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I read this selection for a genre fiction class I have in a graduate Library Science program, and this is the best book I've run across during the course of my assignments. Based upon the evidence of what I have just read, Richard S. Wheeler is one very fine writer. Quite frankly, I did not anticipate such a richly rewarding reading experience.
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First of all, Ken Howard's voice offered little range and capability in offering distinctions between the various characters, and he clearly sounds nothing like a 29-year old protagonist. The novel's dialogue doesn't help on this last point, however, as I had difficulty being convinced that Paget could be both this jaded and self-assured at such a young age.
Most of the characters were two-dimensional sterotypes with limited depth -- especially the women, of which there were too few. These guys are supposed to be big corporate and government hardball players, and yet get flustered everytime Paget talks tough (Ohhh, I'm sooo scared of you). There also appears to be virtually no sensory information in the narrative beyond a visual context -- we know almost nothing about any of the character's personalities or their appearance and mannerisms throughout the book. This applies to descriptions and sensations of the locales as well. I suppose this could have been what was cut as part of the abridged version.
The plot stalls for about half of the book, but picks up quickly at the end, but Paget's failure in attempting to analyze and interpret his first big clue (a written note) is a big investigative oversight right from the start.
Very disappointing.
RECOMMENDED IN ORDER TO ENJOY THE BETTER SEQUELS.
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The cover depicts three armed gunmen, but do not be misled. There are no gunfights in this story. The Hollywood West does not exist in this novel. It is simply a story of a woman of great spiritual beauty wrestling with her conscience, and in the end, doing what is right, at terrible cost.
I am grateful to Amazon for letting me provide an accurate description of the novel for the benefit of readers and customers.
The stories centers around a 53-year-old widow who publishes a weekly newspaper in the 1870s Kansas cow town of Opportunity.
She crusades against a corrupt "ring" of officials who have been arresting, jailing and fining the Texas cowboys who bring the herds up the Chisolm Trail to the railroad in Opportunity. The corrupt officials, including the newspaper publisher's only son (who is the mayor), are essentially engaging in legal theft.
Much of the story involves the woman's run-ins with various players in the "ring" as she labors mightily to publish papers exposing the corruption. It gets tedious as the author works overtime to make the woman seem virtuous in her quest for justice yet sad because she must ruin her son if she is to succeed. I found myself skipping over parts of it that did little to advance the plot.
Give the author credit though, for in the end he has his heroine martyred as she reams out a cattle baron who has turned the tables on her son's "ring" and is administering his own brand of justice.
The epilogue explains that the son's life continued blithely on as he didn't seem to mourn his mother in the least, the cattle baron who shot the heroine went unpunished, and the population of the once-thriving town dwindles to 50.
Maybe Wheeler wanted to make sure no one bought the movie rights.
I read the whole thing, so it's not a bad book. But I won't save it to read again someday.
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Why can't Helen Fielding, the "Visiting Physician" of the title, connect on more than a surface level with any of her lovers? Why did Sophie, the voluptuous town "vixen", leave Meridian without taking her daughter with her? What secrets drive Prudential, the health clinic "nurse" to be so prickly and harsh at times? What are the circumstances of sherriff David Jasperson's past that caused him to divorce, get custody of his son, change occupations and move back to his hometown?
For light reading on a summer day, The Visiting Physician is perfect. Just don't look for a neatly wrapped up ending. It seems there may be more to this story than even the author is telling us.
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Nothing is as it seems from this point; there's much more than meets the eye in all of the characters' secrets and so forth. Eventually three people end up dead by the time the crime is solved. The true culprit is somewhat of a surprise, although the character's presence in the book is never really likeable. The showdown at the end is somewhat contrived, but it serves its purpose.
If you're a true Patterson fan, this book will please you but savor his later efforts.
RECOMMENDED (SLIGHTLY)
Shaw basically spends the entire book in his car chasing the plot twists back & forth! There are so many minor bits & pieces that pop back up, it's a book that needs an index. I've read most of his stuff but this one almost doesn't come together till late. Not his best but he's good enough to make it worthwhile...
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Second Lives left me feeling hollow and found it difficult to get through the unimpressive and boring storyline given. I had no connection to the misplaced characters.