Wheel Boats On The Missouri: The Journals And Documents Of The Atkinson-O'fallon Expedition 1824-1826 is an archival reference showcasing a specialized slice of early American frontier history - as reflected by the original words of the wheel boat men who were directed by President James Monroe to negotiate peace treaties with Native American tribes along the Missouri River. The resulting use of 475 infantry soldiers, "gunboat diplomacy," and man-powered wheel boats across a 3,000 mile expedition is meticulously detailed among numerous primary references. Journals dealing with daily life, navigation difficulties, American Indian cultures and political negotiations provide an amazing glimpse into army life in an America of almost two centuries past. Wheel Boats On The Missouri is an impressive work of scholarship and a strongly recommended addition to academic and community library American history reading lists and reference collections.

Richard Clokey has turned out a well deserved and most admirable biography of early nineteenth century entrepreneur William Ashley. Those readers well versed in the fur trade era are no doubt familiar with the name Ashley. What many may not be aware of is his life before and after these adventurous years in the mountains. Clokey does delve into these fur trade years of the 1820's extremely well, giving Ashley credit for initiating the annual rendezvous by bringing the goods and commodities to the mountains in exchange for the furs; paving the way for the future Overland and Oregon Trails; exploring the Green River, etc., but he also brings to light the pre and post years of this time period. Before the fur trade years, Ashley was involved in lead mining, gunpowder production, land speculation, was the leader a voluntary ranger militia to thwart Indian hostilities and had a failed attempt at running for Missouri Governor. Many of these endeavors had their ups and downs and would discourage most people from pursuing any further attempts at business. The fur trade years went quite well, Ashley sold the business but remained the agent, banker and financier for the company to market the furs. Later he went full throttle into Missouri politics, being elected for three terms into the House of Representatives. Although a controversial figure while a politician (since he claimed himself an independent Jacksonian), he nevertheless had a complete career in this profession. An insightful book about a special pioneer of the early 1800's.

William Henry Holmes & The Rediscovery Of The American West provides the first full-length biography of the western artist and his involvement in western excursions. The topographical illustrator's geologic knowledge set him apart from the usual illustrator and helped advance science as well as discoveries about the West. An intriguing survey.

I spotted this book at the library near the check-out desk and grabbed it-the subtitle, The Frontier photography of William Henry Jackson, sounded like something I could pick up and browse in between tasks (this was between Thanksgiving and Christmas). I have a grown son in California and a grown daughter who is a photographer and who travels the world pursuing new vistas for her camera. I am buying her this book as it resonates with the kind of tale she has told me of her adventures. It is described as juvenile literature, which is all well and true because the language is accessible to junior-high-aged children, but nevertheless regrettable because perhaps most adults will therefore never consider reading it. Yet the writing, the concepts, and above all the photography are so full of the beauty, the optimism, the struggles and challenges of our nation in the nineteenth century as we grew from a rural thinly populated mainly eastern seaboard land to a multiethnic, continental, industrial society that I found it entirely engrossing. All these social and cultural threads weave through the narrative painlessly, and the glory of the photos of life and nature and the real people I have always heard (only as names in history books) at the time of the conquering of the west are reason you keep turning those pages.

The genius of Mark Twain is that his work is still enjoyable, and funny, to this day. This book, originally published in 1871, is Twain's account of his journey from Missouri to Hawaii (called the Sandwich Islands in his day). He tells story after story of his adventures along the way, starting with the stagecoach ride on the Overland Stage Line to Carson City, Nevada, around 1861, and then telling of his stay in Nevada, then California, then his visit to Hawaii. The stories are informative, humorous, and all-around entertaining. He lampoons everybody he can--nobody is safe--including miners, pioneers (emigrants), politicians, Mormons, Blacks, American Indians, Chinese, newspaper reporters, "desperados", even himself on more than one occasion. Sometimes his stories are so outrageous that you wonder how much is true and how much is embellishment, or just outright fiction. Even he understands this by telling the reader on occasion that he has not made up a particular story, to demonstrate that truth is often stranger than fiction, but also to imply that he has taken liberties in other places in the book. (I wonder if the Mormon Church has ever banned this book for the things he says about them.) Even while he is being irreverent, however, he often demonstrates a sensitivity toward people, with an awareness of the situation of others that seems to me to be ahead of his time. For example, he has a chapter on the immigrant Chinese population in the West, and while he pokes fun at them in some respects, he spends the time detailing their lives and culture, as much as he could understand it, with a respect that was uncommon in his day.

