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True to the original quest, the book is packed with dramatics: the reunion of Dewshine and Scouter, Two-Edge's confrontation with Clearbrook, Tyldak being noble, a last minute rescue from a soul-brother, Leetah grappling with Cutter's mortality, elfin homocide, and the final destruction of Blue Mountain.
Of course, its always refreshing when an under-exposed character finally gets his chance to save the day. Go Dart! AOOOOYAAAH! ^_~ My only quarrel is with Aroree, who has been reduced to a powerless, doe-eyed victim whose only hobby seems to be stalking Skywise.
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Buffy has already had one confrontation with these bad news bugs during the term. She and Riley barely managed to stop the infestation and they thought they had solved the problem. But, that was then, and this is now. When the ghost of a vagrant killed by a vampire puts Riley into a coma, Buffy is back on her own, and worried to distraction. While she desperately tries to hunt down the cause of the ghosts anger the bugs show up - right in the middle of Giles date with a beautiful librarian. Giles loses and Rebecca the cataloger disappears.
Now both Buffy and Giles are at their wits end. Fortunately, the rest of the gang is there to pitch in. Even Spike tries to do his part. Tara and Willow find out that the insects are Urukhai, cheerfully bent on the conquest of the earth. Even as the magical duo start to work on supernatural insecticide, it is obvious that the team is in for a tough struggle. To or three really bad vampires are one thing, but thousands of superbugs the size of Volkswagens is an entirely different challenge.
This is the perfect summer graphic comic. Lots of fiend bashing, suspense, and, if you count Giles, even some romance. Fassbender and Pascoe once again turn out a potboiler, and Richards and Pimentel get it down beautifully on glossy paper. Now you can worry about things that go 'chitter' in the night.
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It answered my questions about why there is so much bias and racisim.
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Originally released during the Roman conquest of Carthage, Ky-Laag is major badness. He was only brought under control at that time by the wiles of Vraka, another demon, who led a cult called 'The Blood of Carthage.' Several thousand years later Buffy has let the rabbit out of the hate, and Vraka heads for Sunnydale to try to stop Ky-Laag and, in his spare time, kill the offending slayer. Buffy feels the same way about Vraka, but, if they don't work something out, they will be dead and the rest of us will be worshipping Ky-Laag.
One of the other key story arcs is Willow's need for emancipation from a Xander who still treats her like a childhood sidekick. As a young woman with significant magical and intellectual skills this has become more than a little irritating. In a series of flashbacks we see the developing relationship between the two as children. One in which Xander often took the lead. The other piece of history is a series of pieces about Vraka and reason for his bad feelings towards Spike. It should be no surprise that these do not paint the vampire with a chip in his head in a very good light.
One has to think of 'The Blood of Carthage' as more than a trade paperback rehashing the contents of a series of comic books. The story itself is larger than its media, and the trade paperback or graphic novel suits it best. Part of this is due to the efforts of Christopher Golden as writer, and the rest is due to editor Scott Allie's decision to deviate from the story telling style in the previous comic series - 'Bad Blood.' This is not intended to be a criticism of Andi Watson's rambling nine-issue series. Instead, Allie decided it was time for a change of pace and then turned to Golden, a proven Buffy novelist, to implement the idea.
Golden's story line is structured much like a novel, with a focused major story arc and rising levels of complexity and intensity. To break up the pacing a bit we are treated with flashbacks to Willow's childhood with Xander and Spike's first encounter with Vraka. Another thing that makes this series special is the carefully managed creative artwork. While Cliff Richards is the artist for the main story, Chynna Clugston-Major and the team of Paul Lee and Brian Horton each get one of the flashback series. This is cleverly orchestrated to provide different moods and contexts. The art really is excellent, and a separate article on what went into it is included in this volume.
If you have been wondering which trade paperback to buy first, this should be high on your list.
The art work is exciting and colorful. I think the actors are well drawn. Their voices are true.
Set in the fourth season, Buffy is at college. The pressures weigh heavy on her slayer duties. When she kills the wrong demon all Hell breaks loose which forces deadly enemies to work together. I recommend this to all Buffy fans
Montana also preaches unity and team. he never places himself above his teamates and always credits the people around him for his success. his offensive line, his running backs, coaches, wide recievers, and his parents.
good book for any kid interested in becoming a QB or for anyone who just needs a little inspiration.