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Steve laces the book with sufficient simple examples, humor, and genuine technical detail to make the book an enjoyable learning experience for just about anyone with an interest either telephony or global computer networking. This book is valuable for engineers and a must-read for investors.
This book, in my estimation is a must read for anyone currently concerned with almost any aspect of telephony.
David L. Favin
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The only thing I disagree with is Bauer's notion that the United States had nothing to fear from foriegn expansion into the near empty land which was claimed by Mexico. Republican Government had few friends in 1846 and we should put ourselves in the shoes of Andrew Jackson, Sam Houston, and James K. Polk when we think of this era. They believed, and probably correctly, that the worst threat to the survival of the U.S. was to continue to try and exist with such a huge open territory on our borders. All that would be needed would be a foreign power with a thirst for empire on our borders and we might cease to exist. Men who thought this way were not imperialists, they were filled with fear for the survival of their decendants. Mexico was not governing much less defending the territories necessary for American survival and something needed to be done about it and fast. I don't recall any of the great Americans of this era ever using the term "manifest destiny." (Bauer doesn't say that either. Revisionists use this newspaper term.) More like manifest survival. This opinion shouldn't of mine shouldn't keep readers from enjoying this book, though. Wonderful job Dr. Bauer!
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Clearly, the author tried to be serious but the final result is precisely what the title says: A lot of final reports...without further analysis. It should have been interesting having a more general analysis (similar to books by Perrow or Reason) instead of being satisfied with the analysis included in every report.
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"The Big Book of Dinosaurs" falls into the last category; the main credit rightly goes to the artist, Bob Walters, whose fine illustrations make this a tempting gift for any young dino-phile of your acquaintance. Like many dino-artists, Walters' style and colour preferences are quite distinct, and I find his renderings rather pleasing.
Sadly, there are some errors in the text that really shouldn't be there: Giganotosaurus comes out as Gigantosaurus, theropods become therapods, to cite two examples. When the prevailing standard for dinosaur books nowadays is meticulous accuracy (no serious palaeontologist would have let those errors slip by), this is genuinely disappointing.
For stunningly illustrated dinosaurs *with* careful, accurate accompanying text, I would turn to "Dinosaurs: the Biggest, Baddest, Strangest, Fastest" by Zimmerman/Olshevsky, to name one outstanding example.
Walters' artwork certainly deserves better; perhaps the next edition?
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Grabb and Smith's text offers a comprehensive and engaging review of the essential aspects of Plastic surgery. Each Chapter starts with a review of clinical anatomy and leads on to Clinical aspects of diease. Historically important surgical approaches as well as current techniques are discussed. Disease classification is also described in excellent details through the use of tables.
I do firmly believe that this book is a worthwhile investment of time and money.
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Nye writes well on a sentence level. Generally, I found his historical portrayal believable, and his characters multifaceted, although I don't quite buy that Ralegh would be such a political innocent that he wouldn't realize why Elizabeth could by no means risk becoming pregnant. The plot is exciting; it bogged down a bit for me about 3/4 of the way through, but Ralegh's attempts to escape execution are fast-moving and gripping.
The different portrayals of Elizabeth in historical fiction are interesting. She's always larger than life, even when, as here, she has aspects of the grotesque. And generally, as here, she's shown quite negatively. I like the darkness of the way she torments her favorites in the book, though I rather doubt it's what really happened.
I disliked the homophobia with which James I and his lover Villiers were portrayed -- it's fine that James is a negative character, but the prejudice here seemed to go beyond Ralegh's normal Renaissance-era reaction.
In the final analysis, there's something self-indulgent about this book, about Ralegh and his endless self-recriminations and maundering. Still, readers of Elizabethan historical fiction will probably want to have a look at it.
The journal, which begins in 1618, moves back and forth in time, alternating vivid tales of Ralegh's tenuous existence aboard the Destiny, a ship off the coast of Guiana, with his colorful reminiscences of life in Elizabeth's court, when, as a young man he was living the heady life of a courtier. The ebb and flow of the journal creates its own narrative movement and conveys both the vibrant excitement of Ralegh's days as a young man and the melancholy self-reflection which dominates his old age. Sensuous descriptions and self-deprecating wit characterize his revelations about his younger days, while the privation and trauma he experiences at the end of his life elicit both sympathy and admiration as he tries to redeem his pride and reputation while walking a tightrope between his mutinous crew, his duplicitous king, and his Spanish enemies.
Though very exciting and full of fascinating period detail, Nye's novel is more than a biography, however. Ralegh tells us that his journal is ultimately a log of three voyages: first, the voyage of the ship Destiny--his present, day to day life; second, the voyage of his history--his past and his fortunes; and, third, the Voyage of Destiny, not his life or his ship but something more than the present, the past, or both together. This third journey is an internal one, and we observe Ralegh making an effort to achieve deeper understanding, not only of himself, but of the real values which give meaning to man's existence, not the values imposed by society. He is accompanied, on both his real and his symbolic journey, by an Indian named Guayacunda, a mysterious man whose tribe was wiped out a hundred years earlier, and whose ancestral heritage, language, culture, and even real name have vanished completely, leaving him without the ancestral values he thinks would give meaning to his existence. As they share their dreams, they search for an understanding of truth which will give value to their separate realities.
Multi-leveled and totally satisfying, The Voyage of the Destiny uses the fascinating life of Sir Walter Ralegh to illuminate the search of a thoughtful man for truth and meaning in life beyond what society and its values have imposed, not one truth at the expense of others, but truths which come from a life lived with respect and humility, not with pride or a need for recognition. In that way, Ralegh discovers, he may achieve true honor. Mary Whipple