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Harry Warren was undoubtably the most important tune smith during Hollywood's Golden Era of Musicals. His success is unrivaled in the motion picture industry.
In the years of the greatly popular radio program Your Hit Parade, between 1935 and 1950, forty-two songs by Harry Warren were placed in the coveted top ten, with 21 of them being #1 Hits. The song writer next best represented was Irving Berlin with thirty-three songs.
He was nominated for 11 Oscars for best song and won three times.
Although he had success on Broadway (ie. 42nd Street, the fifth longest running musical), his primary claim to fame is his importance in the history of the motion-picture musical. No other composer can match his record for the 25 year period between 1932 and 1957, when he was employed by all four major studios when they were specializing in musicals.
During this time with Warner Brothers, Twentieth Century-Fox, MGM, and Paramount, some 250 of his songs were published and performed, with 56 of them becoming standards.
His Songs have appeared in over 300 films. (and over 100 looney-tune cartoons)
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Althought many parts of this deal with specific issues of Paine's time (especially Rights of Man), even after two centuries, the writings of Thomas Paine are able to stoke the fires of liberty in the soul of the reader with their passion, their fierce logic and their unexpected humor.
Rights of Man comprises two long volumes written by Paine in response to English criticism of the French revolution. Although much that he says is ironic in light of events that occured after he penned these volumes, you can see the hope that the Revolution produced. He breaks government down to basic principles, pointing out the needs that government fulfills and the method by which they should be constructed. It is thought-provoking, even in the modern day and will make you look on politics of our own time with a new light. Rights of Man does drag a bit when Paine begins repeating himself, but it remains interesting and though-provoking.
But Common Sense is the real treat. The pamplet that set a continent on fire is -- this was a surprise -- a thrill to read. I found myself actually laughing at Paine's sarcasm and satire -- his way of taking monarchy and absolutism and exposing them for the ridiculuous constructions that they are.
Any student of history should read these volumes for their portrayal of late 18th century geopolitics. But you will find them to be unexpectedly entertaining.
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Not being a literature-buff, this book becomes a fascinating history lesson as well, with words and situations appearing that I thought were only pertinent to the 20th century, not 19th. There were also, the obligatory words that we no longer use (but only a bare handful...). This (for me) all added an extra richness to the story that Hardy tells.
Alan Rickman's reading was delightful, with him displaying consistency throughout in portraying all the characters. Like other reviewers before me, to listen to Mr Rickman singing the fench song Tape 8 is worth a listen in itself!
All in all, listening to this story unfold by cassette probably makes it more enjoyable than trying to read the book, where I am sure most would give up before finishing the first chapter...
The novel begins with the sale of Michael Henchard's wife and child to the highest bidder at a local summer fair. Henchard is drunk and his wife, tired of his habits, decides to leave with the sailor who bids on her and her daughter. Henchard wakes up the next morning, somewhat remorseful for what he has done and vows not to drink for twenty-one years.
The very next chapter picks up the story nineteen years later, with the return of the wife and child into Henchard's life. Henchard is now quite wealthy and is such an important man in his community, he is now Mayor of Casterbridge. From here, a series of wrong decisions and misunderstandings lead to the devastating conclusion.
Hardy is well known for his tendency towards gloomy endings and this book certainly fits the mold. But he is also well known for his lyrical descriptions of the English countryside and describing a way of life which had disappeared even in his own time. There were beautiful passages about the hay carts being driven through town, loaded so high that people on the second floor of homes could reach out and touch the top of the hay. Small details abound, describing the sound of rain on trees and the smell of the local foods. But perhaps the most significant aspect of the novel for me was the feeling that Henchard had wished for everything that had happened to him, and all of his wishes came true, and thus ultimately his downfall. These wishes were almost all made in a rash moment, when perhaps a minute or more of reflection could have produced a clearer head. Yet Henchard lives by his instincts, since for almost twenty years they seemed to serve him well.
