tastes - whether you are interested in the finesse of renaissance fencing, or simply a medieval re-enactor using the trusty 'sword and shield' method. SPADA provides useful insights and a greater understanding of historical methods of fighting.

I highly recommend this book to anyone interested in gaining a greater appreciation of historical swordsmanship, and anyone who is curious to know what the swordmanship community out there is doing. I rate it as a 'must have' item, and I look forward to more SPADA releases in the future.

cheers

Matt Partridge
Secretary
Order of the White Stag

This book is a must-have for those who are fascinated by the English language and dialects. Apart from sharing with the reader an overview of the interesting shift of Howells' writing style (and introducing a respectable body of works), Stratman has cleverly delved into the intriguing use of the dialects Howells utilized for his many characters. We are even privy to somewhat of a philosophy as to the nature of "real language" that comes from "...the Sounds from the mouths of men...". I couldn't agree more. What's more, the book was written with warmth and humor and was not at all dry and [so] unlike most literary studies I have found. Kudos to Stratman for addressing a fascinating branch of our language...effective expression in simple and real dialects used by real human beings without fancy hyperbole. Stratman has painted a picture of the germination (perhaps) of the southern writers and their simplistic and reality-based style. The research and references the author used for this book are impressive and painlessly interspersed throughout the text. It read more like a novel than an annotated study with tedious, bothersome references getting in the way. I highly recommend this book to any fellow "language freaks" out there, and hope this author puts more pen to paper and shares more of his flowing writing style with us!

A rustic, wonderfully no-frills collection of anecdotes and 'stories-heard' concerning fairy beliefs and fairy doings gathered at the turn of the 20th Century by Lady Gregory (with the assistance of believer William Butler Yeats), Visions & Beliefs In The West Of Ireland will appeal directly to students of folklore, fairylore, anthropology, psychology, and religion. It will also be of interest to the casual reader, who may be surprised to learn how prevalent the belief in fairies was in rural areas of the British Isles, and how seriously this belief was taken; and not five or six hundred years ago, but a hundred years ago. Though far less common today, the fairy faith still thrives around the world, as several articles in the New York Times recently prove.

Charming and colorful without being in the least sentimental, Visions & Beliefs is required reading for anyone seriously interested in the supernatural or Irish cultural history. The fairies described here vary in appearance, but in most cases are more akin to the image of the Christian angel than to the 'flower fairy' or garden gnome of modern popular imagination. Never winged, only sometimes small or short, and often the size of an average man or larger, the beings observed in these recountings (or perceived but unseen "all around us, as thick as the grass," as one man says) steal milk, kidnap babies, haunt roads, wells, and shorelines, prefer human women to act as midwives for their race, and need human participation to play their games and fight their wars.

Who or what is the Fool of the Fort? Why May and June are the most dangerous months of the year? How does one free oneself from enchantment if pixie-led? What happens on May Day's Eve? How one recognizes a fairy doctor? Are babies perceived as changelings in fact sick or deformed children? This volume addresses these questions and a hundred more.

As a vision-based collection of folklore, and of fact as the rural people saw it, this book deserves the highest praise for its purity of style, method, and intention. The more imagination the reader has, the more the book, with its incredible descriptions, will expand in mind and memory.

Collaboratively compiled, edited, and notated by Gregory A. Waselkov (Professor of Anthropology and Director of the Center for Archaeological Studies, University of South Alabama) and Kathryn E. Holland Brand (Associate Professor of History, Auburn University), William Bartram On The Southeastern Indians is comprised of the writings and observations first published in 1791 by William Bartram regarding flora, fauna, and the Native American Creeks, Seminoles, and Cherokee that he encountered while touring the American Southeast. This scholarly edition is enhanced for contemporary readers with illustrations, notes, a bibliography, an index, and an informative chapter devoted to the significance of William Bartram's writings in anthropological studies of 18th century southeastern Native American cultures. William Bartram On The Southeastern Indians is a core addition to personal, professional, and academic Native American Studies collections and supplemental reading lists.