This is a nice little succinct book that breaks down those things that hinder the Christian walk. It is divided into two categories: Giants (that which are *huge* obstacles) and Thorns (not obstacles, but the little things that chaff, bother, annoy and wear you down).

The book is full great Biblical advise and is devoid of the bland platitudes that generally plague this type of Christian literature.

Be warned on two accounts though. First, you *will* find yourself saying, "yup, that's me," a lot. Secondly, this book can be a "downer." If you are looking for a happy-sappy pickup, look elsewhere. These are gritty answers to gritty questions.

A series of short stories that give examples of different situations that we all face in life. The stories will give the reader an insight as to how to come to grips with different fears, troubles in life, and grief situations such as the death of loved ones.

For good, down-to-earth advice about the practicalities of living a life that honours God, Chuck's writings can't be beaten. He addresses a number of relevant issues, such as finances, sexual purity, and prayer, in a way that reflects on the teaching of the Bible as well as the wisdom gained through his wealth of Christian experience.

This is one of the best books out by Charles Swindoll. This is a great book for anyone struggling with any aspect of the Christian life. Swindoll lets you know that you aren't alone, and offers suggestions from the Bible's perspective. This is an excellent book!

Often ranked as "the first significant American novelist"-this is how Norman Grabo characterizes him in the Introduction to this volume-Charles Brockden Brown was an ambitious and inventive teller of tales, although an awkward literary craftsman. Brown was only in his twenties when he published this novel in 1799, but it was already his fourth book. Edgar Huntly, which takes place in rural Pennsylvania in 1787 recounts the strange adventures of a young man who sets out to discover the person responsible for killing his best friend, Waldegrave, who has recently died under mysterious circumstances. His investigations put him on the track of Clithero, an Irish servant employed in his uncle's household, but one thing leads to another and Edgar finds himself having to fight Indians and face the perils of the wilderness in order to make his way back home. Most of the story is told by Edgar himself in a long letter-some twenty-seven chapters long-that he is in the process of writing to his intended, Waldegrave's sister, Mary.
Edgar Huntly belongs to the genre of romance, the much older but somewhat less respectable sibling of the novel of social realism that had come into vogue in the eighteenth century. The romance frequently has an exotic setting, and features incidents that stretch the limits of artistic plausibility, where it does not take a plunge into fantasy, as it does in Matthew Gregory Lewis's The Monk or Charles Robert Maturin's Melmoth the Wanderer. Nevertheless, the genre enjoyed great popularity here down to the time of the Civil War, and Brown shows himself well acquainted with its conventions. He not only throws in a whole series of hair-raising encounters that pit the inexperienced Edgar with natural hazards, predatory wild animals, and marauding Delawares, but supplies a convoluted plot line that he further complicates with stories-within-the main story told by subordinate characters. Even for a romance, Edgar Huntly has an unusually tangled narrative web. It's hardly surprising the neophyte author himself sometimes has difficulty keeping track of the strands.
The reader making the acquaintance of Brown for the first time will not get any help from the note on the back cover supplied by Penguin, according to which "Edgar Huntly is the story of a young man who sleepwalks each night, a threat to himself and others, unable to control his baser passions....One of America's first Gothic novels...." I wonder whether the person responsible for these inane comments ever bothered to open the book. In the first place, Edgar Huntly is no Gothic novel. As E.F. Bleiler pointed out, it takes a castle to make a Gothic novel. But Brown explicitly distances himself from the suspicion of Gothicism in the remarkable address "To the Public" prefaced to the book, in which he prides himself on having found his materials in his native country and rejoices in not having fallen back on "Gothic castles and chimeras" in composing his work. But the statement about Edgar is not just inaccurate-it is blatantly incorrect. Edgar has at the most two sleepwalking episodes, one of which serves to initiate the most remarkable series of events in the novel, when he awakes to find himself mysteriously transported to a cave in the middle of the night. And nothing Edgar relates suggests he has a history of somnambulism in his past-nor that he is "unable to control his baser passions." In fact, the first sleepwalker to show up is the far more uncontrolled Clithero, who almost seems to have infected Edgar with his affliction.
Brown was clearly a pioneer of psychological analysis in the history of the novel. Like Edgar Allan Poe later, he probed the souls of his characters by plunging them into violent, imminently lethal situations. As a student of extreme states of the human psyche, he was not only a predecessor of Poe, but of Hawthorne and Melville as well. Yet Brown lacked the ability to apply his talent to the creation of highly individualized characters, one of the strengths of great nineteenth century novelists such as Charles Dickens, Gustave Flaubert, and Fyodor Dostoevsky. All of the characters in Edgar Huntly, the protagonist included, remain little more than phantoms inhabiting a largely crepuscular world throughout the course of the action. However, like other trailblazing figures in the early history of American fiction-James Fenimore Cooper is a perfect example-Brown had an estimable ability to create atmosphere. It is not intended as a sarcasm to say that the reader may feel he or she is turning into a sleepwalker while reading Edgar Huntly.