I bought a copy of this book years ago because I am a native Californian, and knew that there was some material in here about California in the early days (my copy is an old hardcover published by Grosset and Dunlap). As Twain states in his Prefatory: "...There is quite a good deal of information in this book. I regret this very much, but really it could not be helped." I enjoyed reading about the "old West" from an eye-witness, although most of it deals with Nevada, not California. While some of it sounded familiar, like something from any Western-genre movie, other things were like nothing I had ever heard of before, describing the "Wild West" from an original point of view. In that respect, this book is a great resource.

This book falls short of five stars due to some minor flaws. He often digresses with text that is not only marginal to the point, but not even written by him, reprinting someone else's text. I skipped over some of that. He would also spend pages detailing coversations between other people that he could not have possibly remembered verbatim. While I understand that it was a common writing style of his day, it sounds like bad jounalism today. Those complaints aside, this is some great writing by Twain and some valuable American history.

There are hundreds, perhaps thousands of travel logs, journals, reports, diaries, etc. that tell about the American West in the mid-nineteenth century. This book by Mark Twain, however, is both unique and one of the best. This is travel writing as it should be. Twain, traveling across the plains from Missouri to Nevada in the early 1860's, and spending seven years loafing about Nevada, California, and Hawaii, collected and compiled his experiences into this extraordinary book. One of the best things about Twain, of course, is his unique view on things. This tale is told in Twain's wry, humorous style, and is very enjoyable.

This book is not quite as pessimistic as Twain's other great travel writing, 'The Innocents Abroad,' but it does include some interesting and unorthodox views which often prove hilarious. Twain spends time as a gold and silver seeker, a speculator, a journalist, and a vagabond (as he himself puts it), and puts a unique spin on each of these occupations. As far as travel writing goes, this book is indispensable, and it also proves quite valuable (odd as it may seem) in any thorough study of frontier life in the American West.

I am a seventeen year old male, and I can say that I found this book to be very cool! When I first started reading it I figured it probably would be very dated and probably not hold my interest but I was wrong, I found it to be very engrossing. I did read Huckelberry finn, and though it is considered the great american novel it did not hold my interest like roughing it did. The book covers Twains adventures out west during the late 1800's. lots of adventure and humor.

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John Fielder is one of America's greatest living photographers, and he brings his love of the Colorado wilderness to this book. His re-shoots of Jacksons 19th century photographs are both beautiful and thought-provoking.... the photographs make it worthwhile.

On the other hand, the text is a different story. Reading a text-only version of this book, one might conclude that the title is a misprint, and that the book should really be called "Colorado 1970 - 2000." Fielder roamed across Colorado capturing the changes in places like Kremmling, Denver, and Ouray, but the text never tells us anything about these places, or why they changed, or why we should care. Instead we get chapters about oil shale and the Forest Service.

Ahem. If I wanted to read about the relationship between Forest Service bureaucrats and small Western towns, I would have bought a book called "The Relationship Between the Forest Service and Small Western Towns." My book is called "Colorado 1870 - 2000." That is what I want to read about.

It's true that oil shale schemes, government agencies, and others have played a role in shaping Colorado in the past 30 years. But before that there were events like the Silver Crash of 1893, the City Beautiful movement, the Depression, World War II, and Urban Renewal. You won't read about those in this book.

The pictures are beautiful, and the text is well-written (if misplaced and unwanted). Just don't expect to learn much about the places you are looking at- except that they are very pretty.

