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William M. Smith was born in New Jersey, the son of a practicing physician, and moved to southwestern New York State at an early age. After attending local schools until his mid-teens, he apprenticed himself to a local physician and studied medicine at Castleton College in Vermont.
He opened his own practice, and after some gaining some experience and success, Smith began to involve himself in local politics. He rose from being a local county supervisor, to election to the State Assembly, and finally as delegate to the 1860 Republican Convention in Chicago, where he cast a vote for the nomination of Abraham Lincoln.
Parallel with this success was tragedy: Smith's first wife died four years after the birth of their son, and his second wife died only months after the birth of another. In September 1861, Smith helped raise a company of the 85th NYVI and marched off to war, leaving behind his two sons and a new fiancée. The diary covers his service from June 1862 through May 1863, with entries for nearly every day.
Readers, perhaps lured by the title, should not expect a detailed treatise of the minutiae of battlefield medicine. After active participation in the Peninsula and Seven Days campaigns, Smith and the 85th spent most of their time "behind the lines" in Virginia and North Carolina. Indeed, many of the diary entries are simple recounting of daily sick calls or hospital visits. Still, there is plenty to satisfy the medical enthusiast.
The diary reveals that Dr. Smith had an excellent intuition regarding the dangers inherent in camping in the Virginia swamps. It was Smith's official report that finally convinced the brigade commander to allow the regiment to move to higher, and healthier, ground. An entry later in the diary, detailing an amputation procedure, shows that Smith was a capable surgeon as well. Other entries confirm the prevalence of venereal disease, especially among officers.
During his service, Dr. Smith was given the opportunity to appear before the Army Medical Examining Board in Washington, DC, to take a five-day test for promotion to a higher rank. The entire written part of the examination is reproduced in one of the appendices. Smith's detailed answers to the anatomical, medicinal, and surgical questions, provides an excellent perspective of the "knowledge bank" of a Civil War-era surgeon.
Dr. Smith had plenty on his mind above and beyond his medical duties. Indeed, Lowry contends that the diarist was fighting several "wars" at the same time: conflicts with officers in the regiment, struggles with political enemies at home, agony over leaving his young boys, and doubts about the fidelity of his fiancée; all compounded by idleness and loneliness when the regiment is not active in the field. These personal "battles" make for reading every bit as interesting as poignant as a combat diary.
Smith resigned from the service in mid-1863, returned home to marry his fiancée, and reopened his medical practice. His good reputation earned him the appointment of Surgeon General of the State of New York in 1872. In 1880 he was named the health officer of the Port of New York, a position he held for a dozen years. With more than a half million immigrants flooding the port each year, many disease-ridden, it was a position of immense responsibility. Smith earned praise for his work, a job made even harder by the scheming of politicians.
Dr. Lowry, best known for his own interesting and original works, such as The Story the Soldiers Wouldn't Tell and Tarnished Eagles, has proven himself to be an adept editor. He is at his best when goes beyond merely providing geographical or biographical references to names and places in the diary. As an experienced clinical psychiatrist, he is uniquely qualified to evaluate Smith's emotional and psychological state throughout the narrative. He is not afraid to chide the diarist when he is uncharitable, or diagnose morose entries as symptoms of depression.
In the humble opinion of this reviewer, the book does suffer a few faults. Though the maps are generally well drawn, one entitled "The Siege of Washington, NC" shows the general theater of operations, but no siege lines, making interpretation of the narrative more difficult than need be.
The nearly two-dozen photographs are well chosen, especially those of officers mentioned in the diary, although some of the captions result in confusion (one caption introduces an incident that does not occur for another hundred pages). A photograph or two of actual diary pages would have helped to personalize the narrative even more.
The book is somewhat "end-heavy" with six appendices, only a few of which add substantively to the narrative (for example, several pages are devoted to detailed descriptions of each transport ship and gunboat mentioned in the diary). Nevertheless, these distractions are minor, and do not detract from the narrative itself or from this reviewer's hearty recommendation.
