Physicists interested in the mathematical aspects of quantum field/string theory would do well to read these volumes as well.
Deserving, in my opinion, more than 5 stars -- many more!!
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Unable to refuse the $25K advance and $25K follow-up, Benjamin accepts the job. He explains to Charlotte for that amount of money she owns full editorial license to change his words to include whatever the hell that she wants to write. However, before Benjamin can begin his inquiries into the lives of Rod and Randall, someone kills Charlotte. Feeling obligated to continue with the assignment, Benjamin expands his investigation to include discovering Charlotte's murderer.
THE LIMITS OF JUSTICE is a well-designed Hollywood mystery, but it is also a redemption novel. The story line belongs to Benjamin who in his fourth "Justice" tale uses Charlotte's murder as a rallying cause to regain his own lost humanity. Though one of the major underlying themes is out of an X-rated B horror movie, Edgar winner John Morgan Wilson paints a fresh landscape of Southern California. Anyone who enjoys a private investigation story starring an individual on a personal vendetta to regain his former champion status will find this wondrous novel does that and much more.
Harriet Klausner
The style itself is an equal match to the other three in the series. Wilson has maintained a steady, even narrative throughout the series.
What I found the most enjoyable was Benjamin's attempt to redeem himself and his condition. He was well on his way to rebuilding his life in 'Justice at Risk', but met with some setbacks. Having hit bottom, again, he must decide to go with the flow or to fight the current.
One minor annoyance: The way the mystery was wrapped up suddenly. It made the whole investigation seem a side-issue.
But even with that point made, I have to heartily suggest this book to anyone who has enjoyed the 'Justice' series. It is a must-read.
"The Limits Of Justice" tells the story of Charlotte, daughter of TV and movie star Rod Preston, who wants an unauthorized biography stopped about her father.. Private Investigator Benjamin Justice gets on the case, and then Charlotte is found dead. The story goes on to reveal a network of pedophiles and secrets that are too horrible to imagine. This is a very engaging read and keeps you glued to your seat till the very end. His description of the Southern California region and its history, as well as Mexico, is surely educational and enlightening if you are not too familiar with this area. A book worth exploring!
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The plotting is fast, the cast of characters both amusing and realistic and story itself is without fault.
Simple Justice deserved the awards and accolades it got. I am a mystery buff with a bad habit of sticking to 'tried and true' writers. I went looking for fresh authors recently. Out of about twenty 'new' talents, this is the one real gem I found.
Unlike the homophobe who posted in 1997, whether I personally like a character or his/her motivations is irrelevant to me. I want tight, convincing prose, an interesting mystery that doesn't cheat, and a collection of unique characters that remain true to themselves and grow during the book. Wilson gave me all of that and more.
The writing is truly award-caliber. Each character is deliciously flawed and extremely well-realized. The mystery is a great first effort, and aside from the 'Perry Mason' confession, I was intrigued throughout. Yes, any student of mysteries would pick the killer from the 'line up' in the first half of the novel, but it's still a good read. I recommend this book, with the single caveat that mystery novelists of the last ten years have become obsessed with the ... exploits of their characters, and Wilson is no exception. Since his characters are ..., expect ... (duh). Alternately, you can skip the ... scenes and jump straight (no pun intended) into a first-rate mystery novel.
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Guess there's going to be another book soon, maybe the Fifth Horseman? Hope these two get a better editor.
There was other incorrect information in there such as the young Jewish boy saying he got hooked up to the Library of Congess to search Grateful Med. Grateful Med is provided by the National Library of Medicine. It made me wonder what other errors I wasn't aware of in some of the scientific/technical aspects of the plagues.
Despite my frustration with the authors/editors not catching some of the inconsistencies, I managed to finish the book because the subject matter interested me. However if you want to read books along this subject line, I'd have to recommend "The Hot Zone" or "The Cobra Event", "And the Band Played On" or several other books (some fiction & nonfiction like those mentioned above)before recommending this one. It was a struggle to stick with it even though the characters were fairly well developed and the concept was intriguing.
RECOMMENDED.
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This book solves all those problems. Anyone new to C# or just object oriented programming, can learn from this book.
The way that Karli eases you into the concepts and describes what each line of code does is extremely helpful.
This book is probably NOT for the Intermediate to Advanced programmer as Karli covers a lot of basic programming concepts. However, It also is a great primer for anyone wanting exposure to the language.
In order to get the most out of this book be sure to work on the case studies found at the end. These do a great job of tying everything together.
This book is similar in quality to Ivor Horton's "Beginning Java 2" books. (Only with better examples, in my opinion).
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Insights the Strouse bio makes accessible inform the daily world around us in bounteous ways that make this book an incredibly worthwhile (as well as compelling) read. In this morning's WSJ, there was discussion of Iran now making good on previously nationalized assets so as to make Iran a more attractive place for international investors; the discussion of the bond market in light of the stock market's powerful gains continues; and individual investors as well as institutions are forever coming to terms with the fact that the market continues to support companies with what have traditionally been considered wildly high p/e ratios.
