The premise: the "Enterprise" is at Starbase 12 for shore leave and several of the crew members have started reading a recently released book called "The Final Reflection." Dr. McCoy gives a copy to Captain Kirk. After getting settled back into his quarters, he begins to read it. What follows is a tale covering the time period of approximately twenty years past the federation's "first contact" with the Klingons and later. The primary character being a young Klingon named Vrenn, whom shall later become Krenn. We are afforded the opportunity to see him go from being a lineless orphan to the Captain of a warship. His honorable actions put him in place to carry out the mission which inspires this novel. He truly becomes, in the end, a "Thought Admiral."
In this aging, yet very well written Star Trek novel, we see a very well thought out and structured idea of the Klingon culture. Of course, Star Trek novels being non canonical, much of the author's perceptions on Klingon culture were later disproved by the events of Star Trek VI: The Undiscovered Country and Star Trek The Next Generation. This is not to say though that the Klingon culture wasn't like this at the supposed time this "novel" was written that Captain Kirk is reading. As Commander Worf stated in "Trials and Tribbleations, when asked by Chief O'brien about the difference between twenty third century and twenty fourth century Klingons, "We don't like to talk about it." Once again, an excellent, well thought out, well written novel. I would recommend "The Final Reflection: to any and all Star Trek fans. Many thanks to Chapulina R for the reading suggestion.
John M. Ford is the genius. he not only did NOT used Klingons as stereotypes but also his book can help anyone understand the Klingon concept of honor
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The book itself starts with a valuable historical perspective, discussing ancient astronomy and classical and modern astronomers. It progresses through a presentation of our place in the solar system and the universe, and discussons of planetary and deep sky objects. Various types of instruments for observing are also discussed. Finally, there is a section on each of the constellations, and the objects within them, enriched by historical information and even a guide to pronouncing some of the Arabic and Latin tongue-twisters one encounters.
The quality of the publication is first-rate. The illustrations range from ancient Chinese star charts through medievil earth-centric maps to images from the Hubble space telescope.
This is a book that will capture your interest, and supply many hours of pleasurable perusing on cloudy nights. The only drawback it that its hardcover, fairly thick format makes it less that ideal for the field.
It starts off by giving a very entertaing general history of astronomy, with plenty of illustrations.
It then covers astronomy concepts, such as star types, azimuth, etc. Also included is a section on telescopes.
Then it has 12 or so full scale maps of the sky, for every time of the year in both southern and northern hemispheres.
The best section is the constellation section. It has at least one page for each constellation, with a map showing a detalied view of it and surrounding stars/clusters/galaxies. It gives the history of the constellation, other interesting objects to look for nearby, and a photograph showing what the constellation really looks like (without the lines connecting the stars). Very helpful.
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However, as a book, it is most excellently written. The writing style is easy to get into and understand, and characters are written believably. A must-have for the Star Wars book collecter, a good choice of a library loan for anyone else.
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Some of the stories are less than equal, as you find in any anthology. I'm not quite sure why Ribbon for Rosie, the story of 7 of 9's trip to the past, won the grand prize. It doesn't seem as we well written, but perhaps because it suffers from now being outside of canon because of STV episodes after '99, when the book was written. Similarly, the DS9 episodes are both pretty thick and difficult to get into- which is a shame, since DS9 has a lot of promise, such as stories about the completely unexplored Gamma quadrant, that was never explored in the series. And while it was nice to see Dr. Taylor again from TVH, the TOS episodes start the book off a bit slow. And Calculated Risk reminds me why Dr. Pulaski left the series, and why there aren't more stories about her.
But on the very positive side, I Am Klingon finally provides a possible answer to that nagging question- where did those foreheads come from? Rand even does am amazing job of tying in all the various episodes that have skirted around this issue, in TOS, TNG, and DS9, as well as providing one answer to what actually happened between Deanna and Worf. One story finally gets to that nagging question- if Wesley was studying with the Traveler in a Native American colony under the Cardassians, doesn't he then become a technical member of the Dominion, and if so, why isn't he helping in the war against the Dominion? And two excellent time travel stories get to some of those questions of, if there is a Department of Temporal Investigations, fixing temporal incursions, how come there are still temporal incursions that have never been fixed? Though the book as a whole isn't as highly rated, I'd definitely recommend it for these hints at possible paradoxi with Star Trek.