In a history of the 85th NYVI, a writer noted that the day Dr. Smith left the regiment, the men all felt they were losing a "royally good man." Fortunately, Dr. Tom Lowry has brought Dr. Smith's story to light by writing a "royally good" book.
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If you even want to understand Hudson County politics today, this book is required reading. If you want to learn about urban politics in Industrial Age America, this book is a great start.
This book covers the early history of Jersey City from a political view. Of course, it covers the Hague administration in livid detail.
I wholeheartedly recommend this book to anyone really interested in Jersey City's history. This is the book to read if you are interested in Jersey City, not Helene Stapinski's senseless dribble about her family problems.
Indeed, I was intriqued by the Hague administration, and how "der Mayeur" got away with all his political imbroglios. During the 1920's, the rest of the U.S. lived under the dark cloud of Prohibition -- but not Jersey City. During the 1930's, communities had to "compete" for federal projects to help with "depression relief" -- not Jersey City. As a matter of fact, because there was a "red phone" connected between City Hall (on Grove Street) and the Oval Office, Jersey City greatly benefitted from federal projects during the 1930's -- The Medical Center copmplex is just one of these projects. From about 1920 through the 40's, Hudson County -- with Der Mayeur at the helm -- made and ruined the political careers of many an individual.
The Poweriticians is a book about political corruption, and how these political wheeler-dealers used their power to secure their own "empires." After reading this book, you will see how a man with a sixth grade education (Hague) could rule a city for over twenty years. More amazingly, you will read how dedicated people -- like the super-intelligent Tony Cupo (a gentleman and scholar par excellence)-- helped to topple the Hague machine -- only to introduce a new generation of Jersey Cityites to the infamous "Kenny Machine."
It would be too simple to call The Powerticians a Jersey City example of Machiavelli's the Prince. Instead, the Powerticians goes well beyond the Prince, and into another dimension -- that of Jersey City politics where political figures switch sides more often then you change your socks. In Jersey City, one time political allies turn into bickering foes at the drop of a hat, and vice-versa. Instead, this book is like Grave's I, Claudius, where the author discusses the history of Rome (the deals, corruptness, and betrayals) from the eyes of Claudius. The Powerticians does just that. It looks at Jersey City's political history of corruptness, back-room deals, and cloak-and-dagger episodes from the eyes of one of her Mayors, Tommy Smith.
This is an excellent book covering the political history of Jersey City from the late 19th century. It is good, enjoyable reading. You'll read about the famous, the infamous, and the hilarious personalities of Jersey City's past. Well worth having in your library.
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Barry Windsor-Smith has long been my favorite "comic book artist," (for my wedding I gave my bride one of his prints, signed and dated with our names) and this collection traces his evolution as such quite admirably, even in black & white. Indeed, not other collection could better serve that purpose. A simple comparison of the covers from Conan #1 and Smith's swansong issue #24 ("The Song of Red Sonja") evidences the transformation from artist to illustrator. For that matter you can also consider Smith intermediary style (e.g., #13 "Web of the Spider-God"). This transformation is as impressive because of how quickly in took place while he was drawing Conan as it is for the artistic growth. But even in his work today you can see how it is grounded in the style he developed while working on this comic.
These reprinted stories are presented in black and white, which is certainly better than nothing, but I look forward to Smith's work being presented in color as it originally appeared. I notice this most particularly in the Epilogue to Conan #20, "The Black Hound of Vengeance," which was originally presented in muted tones of gray, blue and brown. Smith abandoned panels in an interesting change of pace that underscored the emotional impact of the sequence. Without color that impact is most decidedly lost. One of the things that is still discernable is the increase in the number of panels per page from issue to issue through Smith's tenure as he became more comfortable with using art rather than dialogue to advance parts of the story. The best example of this is the hanging sequence on page 14 of Conan #10.
