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At the end of the book a groundsheet of the Rogers' house is shown. This helps to understand the description of the crime and the search through the house by the two police officers. What I miss is a groundsheet of the parsonage. From the description it is not possible for me to imagine how it looked like. It plays an important role so I think it would better the book if it was printed too. A thing that makes me curious is: what did the authors put on their trail? Where they one of those informed by Marietta Gerhart?
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The Thirty Nine steps is said to be one of the most important novels in the thriller genre. Featuring Richard Hannay a former South African miner, who is caught in a spy story, the effects of which may lead to war in western Europe.
The story is fast moving. Hannay is placed in predicament after predicament (like the Perils of Pauline) following the discovery of a body in his London flat. He escapes to Galloway, then Dumfriesshire (rural south west Scotland). Pursued by both police and foreign agents Hannay's life is at risk - and we witness his use of a number of disguises, and his experience as a mining engineer, in escaping each predicament.
At times the novel feels like a loosely related series of escapades, but the final chapters (as in Childers' The riddle of the sands) pull the disparate strands together satisfyingly. Fast paced with an appealing central character, the novel is recommended as a quick and easy entertainment. However, there are some flaws readers ought to be aware of.
In the Scottish sections of the novel Buchan writes the dialogue of the locals in dialect, contrasting this with the the "received pronunication" of the other characters. As a technique it appears to belittle the validity of the dialect spoken, and appears to patronise the locals. Although, Buchan's sleight here is countered by his portrayal of the locals. They share a certain cunning and deviousness. Additionally, the use of dialect (and a particular type of lowland Scots dialect) renders parts of the text difficult to follow.
Most concerning about the book is the inherent anti-semitism. Analgoies and metaphors rely on negative imagery of jews; and one of the characters (scudder) is overtly anti-semitic in his comments. While this was a prevalent attitude in a certain strata of British writing pre- World War Two, it jars today - and rendered parts of the novel, for this reader, offensive.
Buchan is certainly readable, but his work has dated. His influence is apparent in the work of Greene, and inherent in his work are the influences of American thriller writers of the early twentieth century, and Conan Doyle's Holmes, Challenger, and Brigadier Gerard stories.
If you enjoyed this novel you might want to try Graham Greene's Gun for sale; The Confidential Agent; Stamboul Train; and The Ministry of fear.
The main appeal is a Wordsworthian ramble through a rural scene populated by deep and knowing pastoral types, such as the roadman and the fly fisherman, though no Lucy, nor any available women at all to signify the potential future of a British race. All the characters are either aristocrats or peasants, befitting the narrator's acknowledged anti-middle class sentiments. Curiously, the hero himself is middle class, a mining engineer, though retired at 37 years old, idle but restless, and by nature the best picture of an English sport. He is Sherlock enhanced with amazing physical prowess.
Readers will notice disrespect towards police. Our hero throws a good punch right in a cop's face, and police are everywhere ineffectual. In today's prosecutorial climate, our hero would be in for a 10-year felony.
Anti-semitism: It's there, it reflects the times, of course. However, I must say it's far worse than charmless. It's insistent, each time sudden, and gratuitous, violent, and associated with images of extermination. Towards the end of the book, our hero expresses mild condescension towards anti-semitism, not a satisfactory rebuke.
This book offers a minimum of political background to WWI. Don't pick it up for a slice of life. It' for people who just can't get enough of Sherlock.
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John Le Carre is a master of language and of character development. Patrick O'Brien comes to mind in the same veign of storytelling elegance. You just know that you are dealing with someone who is the man among boys in the NY Times Bestseller List realm. Le Carre is highly intellegent in his approach and how he makes intricate details centerpieces to plot. I truly enjoyed just being sucked into this novel, which is sometimes hard to say when describing strict genre writers. You can tell Le Carre is writing this because he enjoys his work.
I have a hunch this is not his best work. I have heard so much about Le Carre from friends and reviews that I know that his works are worthy and necessary reading. Perhaps this is a book I may have to come back and read again after I have become more acquanted with his artistry. My only criticisms are that Tim Cranmer was hard to penetrate as a main character and the story has several complicated flashbacks. Most assuredly they are necessary (I hope), but I found myself getting confused and distracted. Like I said, maybe I need to read more of his work and come back to this novel at another time in the future. Perhaps I will pick up some technique or formula I was missing that only fans of John Le Carre can pick up on.
Good writers of this type of genre are reknown because they know their subjects so well and know the landscape their characters dwell in so intimately that the stories they tell are believable. Le Carre will be an author remembered 100 or 200 years from now, I am sure. He is incredible to read and it is fun to read. That is the true measure of any author--make it enjoyable. I will other reviews of John Le Carre in the future I am most sure of that.
One of the problems is that the characters aren't very appealing. Tim is an insufferable public-school Englishman about whose fate we care nil plus the square root of zero. Larry is a professor who's committment to the downtrodden of the world seems an ego trip, the female lead is an airheaded artist who doesn't seem to merit the sort of admiration she gets.
But the subject matter is interesting. Who ever heard of the Ingush people until Le Carre wrote about them? His portayal of them is superb: the downtrodden ethnic groups of the former Soviet Union asseting themselves brutally, stupidly, unsuccesfully, but with doomed courage and dedication. "Our Game" is kind of thin gruel compared to Le Carre's great cold war novels, but it's worth a read.
Being the same age as Tim Cramner and having been "early retired" myself was a real attention grabber for me. It was extremely interesting to see how another "cold warrior" was handling his own post-cold war existence.
I was about a third into the book when I thought to check this site for comments - BAD IDEA! The BOOKLIST review TELLS THE ENTIRE STORY - Shame on it, AND Amazon.com for putting it on the site. Luckily, I caught myself before seeing too much. Hope other readers do too.
Le Carre's attention to detail is what MAKES his stories (for me at least) so gripping. So my only gripe abt OUR GAME is that he DOESN'T develop the EMMA character nearly enough to make me see why Cranmer is in love with her. Le Carre doesn't succeed much better with Larry. He too, remained relatively one-dimensional for me. Sure, spys are supposed to be "shadowy", but I still had a tough time trying to see what it was about him that so intrigued Emma. (I know, she's fm Venus and us Martians won't ever understand.)
But as I said at the top, Tim C is the character I was MOST interested in, and Le Carre's "first person" narrative kept me reading way past my bedtime. I found myself specifically scheduling the final chapter for a time when I could read it line by line, covering what was coming with paper.
For someone new to Le Carre, however, I'd recommend "The Spy Who Came In From the Cold" first. It is STILL the best spy book ever written; and the movie with Richard Burton is also still the best of its genre.
This book caught my eye for that reason. However, once I began reading it, this book kept my attention. It read like a novel. I liked that, it was a switch from the usual fact presented like facts JFK conspiracy books. I liked that about this book. It certainly had me convinced that this guy had something to do with the JFK murder. It made me wonder why we didn't do more then in regards to this guy.
The book was gory when talking about the dismemberment of his mother and father. I really didn't like that. I'm not sure that it added much to the book except some length. However, it did make me realize that this was the type of man who would do what he thought needed to be done and might certainly shoot at a president.
This book is very interesting and those interested in reading about the JFK assassination would do well to consider reading this book. It is an easy one to skip over with the massive amounts of books available to read. However, the novel like feel of this does not detract from the research completed and conclusions drawn in this book.