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The hero, Truman Jackson, is a former bank robber who, with his wife Gracie, has lived an exemplary life for many years. And yet, they both know that their secret past keeps them from the happiness and peace they yearn for. So they decide to make their past known to the small frontier community which has embraced them, and begin the process of repaying everyone they can find who had suffered loss because of the robberies. The results are shocking. Far from welcoming the reformed pair, most of the citizens shun and condemn them, and suddenly Truman and Gracie's lives are torn apart.
The book explores goodness and evil, forgiveness and hardness of heart. It is also about how the vision and courage of one sterling man and one sterling woman can transform the world.
I love Westerns. I grew up on Louis L'Amour and Luke Short, Elmer Kelton, Ernest Haycox, Zane Grey, Max Brand. Each of those authors has their place on the throne of Western writing history, though I consider Kelton to be the best of them.
But I would be literally sick to my stomach of a list of the best Western writers came out and it did not include Richard Wheeler. Not only is he a man among men, virtuous, kind, humble, and intelligent, but he writes a Western novel that no one can beat. I would love to have my own Westerns compared to his. I have had one novel rated number one selling Western in the country, and it puffed me up until I read Dick Wheeler. Talk about a humbling experience!
Now, finally to this book, Restitution. What a wonderful, beautiful work of art! Dick Wheeler is a master. Not once was there a gun shot, not once did two (or three or ten) men face down in the street and shoot it out. Not once did an Indian arrow find some man's heart, and not once was an Indian village raided and destroyed.
Yet I was on the edge of my seat almost from the first. Wheeler masterfully created this book with no violence and no sex and no cursing and made you feel like it was real and like you were there and like the whole world depended on what happend to Truman. I would not have believed someone could pull off this feat. The publisher deserves praise for publishing it, and criticism for not letting Wheeler continue writing books like it. The West wasn't THAT violent of a place. Let's let someone like Wheeler tell a suspenseful, tense story, without the bloodshed and foul language for once.
Bravo, Richard! You're the best.
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Billionaire with a dream to turn replace failing ranches
with a vast buffalo-covered prairie.
All the ingredients for a great and stirring novel, right? Maybe
so, but Richard Wheeler's _The Buffalo Commons_ isn't it.
I really *wanted* to like it, honest. Unfortunately, there's
something to dislike on almost every page.
The title is stolen from a real-life proposal by Professors Frank and
Deborah Popper. But if you hoped to learn something about that proposal,
you won't find much here: the Poppers aren't even mentioned once.
Instead you find insipid characters that are given to saying things
like "Alcoholism is a demon each person fights alone, even when there
are friends and counselors around" and "It's an instinct I have that
leaps beyond my very limited powers of thought."
The portrayal of native Americans borders on racism, with the main
Indian character described as having "some primordial way of
recognizing other peoples".
But the worst aspect of the book is its nasty slant on the Buffalo
Commons controversy. It's so one-sided it could have come directly out
of a Rush Limbaugh radio program. In Wheeler's portrayal, the
ranchers are all noble and long-suffering, while the environmentalists
are all evil, soulless hypocrites --- even more so if they happen to
work for the government. We learn that the Environmental Protection
Agency has a "penchant for abusing citizens" (p. 193) and "the
protection of civil rights of citizens" is of little concern to Greens
(p. 302). Wheeler's kindly old Professor Kazin says things like "The
very concept of wilderness touted by the Sierra Club and the Greens is
essentially racist" (p. 29) and "The government's bought most of the
university environmental sciences departments in the country".
Vegetarians by their very nature are suspect; one character is only
redeemed when he "[takes] beef into his mouth"!
The author hasn't done his homework very carefully, either. He
mistakenly calls the Wood Bison or wood buffalo (Bison bison
athabascae) the "woods buffalo", and he gets the name of Canada's Wood
Buffalo National Park wrong. The decline in the Wood Bison population
in the park isn't, as claimed by one character in the book, "all
because of wolf depredation". As Mark Bradley, the conservation
biologist for the Park told me, the decline isn't fully understood,
but is certainly due to many factors, including the cessation of winter
feeding.
The lowest point in the book was when one of the characters buys "a
Skye's West novel, and thus spent the day amiably." Guess who the
author of the "Skye's West" series is? That's right, Richard Wheeler.
This self-congratulatory ploy is par for the course.
If you're interested in the Buffalo Commons proposal, avoid this
cynical propaganda exercise, and pick up a copy of Anne Matthews'
splendid nonfiction book, _Where the Buffalo Roam_, instead.
Oh yes, if you've ever been to Montana, this book will greet you like an old friend. If you've never been there, you'll find out why you should go--now.
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However, buyers should be aware of a few problems. The first is the popularity of the Lonely Planet guides...since they're so popular, following the guides too closely steers you entirely to the same well-recommended hostels, restaurants, and so forth, that every other LP reader goes to. These institutions start specifically aiming themselves at the LP crowd. Definitely loses some of the cultural experience, and well-reviewed hostels are something like an American/Australian frat party. I'd view the Lonely Planet guide as a necessary evil. It's very convenient, but their recommendations are self-defeating, especially in the more heavily-touristed areas.