John Fielder has recreated photographs of Colorado that were taken 100 years ago by William Henry Jackson. It's fun to see the changes that have taken place over time. Some change is good, some bad. Fielder even went to the trouble of making sure that the same or similar items, such as trains, automobiles, even people, were in the images that he captured. It's an expensive book, but it's worth the money in my opinion.

Jackson - Fielder 1870 - 2000 is a comparison of photographs of Colorado, showing the changes that have occurred geographically and developmentally over the past century. William Henry Jackson took pictures at the end of the 19th century. John Fielder returned to the exact locations a hundred years later to capture the similarities and differences that have taken place. The book is fascinating and nostalgic not only to Coloradans, but to historians, geologists, environmentalists, as well as anyone who just loves to view the beautiful scenery of the Rocky Mountains and the surrounding foothills. I highly recommend this book for hours of enjoyment.

"King Solomon's Mines" was published in 1885, when the interior of Africa was still an unexplored, "dark" continent; thus, it was the first book to present the possibility of adventure in Africa to the European reading public. Riding on the tails of Robert Louis Stevenson's "Treasure Island," "King Solomon's Mines" made H. Rider Haggard famous. Much of what Haggard writes is based on his personal experience and observations in South Africa, where, unusual among the British colonizers, he learned Zulu, which gave him an insight lacking in his colleagues and contemporaries.

Although on the surface an adventure story for young boys, "King Solomon's Mines" raises interesting questions about the role of the colonists and their relationship with the African people on the eve of the great European scramble for Africa. Like the elephants that Quatermain and his group hunt and shoot down simply because they are there for the picking, so Africa and its riches presented itself to the Europeans as rich for exploitation. The question of "What is a gentleman?" runs throughout the narrative, leaving the European reader to discern whether Africans possessed a nobility and dignity comparable to the ancient Greeks and Biblical Hebrews. Haggard depicts the Zulu language as comparable to the richly metaphoric Old and Middle English languages.

"King Solomon's Mines" gives us a glimpse into a way of life that was shortly to disappear with the arrival of the Europeans.

I really enjoyed reading King Solomon's Mines. I really love those swashbuckling adventure stories like The Prisoner of Zenda, Scaramouche, and The Scarlet Pimpernel, but it's really difficult to find books like those which have managed to age really well. Fortunately, I have now happened onto another which I can return to.

King Solomon's Mines is the story of Sir Henry Curtis, Captain John Good and the narrator, Allan Quatermain. Curtis's younger brother has recently disappeared in Southern Africa in search of King Solomon's legendary mines. He is very worried, and he engages Good and Quatermain, a hunter, to help him find his brother. The three hire an African, Umbopa, to travel with them and they set out. What follows is there always exciting adventure in which they confront an tyrant king and an evil, sort-of-immortal woman (that will make sense after reading). The novel has just about everything - adventure, women, evil villains, humor, mixed identities, treasure, and an exotic local. It's entertaining stuff.

There's not much to complain about in King Solomon's Mines. The pace is quick. There is a lot of action and humor. I was very pleasantly surprised to find that it wasn't dated. The language isn't archaic and the jokes are still funny. The novel, first published in 1885, won't even offend by being overtly politically incorrect like many novels of that time. Really, this is a totally worthy read for anyone who likes a good adventure.

I was required to read King Solomon's Mines at school (about three thousand years ago), and was delighted to see that there's a new edition in the Oxford World's Classics series. And indeed this is a true classic adventure, somewhere between Treasure Island and Around The World in Eighty Days. Though some of the language may now seem a little stereotyped and cliched, it was certainly not that way when it was written over 100 years ago, and the real cliches are resident with modern imitations, like Indiana Jones. However, since imitation is the most sincere form of flattery, I guess we shouldn't complain.