This book is truly one of the most interesting and purely entertaining books I've ever read. The creepy imagery of the sleepwalking man digging in the street and then the caves and indians will stick with me forever. What an amazingly creative man. An x-files-esque dreamer living in the 1790s.

First published in 1799, Charles Brockden Brown's novel, "Edgar Huntly" is an insane masterpiece. I love Brown. I read this novel for the first time a few years ago, and thought it was about time to refresh my memory. Set outside of Philadelphia in the final years of the 1780's, "Edgar Huntly," like other of Brown's works, test the new American republic's capacity to govern while balancing the needs and desires of its culturally disparate inhabitants.

The novel is purportedly a correspondence from the protagonist, Edgar Huntly, to his friend/love interest, Mary Waldegrave, in the aftermath of her brother's death. Edgar is an educated, refined, enlightened young man, disconsolate upon the death of his friend. An avid walker, Edgar frequently leaves the environs of his hometown, Solebury, returning to the scene of his friend's death, a large elm tree. Near this tree late one evening, he spots a man, conspicuously lurking, burying something beneath the tree. Suspecting this man, Clithero, of Waldegrave's murder, Edgar begins a career of surveillance and tracking, following Clithero to his residence and through the uncharted wildernesses that border his hometown. What follows is Edgar's progress in discovering the truths behind the death of Waldegrave, the history of Clithero, and the foundations of his own self-control and rationality.

Brown deals with a number of issues throughout the novel current to late 18th century America, including the dispossession of Native Americans from their land, Irish immigration, and the instability of a newly formed nation. Philosophically, Brown examines popular 18th century debates over the limits of sympathy, and the ability of sense, experiment, and observation to conclusively explain human nature. In his preface to the novel, Brown says that his novel will not exploit the then-common motifs of gothic fiction. Perhaps, but Brown, taking the example of William Godwin, moves the castles, dungeons, and murders of traditional gothic into the psyches of his characters. Dementia, paranoia, and in this novel, at least, the uncontrollability of sleep-walking, constitute the largely internal threats to personal and national safety.

So join Edgar, Clithero, Sarsefield, the Lorimers, Inglefield, Queen Mab, and an army of hostile natives, on an intricate, often horrifying romp through late 18th century America. Brown's doubts and fears about living in the new nation will entrance and mortify you, and possibly make you consider putting yourself in restraints before you go to bed at night.

While this appears to be an excellent textbook, it was not a helpful resource to those looking for information on citing various references and sources. This book is strictly for those who are or will be writing papers meant for publication. However, if you are looking for a book with listings of how to cite your sources (i.e. a bibliography) you won't find that information here.

...I can honestly say that it was easier learning the Korean language than it is trying to master this obfuscatory, often convoluted way of formatting papers.

Notwithstanding, for those of us among the uninitiated, help is here in the form of this workbook. Mastering APA Style can be a tremendous resource if you remember two vitally important cavaets: (1)Don't try to discern the "logic" of why APA does the things it does, just do it the way they say to do it, and you won't get mixed up an frustrated. (2) The more you use APA, the better you will become. I am entering my second year of graduate school and I am convinced that it will take another two years to master all of the subtleties and nuances of the APA format.

This book, however, will make the ride much, much smoother!

To graduate students in any counseling field, this is your bible. All of your research papers must be done in APA style and that is exactly what this book in dedicated to. I help you in simple terms to learn and perfect the infamous APA style

well,up to this time i've always fell not clear about kant.even in the books trying to explain kant.but this book accomplished this problem.i really approve it

