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The life of these young men in a Washington I know, knew, love and loved, reaches deep within me. The college life at W&L is mirror of many gay men -- especially those of us who attended university in the 1950s -- and the saddness, anger, anxiety that Jeb experiences creates for the reader a powerful catharsis. Yes, it was me -- then.
What makes this beautiful book readable is the writing. Jeb obviously had a skill to weave and relate his story, to observe homosexual life accurately, to be part of a homosexual world and feel the anger of repression. Yet he functions in the unreal heterosexual world that dominates all our lives.
Lastly, as the book unfold in his "beautiful" Washington -- a place he does not want to leave -- my home, my Meridian Hill, my parks, my capitol, my White House all become as real as if we were there in his day.
The comrade,who lent me the book, and I spoke at length of this text. I told him, since I am over 60, this is a Washington I remember. A Washington that came to an end with the murder of JFK and Martin Luther King, Jr. Yet, when homosexual oppression reared its ugly head, Lady Bird and President Johnson were loath to condemn the people they worked with and trusted. Jeb's adoration of Wilson mirrored my adoration of JFK.
This book pleases. The four stars say that the book is not a "masterpiece." It certainly is a treasure in gay literature.
As a native Washingtonian, I most appreciated Jeb's take on the mundane details of Washington life, and of gay life at a time when homosexuals had no socially-accepted methods of meeting each other. Somehow, he managed to find several like-minded friends, including his school chum, "Dash," for whom he seemed to have carried a lift-long torch. More accurately, he was fixated on Dash.
Jeb Alexander, was a government worker; not a bureaucrat, simply one of the many people who do their daily stints year after year until they are eligible for a pension. He wanted to be a writer. He was a copious writer, but only when it came to his hand-written diaries. One could argue that at least he ultimately was published (30 years after his death) but he was not the kind of writer he aspired to be.
There seems to be an underlying sad parallel between the prolific diarist / stalled writer that Jeb was and the energy that he wasted as a result of his obsession with his friend. Because of either his constitution or his circumstances, he seemed averse to being alive, and frittered away his time in pursuits that I can't imagine he ever felt would amount to anything.
"Jeb and Dash" is a portrait of a "small" life-small like the lives most of us live. I enjoyed the view the book gave of some of the trivia of daily life and of my hometown. I also enjoyed the view it gave of some of the ways gay men lived their lives at a time when it was tougher than today. And I enjoyed Jeb's story-sometimes it struck a familiar chord. And sometimes I just wanted to reach back through time and smack him on the face and say "Get over it."
But he lived in a different time.
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I have found an error in this book: On page 41, question 1, I believe that the correct answer should be "c". There can be a printing error of the answer key on page 48, which states that the answer for the above question is "d".
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And the narrative is a bit unusual in that the woman who is the center of the work has a variety of affairs, intimately detailed but not lurid, however her obsessive affair is with a "Castrato". The book is massively detailed for the musically literate, however for those of us not familiar with the unique singing skills of this physically modified man, the detail can be an impediment to seeing what the Author intends, the larger your musical lexicon the more this story will appeal.
The idea of a love affair between this unusual pair could easily sink into a voyeuristic trudge, but this never happens as Ms. De Moor writes well, and when describing the intimacies never descends to the prurient.
A very good book that should be approached cautiously, for the musically very well informed a wonderful read, for those looking for a bit less romance search elsewhere.
De Moor's story is richly sensual -- not in the lubricious but in the fullest sense of that word. With great power and beauty, she makes you see and hear, taste and smell, touch and feel what her characters are seeing and and hearing, tasting and smelling, touching and feeling.
The story is poignant and powerful, and manages also to be informative as it moves swiftly yet without any sense of haste to its ending. As with any richly sensual experience, the reader is apt to finish this book with only one regret: that it was altogether if ever so sweetly too brief.