And then there are the stories that touched me emotionally. I Am Become Death is a haunting look at Data's life, pre-STN- one with that added twist that can make you cry. I personally very appreciated two STV stories: Touched, for it's etic anthropological look from the perspective of the other, and The Healing Arts, for stressing the importance of empathy, and interpathy, in healing. Reciprocity is TNG story about *very* long wormholes, that is filled with poignancy and a feeling that, truly, All Good Things...
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Think of a planet that is so old it has to be artificially maintainned by growing magnificent chrystal formations to keep the hollow planet from deteriorating to extinction. Due to the low mass of the "planet", there is virtually no gravity, and the six very different species that inhabit it are constasntly "flying" through the chrystal formations.
Sounds like a fairy-tale?
Well, it is. But the childishness is an acceptable side-effect considering the ideal setting that produces it.
Unfortunately the story doesn't guite live up to the setting. We get the usual sabotage/murder mystery we have seen so many times we cannot remember. Unfortunately, the story is just as childish as the setting, and has nothing to back it off.
Fortunately the story is structured well, and the exellent use of Lt. Reginald Barclay and Commander Deanna Troi, who isn't usually portrayed in the way she deserves, not to mention the DS9 guest character Melora Pazlar, who, by the way, was originally created as the regular doctor of the series, and the exellent characterization of all of the three good characters makes this book, that takes place in the year 2376, one of the most entertaining ones in a long time. It's nice to see some more rarely used characters from time to time, instead the old and recycled TNG characters, that ,at this point, have absolutely nothing new to deliver.
But the writing.
The first few chapters of the book cause pain for the reader, because the writing of John Vornholt, who has proven himself to be quite a good writer, is absolutely unprofessional.
But in the end, I recommend this unique, and entertaining book, that offers the best mental wievs possible.
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The only objection I have is the treatment of the holographic doctor; he is portrayed much too mechanically. I realize that he IS mechanical, but the series never failed to present him as having a personality, even in this premier episode. I feel that his mechanical aspect was overplayed in this book. Otherwise, this is an excellent telling of an excellent story, and necessary background for anyone planning on reading other "Voyager" novels.
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Did you like the Spock VS Bones spats in Classic Star Trek, then you will love Spock VS Q on Audio! What an outlandishly funny take off of the odd couple. Spock is at the logical end of the continuum and Q is at the emotional end. Who will win the battle of the minds? The survival of the puny humans on Earth lies in the balance as the asteroid nears Earth.
It made me laugh so hard I couldn't see straight. You will love it! Verbal insults fly profusely. Will Spock out-maneuver the clever and devilish Q in a verbal joust? Spock is really good at games, remember 3D Chess. Will he be able to outwit the all powerful Q? Will Q get an autograph from Spock for his collection, or will he have to stand in a long line like the rest of us? Will Q learn the Vulcan mind meld technique from Spock? Will the asteroids destroy the puny humans on Earth? Well buy the tape or CD and find out. Buy it and play it over and over. I hear new stuff every time I play mine. Don't delay buy your own copy of "Spock VS Q" on audio tape or CD today!
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It would be over a decade before the production team got the chance to complete the trilogy with Return of the Jedi. Sadly, just as Return of the Jedi was the weakest of the original movie trilogy, it is also the weakest of the three radio versions. That is not to say it isn't enjoyable, because it is. Rather it can't quite match the exceptional standards set by the previous two series.
Part of the problem is the casting. Although Anthony Daniels returned to play C3PO, Mark Hamill does not reprise the role of Luke Skywalker. Unfortunately the actor who took the role, Joshua Fardon, does not convey the increased maturity of the character in this part of the story. Fardon's performance has a quality of over-eagerness that seems more suited to the naive farmboy that Luke was when we first encountered him rather than the fully trained Jedi-to-be he is here. Good as the other performances are, especially Brock Peters as Darth Vader and Ann Sachs as Leia, this misguided interpretation of Luke leaves a large hole in the story.
Part of that hole can also be attributed to the writing. Like the previous adapatations, Return of the Jedi was scripted by the late Brian Daley. Daley did a good job of translating what was perhaps the most visual of the three original Star Wars films into the audio medium, but he doesn't open up the story the way the previous two series did. Whereas the radio versions of Star Wars and The Empire Strikes Back took the time to show us more about the characters, Return of the Jedi is, for the most part, just what we saw on the movie screen with a handful of extra scenes thrown into the mix.