If you read Hard Times for the sole purpose of being entertained you will probably be highly disappointed. However, if you understand what was happening during this time period, you will realize that Hard Times is in reality, a long commentary. The Industrial Revolution was starting to show its down side. There was rampant poverty and disease, from the overcrowding of the cities. Children of the poor had to work long hours in unsafe factories rather than go to school. The gulf between the haves and the have-nots was very wide. The middle class was only beginning to be a distinct group.
This then was the backdrop of Hard Times. Dickens is making a social and political statement. This is a statement against the mechanizing of society. It starts with Dickens repeated use of the word fact. It is facts that have meaning. Human conventions like feeling, compassion or passion have no meaning or looked down upon as an inconvienent waste of time. If a situation cannot be put down on paper as in an accounting ledger it should not be considered.
This is where the conflict of the book comes in. Which helps humanity more compassion or fact. Is Bounderby a better person than Blackpool? Bounderby, who by his own admission was a self-made man. Untrue as this was he said it enough to make it his own reality. Or Blackpool, a weaver with an alcoholic wife, who was in love with another woman. Facts made Bounderby rich, compassion made Blackpool human.
Louisa presents another conflict. Louisa was educated only by fact. No wonder or inquisitiveness was ever allowed. She was the perfect robot. Doing what she was told when she was told. Just another piece of the machine, however, the piece broke, emotions came out, and they broke down the wall of fact that Mr. Gradgrind had so carefully constructed. Because the feelings have finally been acknowledged things really break down. She finds that not only has she married the wrong man but also the man she did marry is a buffoon whom she cannot respect nor live with.
The reader is left wondering if there is no one who will not be ruined by all the worship to fact. The whelp has certainly been ruined to the point he feels no responsibility to anyone but himself. If a situation can not be used to his advantage then he has no use for it, as a matter of course, he will run when he believes he will have to take responsibility for his own actions.
The gypsies have not been ruined by fact. But only because they live outside of society, they do not conform to the rules of society. These are the people who value character over social status. The gypsies do not value Bounderby and Bitzer with all their pomp and egomania. Rather they value Stephen Blackpool and Cecilia whom can show compassion and kindness no matter a person's station in life.
Hard Times can be used to look at today's society. Are we, as a society more worried about our computers, cell phones, faxes, and other gadgets than our neighbor's well being? Do we only get involved to help others when there is a personal benefit? Or, are we like the gypsies who can look into the character of the person and not worry about the socio-economic status? While Dickens' wrote Hard Times about 19th century England the moral can easily fit into 21st century America

Despite the explicit title, "Hard Times" is not so much an ode to poverty and misery as it is a commentary on the increasing impact of industrialization on the fragmentation of society and on the dehumanization of education. The result, as Dickens implies, leads to lives hollowed by the emptiness of work for work's sake and wealth for wealth's sake.

The setting is Coketown, a factory town befouled by industrial smog and populated by underpaid and undereducated laborers. The novel's most prominent character is one of the town's richest citizens, Josiah Bounderby, a pompous blowhard who owns a textile mill and a bank and whose conversation usually includes some boastful story about his impoverished childhood and the hard work that led to his present fortune.

Bounderby is the commercial projection of Thomas Gradgrind, a local schoolteacher and an extraordinarily pragmatic man who instills in his students and his own children the importance of memorizing facts and figures and the iniquity of indulging in entertaining activities. Gradgrind offers to Bounderby his son, Tom Jr., as an unwilling apprentice, and his daughter, Louisa, as an unwilling bride.

On the other end of the town's social scale is Stephen Blackpool, a simple, downcast man who works as a weaver at Bounderby's mill and slogs through life misunderstood and mistreated. When he refuses to join his fellow workers in a labor uprising, he is ostracized; when he criticizes the economic disparity between Bounderby and the workers, he is fired and forced to leave town; when Bounderby's bank is robbed one night, he is suspected as the thief. So halfway through the novel, Dickens grants his reader an interesting, albeit somewhat contrived, plot element to embellish the narrative.

If this novel contains a ray of sunshine, it is in Sissy Jupe, a girl abandoned by her father and adopted by Gradgrind, whose oppressive educational method nearly breaks her. However, she grows up with her own intuitive sense of propriety, which she uses as a tool to eject a dishonorable character from the novel. Her strong and independent spirit will allow her to do much better in life than Louisa, who withers away in an unhappy marriage, and Tom Jr., whose boredom renders him vulnerable to temptations.

Compared to his other novels, "Hard Times" is relatively short and straightforward and has few characters, as though Dickens felt that what he had to say was so important, it had to be said quickly and bluntly. He is less interested in realism than in making a point, and it's really the poetic power of his prose that enables him to get away with the overbearing sentimentality and often ridiculous caricatures that accompany his poignant human truths.

Dickens creates a novel that virtually revolutionizes literature of the 1800's. At a time where most writers wrote in a stuffy prose full of unrealities and a jaded outlook, Dickens dares to tell with honesty what he sees through his window.

Hard Times has yet a misleading title. It gives one ideas of harshness, depression, poverty, and social decline--although the actual reality of then-London, still not something you would choose to read. However, Hard Times has as much depression and poverty as any of Dickens' other works. It is just in this case that Dickens chooses to remind the world that in the deepest despair there is beauty yet to be seen.

Dickens was a strange author. In his supposedly inspiring books, you get an overdose of sadness, and in his depressing books, you find beauty. It is this case with Hard Times.

It is a poor, honest man's search for justice in a world where only the rich have merit. It is a girl's search for true love while battling the arranged marriage for money. And lastly, a woman's search for recognition against her favored, yet dishonest brother. It is these searches that at last come together and become fufilled. And, while at the same time telling a captivating story, it comments on the then--and still now--presence of greed and total dishonesty one has to go through for money.