Add to the mix that Morgan was a fascinating man--as interested in the details of the dresses he had made for his wife, daughters, and mistresses as in the contents of his library, the speed of and fittings on his latest yacht, as well as the characters of the men who worked for him and with whom he chose to form investing syndicates, and you have a delightful, powerful biography.
Ms. Strouse is sympathetic to her protagonist, but is also quick to point up his many flaws and quirks. I found the whole thing extremely readable.
Perhaps the most amusing part of the book is the way in which Ms. Strouse portrays the "intelligentsia" in Mr. Morgan's art world--Roger Fry, Berenson--less as interesting evolutionary figures in the history of art criticism and more as real flesh and blood folks in search of a position or a commission. "Catty", Fry and Berenson seem to be synonyms in the Strouse lexicon.
I'm not a great reader of biographies, but this one is pretty darn interesting. I wonder how the bios of this generation's multi-billionaires will read.
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Unfortunately, the difference between Simple and Revision is clear: in the first book, Wilson focused on character, introducing and developing Benjamin Justice as well as his world and his supporting cast. There, Wilson shone; he created a deeply flawed anti-hero who nonetheless could hold the loyalty of the reader and several stereotype characters (i.e., the grouchy editor with the heart of gold) that broke out of their mold. He also painted the world of West Hollywood vividly and clearly.
In Revision, however, Wilson leaves character development and shifts his focus to plot. That's where it all falls apart. Revision limps clumsily along a pre-ordained story arc, as though it had been created in a beginning writers' workshop. The meat of the mystery is clear from the first chapter, and the reader knows the solution in every detail by page 131 (first hardback edition). The rest of the book alternates between the agonizing wait for Justice to catch up - how many murders will it take? how many innocent people will he hurt in his quest for truth? - and an in-depth depiction of the entertainment industry, with a focus on screenwriting. In fact, large chunks of the this novel would be much more at home in a non-fiction book entitled "An Insider's Guide to Hollywood Screenwriting." Wilson clearly knows this world all too well. If only he had been able to draw the reader into it, as he did with WH in Simple, rather than dissecting it.
Even more painful is the careful alignment of resolutions, as Justice gets his chance to revise his past mistakes. He once abandoned a lover dying of AIDS. In Revision, he finds a guy who looks just like Jacques, the dead lover. Conveniently, this guy is also sick with AIDS, also dying, in a way that gives Justice a chance to replay his abandoment of Jacques, making the right choice this time around. Justice also once falsified a major story for the LA Times, dragging his editor down with him when he falls from grace. In Revision, Justice has the opportunity to pursue truth instead of lies and offer that same editor a major scoop. (It's the truth, this time.)
Second novels are always difficult, especially the second novel in a series. Wilson, despite all of his undeniable writing talent, has stumbled here. But so have a lot of good writers; many went on to better things. Let's hope that the third Justice mystery restores the series to its former glory.
A young, aspiring screenwriter with too many connections to too may important people with too many secrets is found murdered at a party in the posh home of a prominent screenwriting teacher. Justice, a once promising print reporter felled by scandal, is enlisted to help find the killer by his friend, a hotshot reporter named Alexandra Templeton. Justice agrees for financial reasons, but his heart is dragged into the search as well, as he is determined to clear his new friend Danny Romero of any suspicion of the crime. Danny is HIV positive, just like Ben's late lover Jacques, and Ben experiences a VERTIGO-like moment of déjà vu. (The love scene with Ben and Danny in the AIDS clinic, with Danny nearing death, is electrifying, touching, and erotic.)
If John M. Wilson/Benjamin Justice's Hollywood is any indication, there are practically no nice people in the American movie industry. There certainly aren't in this cast of characters. If someone's not busy clawing his way to the top (or even to the middle rung), then he is busy hiding some secret of a very shady past. The novel has the grime of raw ambition all over it, and chances are you won't find anybody here to whom you will relate. But that is all right. This is probably a more accurate representation of the Hollywood milieu than a lot of people would like to admit. Wilson does it very well. And his sense of character is sharp too. More and more I find myself thinking that Benjamin Justice may well be a more compelling character than Michael Nava's celebrated Henry Rios (and I wouldn't have thought that a few years ago). Justice is no Huggy Bear himself, but he's smart, sardonic, and funny, and he accepts his "loser" status with the stoicism of a wise man.
If one can cite faults here, it is the easiness with which one can guess the killer and Wilson's rather irritating habit of bashing white males and playing up the multicultural aspects of his own cast of characters; there's something in it that smacks of insincerity.
An excellent novel. Just don't go into it looking to be cheered up.