Those criticisms aside, anyone who is a fan of radio drama in general or Star Wars specifically will enjoy these programs. In the final analysis the producers understood the ways in which sound alone can fire the imagination. Using that knowledge, they have crafted yet another fine way to enjoy the magical world that George Lucas has given us.
Once again, directed by John Madden, Jedi reunites most of the actors from the previous adaptions, with a couple of notable exceptions. Mark Hamill, who reprised his role as Luke Skywalker, for the first 2 productions, is replaced by Joshua Fardon. While, Billy Dee Williams, as rogue Lando Calrissian, is replaced by Arye Gross. As hard as these gentlemen try, because of the original actors previous involvment with the other two radio dramas, its difficult to imagine anyone else in those parts. Fardon's portrayal lacks the maturity of Hamill's character in the film version, Gross comes off, not quite as smooth, in playing Lando. The rest of the main radio cast, from the other two adaptations is thankfully intact. Actors Anthony Daniels, once again as C-3PO, (who has appeard in all 3 radio dramas as well as all of the films in the series) Brock Peters as Vader, Perry King, as Han Solo, Anne Sachs as Princess Leia, all complete their character arcs in the seies with style. Actor Edward Asner as the gangster Jabba The Hutt and John Lithgow as Master Yoda, (as he did in the Empire radio drama) use vocal talent, like no others, to bring these 2 unique characters to life.
Sci-fi author, Brian Daley, once again. wrote the radioplay for Jedi. As before, there are a few additional "scenes" presented, not in the film version. The end result is very good, but thanks to its shorter length, and the casting changes, I mentioned, Jedi doesn't seem quite as epic, as the other radio dramas in the series. Sadly, Daley passed away soon after the dialogue was recorded, and the production is dedicated to his memory. His script is very faithful to the film and the added scenes remain true to the characters and story.
If you own the other two radio dramas in the series, Jedi is a must have, minor problems and all. The story has six episodes, presented on three compact discs with a total running time of nearly 3 hours. Recommended
The Vulcan, T'Vey is priceless and I've always liked the Vulcans more after reading this delightful book.
The book has 3 different back stories going on, which all come together at the end. Kirk and the Enterprise arrive on the planet of Deiriedi and their interactions with the local inhabitants form the first part of the story. Then there is the story of T'Vey and the crew of the freighter and their mishap that lands them on the planet. Lastly there are the Klingons who come to defend their rights to the dilithium ore and want to beat Kirk et al to the punch. The locals have their own ideas and play one group against the other. Over it all, in the background, both Kirk and the Klingons try very hard to behave so that the Organians don't zap them for their bad behavior.
It's beautifully written and a joy to read even if you've read it before. Thank you John Ford for a real treat.
Dilithium is valuable--you find that out within a short amount of time. And when amazing deposits of it are found on the relatively-advanced planet Direidi (Dee-RYE-dee) both a Klingon cruiser and the USS Enterprise are sent there to stake a claim. But the inhabitants of the planet are apparently going to have some fun with our heroes...
Frankly the summary sounds a bit dry, but this book is anything but. Combine a neurotic Vulcan, a crazy computer, an inflatable starship, a princess in love, peppermint Vulcan milkshakes, Kirk fending off a Klingon with soda-water, blue grits, and a lot of weird songs. And the climax is to DIE for. It's goofy, but it's fun.
If you insist on the characters rigidly adhering to what you see on the show, then you will hate this book. If you're willing to see them loosen up, dance and sing, and get involved in madcap adventures, then you will love this book!
Not only it awed many people including me but also it influenced Ronald Moore's work on Klingon culture. Mr. Moore admitted he liked reading the book Final Reflection in Star Trek Magazine review.
However, this book may be contradicted and is not regarded as canon but the author's definitions of Klingon culture and Klingon sense of honor is never questioned.
Whereas a Klingon captain named Krenn tries to struggle to understand Human culture, a Human named Tagore attempts to comprehend Klingon culture.
The quote about naked stars in this book is inspirational.
May the Black Fleet salute John M. Ford for his incredible legacy to the world. He deserves to be remembered with no less honor than Kahless the Unforgettable.