Sir Henry Rider Haggard (1856-1925) is best known for his African adventure novels, notably King Solomon's Mines and She (1886). Their strengths are that they are not only undeniably amongst the most exciting and thrilling adventures ever written, but that they capture the very essence of the colonial empires - an attitude that is stubbornly maintained today by American imperialism - of treating the natives fondly, but with a certain superiority and disdain.

The essence of the story is the adventure of an elephant hunter as his safari heads into the interior of South Africa in search of a fabled diamond mine, and to rescue the missing brother of an English gentleman who accompanies him. They are aided by an enigmatic native guide who is more than he seems. As they stumble into Zulu territory, they are drawn into the local politics and discover that their European methods are less effective here, and that they need to learn new tricks. Quickly, they find themselves in deadly peril from a merciless king and a malevolence sorceress who conspires against them.

In the end, King Solomon's Mines is more than just the sum of all its parts because Haggard's intelligent and observant characterizations give him the opportunity to put together a revealing social commentary about race and class, while still telling a captivating story. Against the conventional wisdom of the time, Haggard treats his black characters sympathetically, and even dares to suggest that English society might be less than perfect (an audacious heresy in Victoria's reign). So, like Gulliver's Travels, King Solomon's Mines not only tells a great adventure story, it leaves the reader with something more robust to think about.

Black's is widely regarded as the ultimate authority for the definition of legal terms. I bought the leather-bound version on the first day of law school, but never used it once. (A law student can get by with a paperback legal dictionary.) However, I HAVE used this book as a practicing attorney. I once used it as authority in a brief, and the judge actually relied on the Black's definition to justify his order in my favor.

Know of of a lawyer (whom does not already have this indespenseable tool) or of a person heading to law school; then you should buy this book for them, i.e., Black's Law Dictionary by Bryan A. Garner (Editor), et al. The reference book starts out with a pronunciation guide; preface (which is very well written indeed); guide to dictionary; list of abbreviations; dictionary; seven appendixes, legal maxims, the constitution of the united states of america, universal declaration human rights; time chart of the united states supreme court; federal circuita map; british regnal years; list of works cited. The price is abit steep ... but it is well worth its price.

The point of contention which normally arises in a discussion of this Pocket Edition of Black's Law Dictionary is the price. Many other products exist which are less than half the $ price tag.

The only response is that these other books are a waste of money. Dollar for dollar there is no better option than this near perfect book. The months of preparation by renowned lexicographer Bryan Garner (author of the Dictionary of Modern American Usage), along with legal librarians and any number of other professionals and assistants have created a volume that will serve the law student especially well.

The relief of not carrying the full dictionary in their backpacks is worth the students' money. And every student should own both a full and a pocket dictionary. These are indispensable tools.

If you are not going to carry Black's Pocket Dictionary you are better off using the full 7th edition available (maybe) at the reference desk of your law library. Save your money.

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Fascinating story. The author, who is black, allows us with full sincerity into his heart and soul. Being middle-class white myself, I believe I know how other middle-class white people think because of our shared experiences. But blacks have lived other experiences. This book gave me a peek into the middle-class black world. For that I thank the author.
Reading how the author spent frustrating hours researching and searching for his genealogical past in different towns and states, and in archival and governmental departments was tickling. He showed me step by step how he got ever closer and closer to his goal of finding this lost branch of the family. Throwing in as a monkey wrench the fact that the branch he spotlighted was white whose patriarch disowned his child (the author's ancestor) during the slave days because she was ½-black made for a very interesting read. I recommend this book for all, esp. whites.
It's written in a simple open style except when he goes off on his black-politics tangents. But even that helped illuminate his inner workings. I have black acquaintances who hold the same hypersensitive political beliefs. But nevertheless I found that these tangents took away from the unity of the book. It could be argued that there are two books here under one cover: one is a fascinating story on finding a lost branch of the family, a black man finding his white kin; and the other is on impersonal racial politics. I skipped thru the politics. But it's OK, the first half was well worth the price. Also, I found that at times the author spent too much time on some of his immediate family who really had little to do with the book. Perhaps if he had delved more into his own experience as a black man in a white world rather then relating his parents' experiences in the Jim Crow era. But thankfully the story always got back to the struggle within the black author himself , of his anger, and of his conflicting black and (largely unknown) white heritage.
When the author finally made first contact with his contemporary (white) distant cousins, who were indeed vaguely aware of a black half-aunt from a few generations back, and after so many intervening generations of lost contact, and after so many steps of unending research, well, it was very moving. It was very deeply moving. Even a Klansman or a Black Panther would've been moved by this story of reunion of black and white in the same family. I couldn't put the book down,. What an adventure in closing the circle that spanned over a century. I hope the story didn't just end where the book did.