The title of this review sums up Hard Times. Its beauty comes from the pure searches for truth, the sorrow comes from the evil the characters most overcome to get there, and the honesty is both the truth with which Dickens portrays life and the the overwhelming truth that these protaganists create.

Holly Burke, PhD.

Clinical Psychologist, Abnormal Psych. Professor

Georgetown University, Johns Hopkins Inst.

I must admit, I've read many of Rousseau's essays and books yet, I've never liked him. This book makes me like him less. "Reveries" is Rousseau's attempts to record his thoughts on ten solitary walks. In the first walk he compares his undertaking as like Montaigne's (that's Jean-Jacques for you!!). In a way, it is. These, like the essays of Montaigne are on both the 'trivial' subjects like botany and children, to the more philosophical, like the obligation to truth. Unlike Montaigne though, there is no order whatever to Rousseau's thoughts.

Another disjunction between the two is that Montaigne didn't think nearly as much of himself as does Rousseau who, towards the end of his life, did not have many friends and spends the greater portion of each essay telling us that it is their fault and who needs 'em anyway. He desperately wants us to feel sorry for him while protesting (way too much, wethinks) that he doesn't need our sympathy.

In fact, any good biography on Rousseau will tell you that the reason he didn't have any friends was that he was vain, selfish and trivial. After reading these essays, I see it. He was also losing his mind to paranoia and throughout the reveries, refers to the 'plot' against his life and in the ninth walk, even mentions the spies that follow him!! Whew!!

In the end, lack of structure, repitition of 'poor me' and conspiracy themes, and pure pompousness ruin this book. His 'Confessions' are slightly better, but I'd start with 'Emile.'

The title is lovely, and completely inappropriate. "Paranoid Ramblings of a Once-Great Philosopher" would be more accurate. Some of the chapters are nice (particularly the one on nature) but overall, this is quite certainly not Rousseau's best book. Try the "Confessions" first.

One way to view this (if you are someone who is new to him) is of a Blake's "Age of Experiance" as this was written near his death when alot of his other works still hold his youthfull optomisum in them

I first picked up this book in Oz, not knowing what it realy was. I must say, that as most people howm read his writings are of simular mind, I find that his last ever colection of writing (which this is) explores the darkest corners of ones mind. So many times did I have to stop on a page, think, thake it all in, then carry on to the next page. Only having to do the same again. This is him (his mind is realy all there is to him) when he is free to walk about in circles and wander about everywhere. This is how his mind realy works. It was with this book that I think he should have started his life long writings, for this is a summary of his wondering mind as our minds do. In the wanderings, questions and notions pop up from every where, and instead of doing what the avaredge Jo does and dismisses without much thought, JJ searches and explores for notions and possible view points that would realy shock some people, but bring great moments of clarification and agreament with others like my self. I can not say how much this book has in fact shaped and changed view on my own socail views, of relationships, and spirituality

I love him with all my heart. This small book being him. Ed.

Author has included some email and web site information for ski area accomodations, tourist offices, etc, but it just touches the tip of the iceberg.

Verbier, Switzerland, one of the top ski areas in Europe, only gets 5 pages in the book. Does not provide any commentary on accommodations in Verbier other than number of stars in rating and prices. Some other large ski areas get better treatment. The Arlberg region gets 9 pages of coverage.

Book lacks maps of Europe and of ski areas.

Overall the book is a good starting place for researching a trip, but descriptive information is brief and basic. Still this book is the most recently published on the topic as of 10/98, so the currency of the information should be decent.

I live in Munich and use this book often as a reference. It contains very accurate information on lodging, prices, and qualities of the resorts. Very accurately summarizes the differences in the ski experience between the different countries.

Needs more detailed maps of the resorts and slopes with hotels, restaurants, etc. clearly marked. Needs to be more critical of some resorts so the reader can make a better decision about which one to visit.

Ski Europe was a great book for my winter stay in europe. The thing i liked most about it was that it was the only book i needed. It offered all the skiing info i needed for each resort (even a scection in each resort on snowboarding!), but it didn't stop there. Its an all around guide with info on the night life, hotels, and restaurants. it gave concice information about all the aspects of a skiing vacation, which made my off the slope hours much more productive. i strongly recomend this book for any skier or snowboarder, any level.
=Z

If you want to know about what the life of a furnace worker is like, this is probably the book for you. It's got plenty of long words and some quite good pictures, but the writing was a bit small for me. I like big writing. Anyway this has a lot of steel in it, which is probably a good thing for a steely sort of author like Charles Rumford Walker. Enjoy enjoy!