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Ms Berkman has done all of the work required for historic fiction: she writes of everything from the laws of the time to the family linen. To this she has added an inspired imagination and outstanding writing.
The result is an excellent collection of linked stories -- it almost adds up to a novel about Shakespear. She has taken what little we know of these figures and constructed plausible, fascinating, three-dimensional women.
I would have entitled this review "Her Infinite Imagination," but someone has already used it.
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Boot is also very educational tool and recommended reading for the growing corps of citizen volunteers across America who are becoming active in community oriented police (COP) programs.
Lastly, Bill Dunn makes it clear why every police department in the nation is beating on the doors of the LAPD to recruit its seasoned officers.
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Nicole Bailey-Williams has made a grand entrance into the literary scene with this spectacular novel. She does an excellent job drawing the reader into Song's world and making them share in her experiences through the short passages of prose. While the format of this book is different from the norm, the author's mixture of literary style and prose proved to be just the right recipe for a stellar debut.
Reviewed by Stacey Seay
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The tale of the Heroine, Hope Clearwater, is told retrospectively by herself. Boyd cleverly puts himself into the first person so that he is believable as Hope herself. Then he has Hope speak of herself in first and third person, which creates an interesting effect. On the one hand you are viewing a narrative account of her story, but then you easily slip into her mind and listen to her thoughts. This makes the story very personal, and brings you close to Hope's character in an empathic way.
The story moves from College in England, to research in the downs of Southern England, before it leaps to Africa where things really hot up. Relationships move from civilised distraction to out and out bloodletting.
Boyd weaves in themes familiar from Jane Goodall and Diane Fossey's primate studies. He makes mathematics and research into interesting subjects, and is guaranteed to have you reaching for the dictionary to understand some of the obscure terminology of medieval english architecture. Over all of this he lays a central african civil war, academic cloak and dagger politics and some complex human and chimp relations.
Two love affairs that seem doomed, sexual politics in the bush and a shifting and uncertain movement of grant aid and civil war add to the complexity. A rebel army formed from a volleyball team, an egyptian cosmonaut, a half built hotel and the smallest model aircraft in the world inject the sense of ridiculous that is part of Africa.
A highly intelligent and enjoyable read.
William Boyd takes these various threads and weaves them together, along with a variety of brief comments on scientific and mathematical ideas and issues, into an exciting and intellectually compelling novel. With its Edenic setting and themes of Man's search for knowledge--and the madness the search can bring--the book taps into our primordial myths and some of the core questions of our existence. If it sometimes seems to be almost too consciously striving to be a serious novel of ideas, that ambition is justified, if not always realized, and the philosophical failures are more than offset by the good old-fashioned African adventure story that unfolds simultaneously.
The shelves fairly groan beneath the weight of books warning that when a little of the veneer of civilization gets stripped away in the jungle, Man must face the fact that he has a dark heart. And there are elements of that here, particularly in the way that Mallabar treats Hope and her discovery, but Boyd has much more to say besides just this. Perhaps the most exciting message of the book lies in the contrarian stance it takes to the modern age's tendency to romanticize Nature. It is always well to recall Thomas Hobbes's famous description of Nature as "red in tooth and claw." The reader of this book will not soon forget it.
GRADE : A
'Brazzaville Beach' is a story about a young British woman studying primate behaviour in Africa. William Boyd deftly weaves the story by including flashbacks of her life before Africa (and her failed marriage in England), and by describing the present state of the war-torn African country where she resides. When the primates (chimps) she studies start behaving unusually her life, and those of her fellow researchers, turns upside-down, and she starts questioning the behavior of herself and mankind in general.
In addition to being a mature, absorbing story, 'Brazzaville Beach' is written with intelligence. The characterizations are well-drawn without be overly elaborate. The story is thought-provoking without being too preachy. I should think secondary schools and universities should include 'Brazzaville Beach' in their curricula as part of a social sciences program. It is *that* good.
Bottom line: simply terrific. Don't hesitate from putting it on your 'must read' list.
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Thomas Williams is right up there with C. S. Lewis and J. R. R. Tolkien. It's a MUST to read and I look forward to reading the sequels!
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Elric of Melnibone: Great introduction and brilliant way to kick off the volume. Everything about Elric is explained here.
The Fortress of the Pearl: It's interesting to note that even though this one wasn't published until nearly the nineties, it fits seamlessly into the rest of the books, and of course the device of making him forget explains why the events here aren't referred to in later novels. This one is good, still.