Secondly, most people visiting Europe seem to be doing massive every-big-city-in-three-week tours. This guide is suited for that, but for those spending more time in the indivisual countries, definitely buy the single-country guide.
I am a student who spent the summer of 1999 traveling through Europe - poor, but free. I did read a number of other books before and durring the trip, and will always buy Lonely Planet as they have impressed me as being the best, hands down. If you want to go on a drunken tour, buy Let's Go and end up in the same run down American hostels and American bars as the rest of the American students, but take my word, you will have enough ability to do that with LP, but you will not be forced to either. LP will help you to actually experience the culture, and take in a more European version of Europe than Let's Go, and still give you the opportunity to party like a rock star when you want - its up to you.
It is the most complete and most versitile book I have found. It will cater to budget and intermediate travelers of all ages and groups. I will buy the same series even when I can afford nice resturants and hotels, because LP tells it all.
The same experience is true for my trip this last spring to Ireland. Lonely Planet Ireland is as good as Western Europe, but more detailed.
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But this time he's gone overboard. I've tried a few times to get through Running From Safety, but I've never made it all the way through. In this quasi-autobiographical book, Richard Bach sets up all sorts of straw-man 'learning experiences' to show how he's learning to let go of the complications and the rationalizations of an adult mind and be true to the hopes and dreams he had as a young boy. The message is good enough, but he goes about it heavy-handedly, setting himself up repeatedly then taking himself down with the morals he's trying to get across. The result is that he doesn't portray himself realistically, and he certainly doesn't come across as the same person who the Illusions / Bridge Across Forever / One trilogy set himself up to be. This new Richard Bach is less graceful and more sappy.
But the real problem, the reason why I actively recommend against this book, is that the author's own life invalidates it. The principal message of the book is to stop being a dull, boring, un-fun adult rationalizing away all your hopes, and to remain true to what you once dreamed as a child, right? Well, The Bridge Across Forever beautifully showed Richard Bach's hopes for someday finding his soulmate, his 'other half,' without whom he's just not whole... but recent rumors, confirmed by a story on Bach's web site, are that he has divorced his soulmate because his hobbies and his career were more important to him than she was. It's very hard to accept that the person who would do that is the same person who wrote this book.
Don't get me wrong -- I don't fault the man for making choices in his own life, but I feel that Richard Bach has in recent years gone from being a brave and unusual thinker to becoming a New Age mystic, and in doing so, he's lost touch with at least this reader.
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The author seems to care very much about getting historical details right, which is important to me as I like to learn something about history when I read historical novels.
Masterson was, by 1919, a newspaper columnist living in New York City with his wife Emma. Wheeler has Masterson uneasy about the dichotomy between his legend and his real life and sends him back into the American West to reach some conclusion about how he would like to be remembered.
It's a fact-filled odyssey that takes Masterson to Dodge City, Trinidad, Los Angeles, Leadville and Denver (among other places). Along the way he reminisces about his life in the West, talks to Wyatt Earp, gets a bit part in a William S. Hart movie, discovers the result of a forgotten act of kindness in Denver and formally marries Emma (a rite they had somehow neglected oh those many years).
There's a touching scene when he visites the grave of Doc Holliday and hears that the long-dead dentist's widow has been paying to have flowers put on the grave every week for years. "God bless you, Big Nose Kate," he says to no one.
It's a masterful book, no pun intended, and I'm glad I read it. But it suffers from lack of a plot, which is why I'm giving it just three stars. I won't fault the author for that, however, as the whole premise mitigates against the use of a plot in the meaning that the term is generally accepted to have.
"Masterson" does exactly what historical fiction is supposed to do. It entertains and instructs simultaneously. I'd recommend it to anyone who is interested in the reality of the American West but has trouble digesting non-fiction history books.
Richard Wheeler does creditable research on his main subject Masteson in the waining days of his life as a New York Reporter. He peoples his novel with very real people such as Louella Parsons. I found his charaters were fleshed out rather well for the most part, but found his charicature of Wyatt Earp who was very much a real friend of Bat Masterson less than honest. Wyatt was far better educated than portrayed. That aside, enjoy the book.
For me this drill-down into Gettysburg amounted to reading a biography of Joshua Chamberlain of 20th Maine and Little Round Top fame and this book on the Civil War. This book provides excellent elaboration of this topic. It is filled with 1st hand quotations of a wide variety of people from generals, to privates, to cavalry, to citizens. The book provides balanced coverage of both Union and Confederate sides. And the book does a decent job of placing the battle in context of the larger war, although of course not nearly a deep and extensive lead-in as provided by Shelby Foote. I enjoyed this book. If I was reading just one book about the Civil War, this book is of course too narrow in scope. But if one is reading many books on the topic, then this book provides excellent detail and insight into one of the most important and interesting battles of the Civil War.
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