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I think that this book was being unfair in its portrayals of *American* women marrying Japanese men. It was not completely representational of "American women" so I think the book was misleading. Many of the experiences the white wives had in their husband's country are not so different from what minorities experience in the US. People stare, ideas about health care are different, etc. for women of color in the US. It would have been interesting to see the experiences of Latina, African American, or non-Japanese Asian American women recorded. What would their experiences be like as 'double-minorities'? Anyone who knows about the intercultural conflicts among Asians will understand why this would make a big difference in the way she presented her research. I also agree with the reviewer from Japan on another point. The only time she really talked about minorities (with the acceptions above) was when she was making assumptions.
Diggs could get away with using the term "American" by sprinkling a minute number of ethnic and religious minorities though the pages of her book. In this sense, I agree with the reviewer from Japan that her research was rushed. For example an article was written about African American women married to Japanese men about ten years ago in a major publication. There have been books published before this one and documentaries containing the stories of Latinas and African American women who are married to Japanese men. The material is easy to get and their experiences and issues with their marriage differed quite a bit from the women in this book. One of the women is very much open to interviews (I've seen her story featured in a few articles)!
It's also interesting that Diggs didn't seem to get any interviews with women who's family may have been completely against their marriage to a Japanese man or the man's family being completely against his marriage to the American woman. It just sounded a little too utopian to me. I mean I was left to wonder how couples with dispproving parents handled their situation. I have also read articles about this that are also very easy to find.
Yes, the point of the book was that marriages work even though there are differences. One does not need to write a book to come to this conclusion. If one is to write a book, the argument must be strong enough to back up the point. Diggs left a lot of holes.
I guess I found this book a bit frustrating because I happen to be a woman of color married to a Japanese man. I was scratching my head the whole time while saying "Duh! You had to go all the way to Japan to realize that?" at almost every other thing that was said. I wish she could've interviewed me!
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This book is a FEAST for the eye! The watercolors busy? Then so are those of some of our most wonderful painters. Grandma Moses, and Wysocki included. They are CHERISHED by our children.
I purchased the book when they were 2 and 5 and now in their teens...they STILL get it out on Halloween and read it!
I think "Momma Said Boo!" is silly and farce...and WONDERFUL.
I teach kindergarten and my class BEGGED for this book OVER and OVER!
I highly recommend it! Besides, what is SILLY and BORING to YOU is not always to the 5-year-old! Is it? Who are you trying to please here, anyway?
Our favorite Halloween book for the young around here!
Trisha
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The numbers 11 through 20 don't have a poem, just the image of that number of items then the phrase "15 and one more are 16. Sixteen hats" and so on. The only thing that I find confusing is this use of the phrase "and one more" when the illustration doesn't correspond. For example there are 15 balls all grouped together and then it says "14 balls and one more are 15". In another image there are 13 horns then the words "15 and one more are 16" and next to that in another grouping are 3 more horns. If you ask me it should day 13 and 3 more are 16 and in the other images of one large set of items it should simply state there are 15 or however many there really are.
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Not only is it a charming love story, which keeps you in suspense until the very end, but it is a social history of life in the small college town of Marion, Alabama during the early years of World War II. The letters are intensely personal, and I can understand why Kay wrote that she didn't want Ted to show them to anyone else. I'm glad that he had them published so that the world could get to know Kay and I'd love to get to see the other side of the correspondence.
This is a delightful book for helping to introduce the child to the glory of God and giving thanks for all the creatures great and small.