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This team up was nicely conceived but badly executed. We are led to believe through various verbal references and within the context of the novel that there is a supposed twenty year difference between Kirk's and Sulu's stories. Kirk's tale takes place just after the death of Lt Commander Gary Mitchell in the episode: 'Where No Man Has Gone Before'. circa 2265 and Sulu's yarn transpires just after he is promoted to captain and is given command of the USS Excelsior in 2290. (According to the potted biographies of James Kirk and Hikaru Sulu at the end of the book and substantiated by 'The Star trek Chronology-The History Of The Future by Michael and Denise Okuda.) This, by my calculation is actually difference of twenty-five years; a quarter century not twenty years. The book also failed to enthrall me, there are quite a few tedious descriptive passages, hardly a page tur! ! ner.
A nice effort but a decidedly mediocre start to a promising premise.
I was also dismayed to hear that There would be no Captain Spock episode to this series. A serious over-sight. He was captain of the USS Enterprise 1701 from 2277 till 2285 albeit a Star fleet Academy training vessel.
Captain Garth of Izar from the the 'classic' episode 'Whom God's Destroy' would've made a fine protagonist in a tale outlining the basis for his legendary status. He is a contemporary of Captain Pike and required reading at Starfleet Academy. Captain Kirk himself considered Garth his hero and had read all about Garth at the Academy. Captain Morgan Bateman from the STNG episode 'Cause And Effect'; another fine candidate. I could go on.
Suffice it to say six books aren't enough; . this should be an on-going book series!
I was a little disappointed by how Sulu was characterized, a little too soft for my taste. Specifically, all that business about the lizard he found in the gardens. I haven't found a story beyond those of canon, yet, that has really captured the Sulu we know and love. The characterization of Kirk was pretty on. What really halted me on the story was in the characterization of Chekov. A lot of his character development is based on a faulty premise. The premise being that the crew of his first command post, The Reliant, had been killed during the Kahn incident. That is completely UNTRUE. It is KNOWN that Khan did not kill the crew of the Reliant, he stranded them down on Ceti Alpha V. After the incident Kirk returned with the Enterprise to pick them up. I might as well have been reading unlicensed fan fiction. The whole mess developed Chekov in to someone he shouldn't have been.
That part aside, the book wasn't bad. One of the cool items was the FL-70. A neat piece of technology, wouldn't mind seeing it again. A decent plot, however, not so much a page turner as others I've read. I hate to come off as a total Trekkie crank, but someone had to do it. The book is worth a read if you are bored or are delving into the whole Captain's Table series as a whole.
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Throughout the book, Christine often refers to lyrics in John's songs to further witness his spirituality and to provide more indepth analysis of his message. She has also included 8 pages of color photos of John and ends the book with a series of moving essays comprising a beautiful memorial to John by the author herself.
I truly believe you have to be a spiritual person to fully appreciate John Denver - his music, his message - the man himself. So kudos to Christine for enlightening us about the inner John plus also for portraying a powerful blueprint for us to transform our own lives through spiritual discovery and growth.
Since I do not want to give the whole book away, I'll simply say you have to read it! Thank you, Christine, for your time and effort in writing "A Mountain in the Wind"! I know it was a labor of love for you. And thank you, John, for being her inspiration for the book. It's a treasure! Peace. Carole
"A Mountain in the Wind" is indeed how John lived his life and this wonderful book is filled with his love for humanity, his respect for nature, his own personal inner strength and his spiritual beliefs. His sudden, tragic death moved people around the world. Wherever John may be today, I hope he truly does have, "Sunshine on his Shoulder" and the peace and contentment he believed in. For fans of Denver, this is a five star book and highly recommended reading.
Van Evrie's central theme is that white Caucasians are superior to every other form of life on this planet, and that God created other races of men, particularly black Africans, to serve whites. Because blacks are naturally inferior to whites, Van Evrie says, it is the natural order of things to force them to work, and what is called "slavery" in the United States is not slavery at all. Rather, because blacks are naturally subordinate, they are only free when put to such labor.
In support of this, Van Evrie includes a comparison of the white Caucasian and the black African, detailing the superiority of the white man's hair ("there is certainly no physical or outward quality that so imposingly impresses itself on the senses as a mark of superiority, or evidence of supremacy, as a full and flowing beard"), color ("color is the standard and exact admeasurement of the specific character"), features, language, senses, and the brain. This is all accompanied by hideous caricatures of the races, showing the tall and strong Caucasian, and the slouching, lazy Negro ("the anatomical formation ... forbids an erect position"), and all the races in between the most superior and most inferior.
Blacks all look alike, says Van Evrie - this is because, aside from age and sex, they are alike. They have no likes and dislikes, or at least not on the same level as whites. They cannot express emotions as whites can, and therefore do not have emotions at the same level. They do not learn like whites, and in fact peak mentally at about the age of fifteen.
Because of these things, it is ridiculous to want equality for blacks in the sense of treating them as whites. Rather, it is our God-given right, and even obligation, to use the "mud races" to our advantage.
It is a thoroughly disgusting work, but also an extremely important work, as it illustrates some popular beliefs during one of the darker periods in American history.