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In the book's introduction, Mr. Kobal talks about how these were the "years of Old Hollywood's last stand." The images are "dreams reflected in the bathroom mirrors of their generation." He also talks about the role of the clothes designers and hairdressers in creating these glamorous, moody images.
Here are my favorites in the book:
By A.L. Schafer: Rita Hayworth, 1940; Olivia de Haviland, 1941; Loretta Young, 1940; Alan Ladd, 1942.
By Frank Powolny: Betty Grable, 1941; Marilyn Monroe, 1950.
By Robert Coburn: Gene Tierney, 1941.
By Scotty Welbourne: Ida Lupino, 1940; Humphrey Bogart, 1941; Lauren Bacall, 1946
By Clarence Sinclair Bell: Hedy Lamarr, 1941; Greta Garbo, 1941.
By William Walling: Fred MacMurray, 1940.
By Edward Cronenweth: Lena Horne, 1943.
By Ernest A. Bachrach: Dorothy McGuire, 1945; Claire Trevor, 1944; Jane Russell, 1946; Barbara Hale, 1946.
By Eric Carpenter: Ava Gardner, 1944.
By John Engstead: Lauren Bacall, 1951; Ingred Bergman, 1946; Marlon Brando, 1950.
By Laszlo Willinger: Susan Hayward, 1948.
By Bud Fraker: Gary Cooper, 1947.
As you can see, the book is dominated by the glamorous female stars. Most of these images are done in partial shadow to highlight the facial structure and emotions of the actress or actor. In some cases, sculptures are used to highlight certain physical features of the subject. In general, the reproduction quality is quite high. Studios did now allow photographers to make their own prints in those days, so it all depended on the studio darkroom artists how it turned out. You will occasionally see an image that needed to have more cropping, more or less light, or which is muddy, but most are at least good reproductions.
After you finish this book, imagine how you can help people understand your thoughts by how you hold yourself and what expression you use. Do you see any poses or expressions here that can help you be more communicative?
Use all the elements of yourself to share your most important thoughts and emotions!
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reception! The children were delighted with the rich and colorful
illustrations by the talented John Lund, and also by the charming
and animated text by Ms. Trimble. Rich in color and detail, it is
an ideal selection for butterfly education for young children.
I applaud Ms. Trimble's obvious success in translating the
beautiful story of catterpillar "capers" into book adaptation for
young children. Quite a literary delight!
reading books like "Melinda Martha Meets Mariposa" cuz it teaches
you about the metamorphisas of the Monarch butterfly. Since I
love butterflys, I wanted to read about them. I learned a lot
from this book. Cuz it talks about the butterfly's life and how
its born. I never knew that it took five weeks for it to come
alive. Melinda Martha is fun cuz it makes learning cool. Melinda
Martha pretends she is putting on a play in her backyard. The
play is all about the Monarc butterflyt and it shows the whole
life sycle. So it's like the life sycle is a show we can watch.
We can watch how the butterfly is born. The pictures are realy
buetiful and the story is fun. I like it alot.
has been written for kids, cause I think kids need to learn
about the interesting life cycle of the butterfly. Finally
little kids are introduced to the beautiful monarch butterfly
in this beautiful book. Trimble gives a great portrayal of the
butterfly in her book. This book just sparkles with life and
insight! I recommend this book to any teacher who wants to
introduce to lower grade students the monarch butterfly in a
presentation they'll get a lot from. A great book!It will make
it fun for kids to learn. They'll be learning and playing at
the same time!
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David, Astronomy Enthusiast
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John Wilkes is a pseudonym used by Stephen Smith. The author possesses a broad background in politics, academia and the law. As a result, he is able to shower the reader with original insights into a wide variety of people, events and situations.
If the reader looks carefully THE STAR CHAMBER can also be read as a love story and partly because of this the book often manages to maintain an optimistic tone.
John Wilkes participation as a part of the independent council's legal team puts him in historic civil rights territory, Birmingham, Alabama. The story is laced with Alabama political figures that bring the story to life and aid in the reader's suspension of disbelief. While Wilkes, in the "Forewarning" comments, assures the reader that the book "is pure political parody" and that he "made it all up," my personal experiences in Republican politics in Alabama often paralleled events in the book. Like Miss Eudora and Beth Henley in Mississippi, or Flannery O'Connor in Georgia, John Wilkes AKA Smith knows his southerners and can tell their stories. Like Henley, Wilkes does not tell jokes, but the scenes he depicts range from the patently heart-rending to uproariously funny.
Unlike his fellow Southern writers, Wilkes also knows his politicians, having been one himself in his other identity as Stephen Smith. Besides being a duly elected legislator, Smith also served as an appointee of then-Governor of Arkansas, Bill Clinton. Readers, Wilkes' assurances aside, will read fiction strongly resembling what Wilkes often refers to as the fiction of current political news stories.
What gives this book extra value is Smith's understanding of the legal processes and the liberal (no pun intended) smattering of legalistic analyses peppered with Latin bon mots. Given the context of today's news, this book is a page-turner that no observer of American politics will want to miss. The denouement blends just the right tone of optimism and pessimism to reflect the reality in today's news.
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M.S.
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I found the book to be very accessable to those who are not in the know as far as The Tao. Relating the ideas to events and characters of the S.Wars films does help the Tao novice to retain the lessons..... and for those who are already in the know it is simply a good read.
A great book to use to introduce younger people to the world of self awareness.....
my only problem with the book would be the HORRIBLE. HORRIBLE cover which can be misleading. The cover looks like it was designed to be on a book in the bargin bin or the cover of those cheap little books found at the supermarket check out.