This is a splendid book on many levels for the historian, genealogist, or anyone who just likes a spellbinding story. For Mr. Henry tells a fascinating story of discovery. Mr. Henry
not only reveals the various paths he trod to find his other family--but reveals many insights into black/white relations and how they change, black/black relations within and outside black neighborhoods, and, in snippets, gives hints on how we all can get our act together to make this a better country for all Americans.
I was absolutely mesmerized by this book and highly recommend it.

I was shocked when Neil jumped up and angrily walked away from me saying that I was a racist. It was 1970 and Neil Henry and I were sitting with a group of friends in Franklin High School's library before the start of school. We often were together whether we were in math. class, playing chess, or basketball. Neil Henry is an old friend of mine who I haven't seen since high school, and reading his book brought back many memories. This one memory of him depicts the struggles that he must have felt about his own identity. "Pearl's Secret" tells an incredible and spiritually uplifting story of his victory to gain a hidden truth of his family that was his own identity. His life tells of a extremely capable young man who wanders through the world in search of something he isn't completely aware of himself. It is a story that many of us spend our lives dealing with in our own ways. Neil's strength and courage is his reward. That morning over thirty years ago when I felt I had hurt a good friend is now brought to light for me. I'm sorry Neil, and thank you.

In two visionary essays on the modern validity of W.E.B. Du Bois' "The Talented Tenth," Professors Gates and West have collaborated on a book that will enlighten anyone interested in race relations in America for years to come. To summarize "The Future of the Race" does not do it justice. Suffice it to say that the scholarship of these "three" learned men elevates the topic of race to higher ground. If you are looking for an easy read, or easy answers to racial issues, this book is not for you. On the other hand, if you dare to examine your own feelings about racism, I can't think of a better way to begin than by reading this book. I disagree with the reviewer from Chapel Hill who described the book as the "patter' of "public intellectuals." It's too easy to dismiss scholarly works as a product of academia, but thanks to intellectual giants like Du Bois, the essays of Gates and West have been made possible. Thank you, professors.

This book picks apart the ideas of the most influential black scholar of the 20th century, W. E. B. DuBois. Gates and West talk of about the situation in black America and how black Americans should go about changing the poverty stricken race through DuBois' idea of the talented tenth. The Talented Tenth is the idea that the top 10% of a race will help save the rest of the race. West and Gates show how this idea can be a solution to many problems in the black community but they also talk of the problems that occur within the talented tenth. In this landmark publication, West and Gates, the top black modern scholars, come together to create a powerful book that lays out the truth for blacks in America.

I've always enjoyed reading and listening to Cornel West, his ideas and observations are honest, regardless of public reaction. Maybe I enjoyed the book because I didn't compare the authors to Du Bois, I took them for who they are, modern day intellectuals. I found even the preface intriguing. There's a powerful observation in the preface that has been sitting heavily on my heart, "Being a leader does not necessarily mean being loved; loving ones community means daring to risk estrangement and alienation from that very community..." This is something we deal with on a daily basis in the black community, we're afraid to do the right thing because we're preoccupied with "keeping it real." Like I said, I appreciate the honesty from both authors and I would suggest this book to anyone interested in the present state of Black America. (But don't solely look to them to nurse the ills that plague our community, just meditate on their observations, the answers come when we put our heads together). Thanks.