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The beginning chapters of the book outline the author's work as a cattle popper and drover along the old cattle trails through Texas and Kansas. The dangers that threatened the well being of these tough as nails trail hands constitutes the bulk of Cook's narrative. What quickly becomes apparent is that these guys were not the dapper dandies we see in films and fiction; they worked hard everyday to get those longhorns up to Kansas and to the railroad. Cook recounts the disagreements amongst drovers, an experience with hail and a tornado, stampedes, the threat of wild animals, and the dangers posed by Indians. A separate chapter discusses the fate of the wild mustangs, yet another sad chapter in the annals of the conquest of the West. Once the businessmen moved in and discovered a market for horses, they rounded up the mustangs by the thousands through crude trapping techniques and by depriving Indians of their stocks. Horses injured in the process were ruthlessly shot by the trappers. The picture that emerges from the author's narrative about trail life is one of greedy exploitation leading to environmental damage.
Relations with Indians are a central theme of the book. The movie image of tremendous battles between natives and American military forces does not find expression in this story. Instead, Cook portrays Indians as just another obstacle to the settlement of the West. Cattle drivers had to pay attention to Indian raiders who sought to steal horses and cattle, but it was more important to worry about weather and stampedes. In the last section of the book, Indians play a bigger role in the story. The author outlines in detail his relationship with the Sioux after they had been confined to the reservation. Another chapter deals with the Geronimo uprising in New Mexico, an incident Cook experienced first hand during his tenure as a ranch manager in the area. He takes the opportunity of the uprising to tell the truth about the Indians and the military forces during the campaign. According to the author, Geronimo and his Apache warriors did not fight the military head on, but relied on hit and run tactics with strategic retreats to Mexico to stay one step ahead of the law. The military relied heavily on scouts, often mixed blood Indians, in order to track down the rogue Indians. Geronimo eventually surrendered when an army officer talked him into giving himself up.
Cook's interest in the West is not a broad picture of western history, but rather groupings of anecdotes about his individual experiences in the area. The reader often has to read between the lines of these engaging stories in order to ascertain the reality of the situation on the frontier. For example, Cook discusses in depth the time the Sioux on the reservation asked him to be their government appointed agent. The author provides several letters of endorsement written on his behalf by politicians and bankers in Nebraska and Wyoming. The letters praise Cook as a man of the West on excellent terms with the local Indian population. A cynic can see the larger dynamic tensions between East and West in these letters. The locals want one of their own in the job because up to this point the position was always held by someone from back east. Moreover, a western agent could deliver lucrative supply contracts to western businesses and perform favors for western politicians. Why else would bankers take the time to write a recommendation letter to the government? It certainly had little to do with goodwill towards the Sioux Indians, especially since this wheedling went on at roughly the same time as the Ghost Dance fiasco.
I am astonished that no one else has reviewed this book. This is a great text for the Old West history buff or those interested in Indian/White relations during the late 19th century. James Cook's "Fifty Years on the Old Frontier" is an entertaining, yet at some times sad, account of the realities of our frontier days.
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Her prose is grandiloquent in the early chapters, something of an annoying Victorian mannerism in my mind. She lavishes compliments with abandon on her family and associates, as well as the landscape. Thank goodness the editors carefully footnoted Mrs. Foote! Otherwise the reader wouldn't have a clue as to whom she was writing about so ecstatically. (Actually, the volume is soundly annotated and edited throughout.)
However, in the later chapters, when the family settles down in Idaho, near what was to be the highest dam in the world at the time, the Arrowrock, her prose deepens and her style strengthens. She begins to incorporate her western life, the engineers and workers lives, into her stories. The geological phrase, "Angle of Repose," emerges in this section. The prose, like the work, becomes purposeful in its passion.
Is is, after all, of Mary Hallock Foote and her husband, Arthur, that Wallace Stegner wrote in his Pulitzer prize-winning fictional account, "The Angle of Repose." Here we really get the story in the words of those who lived it.
The frustrations of engineering the dam and engineering the financial and political backing are superbly related. The latter half of the book is more than worth the slower early portion. The account it bears of life in the early western United States is a treasure of its times. I heartily recommend it.
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The problem is that, rather than confine her account to the facts, the author often states how Doc felt, or what he thought about various things, people, events, etc. throughout the book. There is just no way she could possibly have such detailed and complete knowledge about such things, since Holliday never kept a diary, and indeed the only written accounts directly attributable to him were some letters written to his cousin, a Catholic nun - none of which go into the level of detail that would be required for Ms. Johns to know all of the things she appears to know. Most of what we know about Holliday comes from what others (many of whom disliked him cordially) said or wrote about him. Yet Ms. Johns writes as though she has an inside track on his innermost thoughts.
If she actually qualified such statements with words like "It seems probable that...", "it is very likely that...", or "the evidence clearly indicates that..." this would solve the problem; after all, it is a historian's job to present possible explanations for things the bare facts may not explain sufficiently, and to try and see past events to the causes and motivations behind them. But speculation and supposition MUST be labelled as such. To present it as though it were incontrovertible fact is poor scholarship. As a historian myself, I know this would never fly if the author were presenting this as a graduate thesis.
Ms. Johns is also inclined to make some pretty wild claims, such as Wyatt Earp's and Doc Holliday's "...friendship, may have caused many deaths, even Doc's own."(p.134) How Holliday's death from tuberculosis, several years after he parted company with Wyatt could, in any way, be attributable to Earp is a complete mystery to me. And this is only one example of some of the author's questionable assertions.
If your looking for entertainment, you'll enjoy this book. But I consider much of the information contained herein to be highly suspect, given that the author's scholarship is often very sloppy.
It is definitely filled with some historical truths, but at the same time the author tries to tell the reader what Doc might have been feeling when relating things that happened to him. I found that to be slightly annoying, because it's just based on pure conjecture. Sometimes it seems more like a fictional story rather than factual information.
It also seems like more information could have been put into the book regarding the relationships between him and Kate and him and Wyatt Earp.
All in all a worthwile book, but one not too put too much credence into. "Doc Holliday: A Family Portrait," by Karen Holliday Tanner is a better choice for the Doc Holliday fan. It has a good deal more factual information information about Doc, and much of it is based on family records, letters, etc.