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Skin of Our Teeth, the story of the Antrobus family in stone age Atlantic City, NJ, deals with indomitable humanity, and how we can prevail against all odds, but especially against our own impulses. It also brings up the consolations of literature and of past times.
Our Town is a simple little play about love and death, and how life is composed as a series of moments. It is so important to live in every, every, moment.
The Matchmaker is about living life to the fullest, even in the midst of grief and aging.
This makes these plays sound dreadfully simplistic, and full of high-school style morality. Thornton Wilder's writing is full of irony, wit, grace, kind humor, and style. His writing has a deceptive simplicity and rhythm. Read these plays to bring some beauty into your life.
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Both as playwright and novelist, Thornton Wilder captures the essence of human nature--revealing its hesitant yearnings and poignant humiliations in the daily struggle for recognition in an indifferent world. Despite the almost humorous cover illustration (Bard Pbx) and occasional outbursts of wit, this story is more pathetic than comic. George Brush is a young man sure of salvation in the next world, but woefully ill-equipped to cope in this one. Fiercely determined to live a righteous life of voluntary poverty during the Depression, he manages to antagonize or frustrate most of his non-business contacts. Haunted by an unfortunate romantic incident in his recent past, he feels obligated to make reparations, yet pursues various female acquaintances with overzealous devotion.
George
is considered a success only by his employers, since he proves a competent traveling salesman for his textbooks company. So what is it about this unusal young man which turns normal folks off at first encounter? Is it his relentless religious discussions, his strict rules of self conduct, or his odd manner of viewing his own role in society? Somehow he just does not fit in with mainstram America of the 30's. His road travels are a series of bizarre circumstances and gross misunderstandings which result in brushes with the police and judges--even though he is honest to a fault. People can't figure out his motives, for it is difficult to put into practice the theories of Ghandhi in the "modern" mercenary world. The country was simply not ready to welcome this sincere but persistent young man as a regular member, even though he longed for his own hearth. Can a brutally honest fellow find happiness with the girl of his dreams in rugged, disillusioned America?
I found the style disjointd, with many loose threads instead of a clearly woven plot; this made the book hard for me to wade through. But the courtroom scene was a delightful section, cleverly plotted with witty remarks--Wilder in top comic form. How can poor George find justice in our plebian nation and personal happiness at home?
There is a very subtle ironic humor pervading this book; it is impossible to miss, but Wilder never makes a clown out of his protagonist. Instead one is left with the feeling that George really does make the world a better place, though he has an eccentric way of accomplishing this goal. What I had thought was going to be a stinging kind of satire about an evangelical young man ended up being a wistful satire more about the people who judge such a man than about the man himself.
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That said, the play can still hold the stage, although it is not as good a play as "Our Town," which uses the same modernist, fantastical conventions to much stronger effect. Does anyone actually read "The Skin of Our Teeth" these days, or do they buy the three-play book just for "Our Town"?