Sailor on the Seas of Fate: Easily the best story in here, period. You know its good when three other Eternal Champions show up (Erekose, Hawkmoon, and Corum), and they only stay through the first part, and the rest of the book just gets better!
The Dreaming City: Elric takes out his home city. I thought this was just a short story until I read the end and saw the rather major upheval Moorcock threw in at the end. Quite the tragic tale.
While the Gods Laugh: Another quickie tale, also tragic. Elric appears to be wrestling with many demons (in his mind, at least). Someone get this guy a shrink.
The Singing Citadel: Last short story of the collection and probably the best, it shows Elric finally getting at least partially over the events of The Dreaming City, for a little while. And hey, any volume with the Duke of Hell in it can't be all bad.
My only quibble is that the entire six book series wasn't reprinted here in its entireity (only the first two were). Hopefully that will be rectified when the eleventh book in the series: Elric: Stealer of Souls, is published. I'll be waiting
Elric of Melnibone - The flawless beginning of the saga. Elric of Melnibone introduces its namesake, his best friend Dyvim Tvar, his lover Cymoril, and his competent cousin Yyrkoon. This is, obviously, the first true advancement into the story; but as I mentioned before, it is flawless.
The Fortress of the Pearl - A sidestory, taking place between Elric of Melnibone and the Sailor on the Seas of Fate. Not as good as the other installments in the series, but a gem nonetheless.
The Sailor on the Seas of Fate - Split into three seperate, overall unrelated stories. Of course, all three fit into the current storyline, but each can be considered a seperate adventure. The first introduces Hawkmoon, Erekose, and Corum, three of the other incarnations of the Eternal Champion. The next two tell of Elric's adventures with Smiorgan and Duke Avan.
The Dreaming City - The conclusion to the plot that was set up through the entire first book (Elric of Melnibone). To say any more would spoil and excellent plot twist. Also, to mention, this is the first part of Weird of the White Wolf, the third book in the Elric Saga.
While the Gods Laugh - The second part of Weird. Here Elric meets Shaarilla, the wingless woman of Myrrh. Also, in this story, Elric meets Moonglum, his most faithful companion, and the one who stayed with the albino warrior the longest. An excellent story, simply put.
The Singing Citadel - Elric's first meeting with his long-lasting enemy (from this point on), the sorcerer and servant to Chaos, Theleb K'aarna. Here Elric also meets Yishana, who appears once more in the future Elric stories. The third installment in Weird.
My final word: Read it, read it, read it!
This book, Song of the Black Sword, contains three full length original Elric novels with the addition of three short stories that would most definetly become a burden to collect. Just having so much out of print or hard to find literature in one novel is well worth the price alone.
The most interesting aspect of these books for myself was not the massive genocide Elric commits with Stormbringer or the bizarre adventures he physically and metaphysically sets foot on , but the strong development of Elric himself.
He has changed the way that I view fantasy with such a dark hero.
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Miller tells us that he wants to begin afresh by forgetting the Lincoln myth and tracing the moral development of Lincoln in order to see where he winds up. But of course this is an impossibly objective position to attain, and the fix is in from page one: the reader knows--and so does Miller--who's going to win the race. Lincoln predictably emerges as a complex individual who rises to historical prominence not just because he grew into an astute statesperson, but also because he was a virtuous human being. The first alone would have given him power; both together give him greatness.
Most of Miller's tracing of the inner life of Lincoln isn't particularly new, although it is pleasingly systematic. But two characteristics of his approach are worth noting. First, Miller obviously admires his main character without falling into the hagiography that bedevils so many books on Lincoln. Second, Miller's thesis that the contours of Lincoln's moral character are shaped by his earnest efforts to repudiate his backwoods heritage is both novel and persuasive. This argument alone would make the book a worthy read.
But what the book doesn't do--and perhaps no single book can do this--is explain why it is that we simply can't seem to get enough of Lincoln. Lincoln is a sort of national icon. The fascination with him is apparently endless. Miller's book will contribute to the on-going fascination.
In this wonderful new book, William Lee Miller examines, not so much the events of Lincoln's life as the evolution of the character of the man historian Paul Johnson calls "a kind of moral genius." The book covers the years from Lincoln's birth until his inauguration in 1861. In particular, Miller examines how Lincoln's politics can be squared with his morality. Using Lincoln's own words, Miller effectively refutes the revisionists of both the right and the left and restores Lincoln to his rightful place as an American giant and irrepressible foe of slavery.