I would recommend this book to any serious literature lover and I believe it serves as a good introduction to his other works. His books serve as a bridge from Victorian literature to modern literature, with no happy endings guaranteed.
Hardy is a gifted author. He writes in a clear style with vivid descriptions that really bring the setting alive, without making the reader (at least this reader) feel inundated with borning, unnecessary detail.
The thing that I look for most in a novel, however, is quality characterizeations, and this book had them in spades. Dialogue was used effectively to flesh out characters. These are not stock characters, either. These people have flaws and shades of grey. They seem as though they could be real. I found that I could relate to the characters, and I did empathize with them, even when I didn't agree with their choices. Everyone had clear motivations. The characterization of Henchard shows that Hardy clearly understood the notion of the tragic flaw and the tragic hero/anti hero.
Students who have to read this book as part of their English class may find it a bit on the long side. I would urge you to stick with it; once you get through the initial chapters the book will pick up (a commonality that all British classics seem to share). The book is easy to follow and understand. It is a key novel that marks the shift from Romantic Age to the Victorian Age, so it's an important read for anyone who has a serious interest in English Literature.
Through this novel I came to the understanding of Irony and oxymoron. Hardy totally wrote with a sense of awareness of human characteristic and he had a amazing style of mixed humour with tragedy.
His protagonist,Michael Henchard's life was under the microscope of Hardy.
I love the way the story began I quote:"ONE evening of late summer, before the nineteenth century had reached one-third of its span, a young man and woman, the latter carrying a child, were approaching the large village of Weydon-Priors, in Upper Wessex, on foot. " I love the Englishness and the sense of intriguing events that would follow...
In brief, Michael Henchard was a drunk who sold his wife and daughter at the fair. Later he realised his mistakes he work real hard and eventually became the mayor of Casterbridge. His life took another twist 20 years later when his wife and daughter came back to his life plus a few more other characters adding on the complexity of his life.Soonafter events unfolded and many things became to go against his way and then came his downfall. Indeed Michael Henchard's rise and fall were filled with compelling details and his encounters with numerous intestering people.
What I love most about this novel was the way Hardy depicted Henchard's behaviours and thoughts and totally enhanced his weak character and irresponsibleness with dashes of ironies. His sardonic literary style were brilliant and at the same time he also vividly described the scenery and situations. Another greatest of Hardy was his ability to create innovative characters still account for in modern contemporary days and he was a pioneer in analysising human's weakness and blended it into his creation. It's a vintage classic,psychoanalytic and intriguingly written ,a must read for all books lover.
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In contrast, the Rough Guide spends much more space discussing the background and culture of individual locations, and is packed with lots of interesting details not found in the Lonely Planet. The RG spends less space on restaurant/hotel reviews, which was perfectly fine - I'd rather know more about the places I'm visiting than worry how much chicken shahjani costs at some particular restaurant.
The tone and approach of the books are different too - the RG takes a much more optimistic, romantic view of India, while the LP is often so terse and cynical that it doesn't really inspire you to visit many wonderful places.
Get the LP for the listings. Get the RG to appreciate the beauty of India.
Also I visited Jaisalmer on May, but if you following the book you will never go there in such cray summer. In fact, the summer was high enough, but still interesting. No more tourist means you can enjoy alone, and only myself in the hotel you can get nearly 50% discountdown for low season. If you read you can find a lot of things from the book, but on the trip everything is changed, you never image the book can guide you everything. Try to ask person around you, and get the most reasonable price.
I will plan to go to india again, by the guide of Lonely Planet, but I think I need a new version.
The maps were better than anything I found locally and the cultural info was very helpful.
The book is bulky/heavy but tearing out key sections can easily solve this. I cut my book in half this way and got lots of envious stares from others lugging their entire LP or Rough Guide around and actually referring to maybe a third of it.
Get this book, get the LP Hindi-Urdu phrase book, but skip the LP travel atlas unless you want to walk across India.