The "Working Papers" (a separate workbook) makes doing the assigned problems easy by providing a ready-made template for each problem. If you've had to draw your own T-accounts or your own journal in a notebook before, you will definitely appreciate this.
This text serves as a good introduction to the skills necessary to master financial accounting.
Akhmatova has been called "the greatest Russian woman poet ever, and perhaps the greatest woman poet ever." I can't help but think those lauding on these kinds of laurels are looking more at her life than her work. There are certainly flashes of great brilliance here, but to put Akhmativa's work up against that of, say, Elizabeth Bishop, Deborah Allbery, or even the underrated Dorianne Laux would quickly reveal many of its flaws.
This is not to say that Akhmatova's poetry is completely without merit, and one must be forced to consider the viability of the work of any translator who would consider "He, was it, through the packed hall/Sent you (or was it a dream?)" to be the best way to translate anything, much less poetry. And thus, perhaps, the original is far more eloquent than what we receive here. That taken into account, there is still the problem to contend with that much of Akhmatova's work is, for obvious reasons, overtly political, and makes no attempt to convey its message artistically; worse yet, a good deal of that work is imagist, impressionist. The end result is something that's thick, sludgy, and impossible to read.
However, every once in a while a good line will shine through, and occasionally we find ourselves staring at a poem that seems to exist well outside the boundaries of this particular collection:
* * *
Voronezh
And the town is frozen solid, leaded with ice.
Trees, walls, snow, seem to be under glass. Cautiously I tread on crystals. The painted sleighs can't seem to get a grip. And over the statue of Peter-in-Voronezh Are crows, and poplars, and a pale-green dome Washed-out and muddy in the sun-motes. The mighty slopes of the field of Kulikovo Tremble still with the slaughter of barbarians. And all at once the poplars, like lifted chalices, Enmesh more boisterously overhead Like thousands of wedding-guests feasting And drinking toasts to our happiness. And in the room of the banished poet Fear and the Muse take turns at the watch, And the night comes When there will be no sunrise.
* * *
Unfortunately, there's too little of this and too much of the rest. Giving the benefit of the doubt where the translation is concerned, I can still only manage ** 1/2.
The volume contains her "Requieum," a ten pagel lyric sequence which is my choice for the greatest poem of the twentieth century, as it combines personal lyricism, social witness, historical density, a primal narrative moment -- in poems which are stunning, one after another.
Perhaps only Yeats has rivalled Akhmatova's exploration of love in modern times, and there are many moments when her symbolism, her brevity, her song-like qualities are reminiscent of the best of Yeats.
This is a wonderful book, a fine introduction to a great, powerful, haunting poet.
When I used this to teach class, I emphasized the development process, from the survey phase on. This book helped me do that well. Using the SDLC as a framework, the authors present specific and relevant skills, so a certain amount of repitition is unavoidable, even necessary. The chapter outlines of chapters 4, 9, 17 and 18 provide the life cycle framework. The chapters in between present the specific techniques and templates that are used to fill in the blanks.
But there are opportunities to improve the book. There should be complete examples of all the important documents, not just outlines. A complete example helps the student visualize what the real deliverables will look like. The process modeling chapter should cover IDEF0 activity modeling and process mapping. Data modeling needs to mention relevant modeling tools like ERwin. (And there were a few errors here in the example.)
Even so, this is a fine work that seems so lucid and well-structured that I still use it as a reference book.
So many things happen in the book, Disch made me wonder what would happen if there was really something like a magic staff.
What would i do with such power.
For me it is a book with some really new interesting things and plots.
I am sure i will read this book again and again
This is the only book i have read by Disch but if he has more horror stories like this i will definitely read them.
groetjes from Holland
There is an abrupt transition after about a third of the book; no longer in Nazi Germany, the scene changes to England after the war. The cast of characters however, does not really change. Instead, Thomas cleverly disguises their identities. Now, the concentration camp commandant is a prominent, ailing psychoanalyst. The trick of the book is to figure out/pair the war-time identities with the postwar characters that flitter in and out of scenes with the ailing shrink. But the characters are despicable; so really, who cares.
List price: $17.95 (that's 30% off!)