Miller is an unabashed admirer of Lincoln. Through careful scholarship and relentless logic, the author dissects Lincoln's words and actions, explores his motivations and raises and disposes of revisionist arguments. He does so in an amusing and folksy style that clearly reveals his affection and fascination with this greatest of all Americans. All of the positive traits associated with Lincoln are shown to be true. In speech after speech, Lincoln is revealed to be an intractable foe of slavery. Miller's exploration of Lincoln's character show a living politician to be sure, but a politician who clearly sees the elective process as a path to his moral goals, namely the containment and end of slavery. Lincoln is revealed to be unusually conciliatory and non-vindictive. For example, he placed Edwin Stanton in his cabinet despite Stanton's support for his Southern Democratic opponent and despite the fact that Lincoln was personally humiliated by Stanton years earlier. Not many presidents would do that. It reveals much about Lincoln's character.
Miller has no patience for arguments that attack Lincoln's character because he was not a morally pure abolitionist. Miller places Lincoln's pragmatism in its proper context, given the opinions of the electorate Lincoln faced in Illinois and then nationally. He also shows how Lincoln's pragmatic approach was in fact the moral and ethical method to solving as intractable a problem as American slavery. He contrasts Lincoln's pragmatic moral approach with that of Stephen Douglas who Miller contends lacked any morality at all.
During the vital six years between 1854 and Lincoln's election as President, Lincoln is shown to have developed a comprehensive and consistent moral perspective on slavery. He thought it a terrible evil and planned for its ultimate destruction. But Lincoln recognized that immediate abolition was not possible so the platform of the Republican party, which Lincoln helped build, was limited to the demand that slavery not be permitted in the territories. Douglas had no belief that slavery was immoral and would have allowed its spread to the territories to preserve the peace and the union. As Miller shows, there is no evidence that slavery was anything but Lincoln's prime concern from 1954 on. The Civil War was fought because the Southern states could not abide the election of a president determined to halt the spread of slavery. As Lincoln put it to Alexander Stephens after his election as president, "you think slavery is right and ought to be extended; while we think it is wrong and ought to be restricted. That I suppose is the rub."
A key component of Lincoln's thinking that distinguishes him from many of his allies of the day is his magnanimity, most famously reflected in his "malice towards none..." second inaugural. Miller shows how this magnanimity was a key component of Lincoln's moral thinking. Lincoln always argued that slavery was an American, not merely a Southern problem. He never personally condemned the Southerners who supported slavery but instead tried to understand them and his program always called for accommodating their fears and concerns. In this book, Abraham Lincoln is revealed as a truly great American and a most moral man who proved to be a brilliant leader. He comes across, not as a saint but as a living breathing human being with desires and passions but with a real commitment to justice. This book should really be read by all college students as an example of how an American politician can be effective and still remain committed to his core principals. The brilliant scholarship and lively style makes it a must read for anyone with an interest in American history. I expect this book will be on many university history department reading lists.
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Santa Calls is a book by William Joyce. Art is a boy who lives on a farm. Santa sends his family a box and they fly north in it. When they get there, Santa takes them for a ride. When they are riding, dark elves take Art's sister. Art gets her from the dark elves. Santa Calls is an awesome story. I liked the part when Art made a candy bomb of his own design. To find out this stuff buy Santa Calls.
By: Joey
"Santa Calls" offers MORE than pretty illustrations (they are more like, art-deco "way-cool.") And the story explores, among other things, sibling rivalry, the earnest hopes of children to be accepted fully into family life, the importance of sometimes keeping secrets, and the potential of redemption in misguided kids (Whew! Sounds like a good dose of substance to me!) Best of all, the Mrs. Santa is NOT the stereotypical "Jonathan Winters in drag" sort of depiction. She is classy and stylish (what a coat and hat!) and has a noticeable tinge of self-confidence. THIS is the "Mrs. Claus" that *I* want to believe in!
The end of the book consists of two letters -- one from the central girl character and another which is a response from the Big Guy himself. They appear to be the real things -- conveniently pasted into the back cover of the book! Nice way to get kids to appreciate the art of letter-writing at an early age. Do call on this book, you won't be disappointed.