From the writing stand point of "Conan the Barbarian" it should be noted that there is a nice balance between stories adapted from Robert E. Howard's Conan work and original stories by Roy Thomas. For the former "The Tower of the Elephant" (#4) is usually considered the high point. The appearance of Michael Moorcock's Elric in issues #14-15 seems a bit forced, while the Fafnir character (original a quick tribute to Fritz Leiber's famous pair of thieves) becomes a wonderfully integrated character into an ongoing story line.
Of the 25 issues included in this collection not all are drawn by Smith. Several issues are drawn by Gil Kane because Smith had missed a deadline or took a hiatus from working on Conan. Thomas' ability as a storyteller capable of crafting bigger and longer storylines would continue to grow, and while John Buscema's artwork on Conan was quite excellent (especially when inked by Ernie Chan), Barry Smith's work will always stand on a plateau. Jim Steranko cracked open the door on stylized illustration in color comics, but Barry Windsor-Smith was the one who gets credit for busting all the way through.
While this book doesn't always stick to the Conan stories continuity-wise, for the most part it fits in, filling little gaps in between those stories. Also, several of howard's better stories are adapted to comic format here; Tower of the Elephant, Frost Giant's Daughter, and Rogues in the House to name a few. We get the first comics' appearance of Red Sonja as well.
Overall, this is a fun, quick read, and although it's only in B&W, for the sheer amount of materiel included herein it's definitely worth the cover price.
Barry Windsor-Smith has long been my favorite "comic book artist," and this collection traces his evolution as such quite admirably. Indeed, not other collection could better serve that purpose. A simple comparison of the covers from Conan #1 and Smith's swansong issue #24 ("The Song of Red Sonja") evidences the transformation from artist to illustrator. For that matter you can also consider Smith intermediary style (e.g., #13 "Web of the Spider-God"). This transformation is as impressive because of how quickly in took place while he was drawing Conan as it is for the artistic growth. But even in his work today you can see how it is grounded in the style he developed while working on this comic.
These reprinted stories are presented in black and white, which is certainly better than nothing, but I look forward to Smith's work being presented in color as it originally appeared. I notice this most particularly in the Epilogue to Conan #20, "The Black Hound of Vengeance," which was originally presented in muted tones of gray, blue and brown. Smith abandoned panels in an interesting change of pace that underscored the emotional impact of the sequence. Without color that impact is most decidedly lost. One of the things that is still discernable is the increase in the number of panels per page from issue to issue through Smith's tenure as he became more comfortable with using art rather than dialogue to advance parts of the story. The best example of this is the hanging sequence on page 14 of Conan #10.
From a writing stand point it should be noted that there is a nice balance between stories adapted from Robert E. Howard's Conan work and original stories by Roy Thomas. For the former "The Tower of the Elephant" (#4) is usually considered the high point. The appearance of Michael Moorcock's Elric in issues #14-15 seems a bit forced, while the Fafnir character (original a quick tribute to Fritz Leiber's famous pair of thieves) becomes a wonderfully integrated character into an ongoing story line.
Of the 25 issues included in this collection not all are drawn by Smith. Several issues are drawn by Gil Kane because Smith had missed a deadline or took a hiatus from working on Conan. Thomas' ability as a storyteller capable of crafting bigger and longer storylines would continue to grow, and while John Buscema's artwork on Conan was quite excellent (especially when inked by Ernie Chan), Barry Smith's work will always stand on a plateau. Jim Steranko cracked open the door on stylized illustration in color comics, but Barry Smith was the one who gets credit for busting all the way through.
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Unlike most businesss books that say in 300 pages what can be said in 3, this book delivers its message clearly and concisely.
It offers many "best practices" learned from direct client experience that can be used immediately in companies. Colored with examples, and punctuated throughout with tidbits of wisdom.
A must buy!
Readers may use these as foundation point for implementing best practises in their own companies. Different companies have different situations.
These ideas motivate one to perform well, often to surge ahead of the competition. Gives you the adrenaline pump to come out with the best.
The importance of value-chain is emphasized by quoting examples of companies such as Lexus which managed continuity of service despite problems in plants of its suppliers.
