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Certainly, there are the bones of a fine plot here, but the play is very short and thus doesn't really give us the smooth development of plot and character that we usually see in Shakespeare. Nor, given how entirely unappealing the main character is, is it properly a tragedy when he dies; granted, one can consider it tragic that good King Duncan is killed, and Banquo as well, to say nothing of McDuff's family. But can a play in which the unequivocal "good guys" categorically win (and several of them even survive) be properly called a tragedy?
There are certain similarities between the plot (or at least, the theme) of this play and that of the novel "Crime and Punishment" by Dostoyevsky. If you liked that book, you may enjoy this play. If you like this play, you will probably enjoy that book (it is a much more in-depth character portrait). Granted, the issue of Kingship never comes into play in Dostoyevsky's work, but the concept of the effect a murder has on the murderer is there, and actually handled rather better.
Of course, being Shakespeare, there is much beautiful language to be found here, and as Shakepearean plays go, the language isn't too difficult for the modern reader; there are only a few places where the footnotes are absolutely essential to an understanding of what's been said. But truly, it is hard to really like this work, and while it can be interesting, it would have been better if it weren't so rushed.
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Jon Daniels, a seminary (Episcopal) student, was someone who had no use for suburban spirituality. He went down to Alabama at the height of the Civil Rights disturbances, lived the Gospel's message of service, and eventually was gunned down by a white deputy sheriff (who was acquitted by an all-white jury!)when he pushed a black teenager out of the way and caught the gunshot blast intended for her.
Daniels was only in his mid-twenties when he was martyred, but his essays, letters, and journal, which make up a good half of this biography, reveal a man who had thought and prayed deeply about the need to live the Gospel message of service to others. The book, first published some 35 years ago, has been reprinted by Moorehouse Press, and deserves wider attention than it's gotten thus far. Jon Daniels is a real American hero.
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The major fault of the book is Kornstein has the wrong man as the author. His attempts to explain how the man from Stratford acquired this deep, profound and technial legal knowledge are woefully inadequate. Kill All The Lawyers? maintains that the man from Stratford acquired his knowledge by hanging around the Courts of Law and in "Legal London" is woefully inadequate. I suppose by the same token, the author acquired his legal knowledge by hanging out in coffee shops in Harvard Square.
Kornstein is aware that the legal knowledge of Shakespeare have been a long running dispute since the beginning of the Century. The case that Edward de Vere, 17th Earl of Oxford was a lawyer, sat in Parliament, sat as a juror in the trial of Mary Queen of Scots and sat as a judge in other civil matters is ignored by the Author as he seeks to avoid the entire Oxford vs. Shakspere contretemps.
With this caveat aside, it is a book well worth reading.
Paul Streitz Member Shakespeare Oxford Society