Readers have to be cautioned that this book is not a panacea to customer-service problems.
Customer Service is not a mere toll-free number. A reader will realise this and much more by reading this book.
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How can busy clinicians keep up with the flood of new self-help books, and know which to recommend? Guilford Press offers a solution. In an attempt to help the clinicians a guide to self-help resources in mental health has been published. It includes ratings and reviews of more than 600 self-help books, autobiographies and popular films. It also includes hundreds of Internet sites, and listings of online support groups. The book addresses 28 prevalent clinical disorders and life challenges – from Schizophrenia, Anxiety and Mood Disorders to Career Development, Stress Management and Relaxation.
To determine the usefulness of the self-help resources a series of national studies have been conducted over the past 7 years. The methodology consisted of a lengthy survey mailed to clinical and counselling psychologists residing throughout the USA. A total of 2,500 psychologists contributed with their expertise and judgement in evaluating the books, movies, and Internet sites. The self-help resources were rated on a 5-point scale (-2 to +2). These data were converted into a one to five star rating (negative ratings were given a dagger). On this basis, 19% of the self-help books were rated as “very helpful” and fortunately only 1% as “very harmful” [e.g. the assertiveness training book Winning Through Intimidation by Ringer (1973) and the weight management book the Beverly Hills Diet by Mazel (1981). Interestingly, many of the books by Scientologist guru L Ron Hubbard are categorized as extremely bad].
When looking more closely at a specific disorder, let us say for example panic disorder, there are some good books that I feel are missing. This is probably because of the rating criteria. In order for a book to be included in this self-help guide the psychologists used as referees had to know about the book beforehand. It was their rating of previously read books that mattered. Hence, if there were good books out there that had not been read by many referees [like the Australian panic disorder workbook by Franklin (1996)], they would automatically receive a lower rating. Thus, a low rating does not necessarily mean that a book is less helpful than a higher rated book – only that it has not reached a wide audience. For example, an excellent book, An End to Panic (Zuercher-White, 1998), previously recommended in a review article (Carlbring, Westling, & Andersson, 2000) was described as “highly regarded by the psychologists in our national studies but not well known, leading to a 3-star rating.” (p. 79). Another thing that disturbed me was that this particular author’s name was misspelled. Instead of Zuercher the surname appeared as Luerchen. No wonder the book was “not well known”! One wonders how many other errors this survey included.
In a perfect world all self-help books would be scrutinized in the same manner as other treatments. However, as a majority of the published books still have not been evaluated, this new guide to self-help is a step in the right direction. Despite questionable inclusion criteria and a few errors I thoroughly recommend this excellent guide to self-help
The book is clearly-written and well laid out - each chapter relates to a specific problem area eg mood disorders, men's issues, abuse, anxiety etc.
I found the recommendations on books particularly helpful - one can immediately determine which are the best books to read on their own specific problem. Clearly, the input of mental health professionals gives a "scientific" basis on recommendations which in turn leads to a systematic process of choosing which resources should be given credence.
Essential reading if you want to build up a collection of serious (i.e. most useful) self-help resources.
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This handbook has it all. How do you get a 4 year old to throw a ball effectively? Not an easy task for someone with a short attention span an no idea what you are talking about. Swing a bat level? Why bother when you can hack at the ball like a woodsman? Tips, techniques, and pictures either teach a parent what is important, or remind him or her what they have known for so long they have forgetten to pass it along.
These are just a couple of examples of the problems I faced in teaching baseball to my kids and areas the handbook was helpful. From catching, throwing and hitting for the youngest of players, all the way through to strategy, baserunning and conditioning for older players. This book will help you get them started on the right track and help them help themselves when they are old enough to read on their own.
Talk yourself into coaching your kid's team so you can be sure they get quality instruction - only to find that the parents are the ones who drive you to give it up? This handbook can help you lay the groundwork up front that will turn your parents into assets.
I could go on and on. This book may not have everything you will ever need, but it does have something useful about everything. A great read and a great resource.