This is a very touching, yet realistic story for its time. Ms. Michaels does a very good job of mixing historical fact with fiction and/or likely occurrences. She obviously put heavy research into her writing, as confirmed by the bibliography in the back of the book.
This book deserves to be read and cherished!
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The binding and paper are of superb quality, sufficient for this atlas to actually be used out in the field! Unfortunately, after you see how pretty it is (and remember how much it cost), you'll probably be content to let it sit safely on the shelf to be used as a reference. Personally, I use an 8" Dob and hence generally observe objects bright enough for Tirion's Sky Atlas 2000.0 to be an adequate atlas. I have taken the MSA out a couple times but it was overkill.
For owners of larger scopes who wish to go after the fainter DSOs, a Mag 11 atlas like the MSA is a bare minimum. A computer atlas going down to Mag 13 or so would be even better, but if you like paper then the MSA is the way to go. I eventually do plan to make heavy use of the MSA out in the field, but probably not until I get a larger scope.
The closest competition to the MSA is Tirion's Uranometria 2000.0 2nd Edition. Note that although it doesn't plot anywhere near the number of stars the MSA does, Uranometria plots three times the number of deep sky objects (30,000). Therefore, owners of very large telescopes may be better served with Uranometria since it plots the very faint DSOs that MSA skips.
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The beautiful graphics and the student's edition of TheSky CD further enhances the value of this product. Seeds is a strong force indeed.
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A great insight into helicopter operations, and the command environment in the US Army.
Ostensibly about attack helicopter tactics in the Gulf War, 'Desert Skies' quickly proves that it is about more than this. With a focus that is squarely on the trials and tribulations of a junior army officer in a position of great responsibility, the reader is given a rare insight into the 'human' face of leadership. The challenges that the central character and his family face, and the impact of his leadership decisions upon himself, his troop and his family, faithfully portrays the dilemma that it is command. Importantly, it shows that command and the responsibility that goes with it doesn't stop once the uniform is taken off and that the answers are rarely textbook in nature.
This is a book well worth reading, and when you have finished with it, hand it to your spouse.
What really surprised me about the book is that it not a story of helicopter warfare ... instead it is a story of devoted leadership set within an attack helicopter unit.
It tells of the fine line between being one of the boys or being in "command", demanding respect or earning respect and most importantly that fear of failing subordinates is (and should be) the driving factor behind day-to-day decisions.
Desert Skies is a timely reminder that the military is about people and getting the absolute most out of them in any circumstance... something that gets quickly forgotten in times of peace. It is an absolute shame that it takes a war for us to treat our soldiers (at all levels) with the respect and loyalty they deserve.
I thoroughly recommend this book to military leaders of all levels ... despite it being written by a company commander even section commanders will get something out of it (in fact I think that junior leaders will get the most from the book). I also recommend those very same people work hard on convincing their partners to read it. The author puts into words the range of emotions and conflicting priorities felt by commanders with families far more eloquently and understandably than I ever seem to be able to do in the heat of the moment.
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Both scenes involve the author's dead friend, Jonathan Wright, once a professional photographer and mountaineer who was tragically killed by an unpredicted avalanche.
The author, Rick Ridgeway, is asked by Wright's daughter to take her back to the grave site of her father on the flanks of Minya Konka in "wild Tibet." While hiking the well-worn trail to Tengbocke Monastery, Ridgeway describes himself identifying the white-capped river chat on the banks of the Dudh Kosi. He is perhaps a few hundred yards of Asia Wright, the dead climber's daughter. Ridgeway is suddenly reminded of doing the same identification some twenty years earlier when Jonathan came upon Ridgeway at the river's edge. Back then, they together thumbed through the bird book until they indentified it as the same one they were looking at. Now years later, in almost the exact same spot, Asia Wright comes up the trail, and seeing Ridgeway squatting next to the river, stoops and says, "What are you looking at?" Dizzying deja-vu.
The second motif occurs at the end (don't read this if you don't want to know the surprise). Here, Ridgeway has found the grave site where twenty years before he had buried Jonathan after the fatal avalanche. He approaches the tumbled stones that still partially cover the body. He shifts a rock and sees the hair of his friend. Ridgeway reaches down and holds the strands between his fingers, rubbing them slowly and gently. Years before, Ridgeway had done the same right before Jonathan had died. Ridgeway held Jonathan in his arms. He remembers when he moved his fingers through his hair while Jonathan's lips changed color and suddenly his face paled and something "went out of him," and he died.
These scenes are lasting memories for Ridgeway. I connect with the author as he connects with his past. Below Another Sky is a touching account of an aging mountaineer with a rich heritage and valuable advice to those of us too timid to climb mountains and risk our lives.
This is a moving story of not only the loss of Rick Ridgeway's friend and climbing buddy in an avalanche in the himalayas where he also almost died but an account of his return voyage with the friend's twenty year old daughter to where the avalanche had occurred some 18 years before. It is a travel narrative, mountaineering book, great insights on Nepal and Tibet with interesting sidetrips through his memories, trips to Patagonia, being in a Panamanian jail when he was but twenty and what it taught him...etc. You have got to like this guy! A perfect read for the introspective armchair adventure traveller who loves Asia; which is the name of the twenty year old girl who finds her father's grave and her way in life on this trip.
They're difficult questions and Ridgeway does as credible a job of the philosophical answers as anyone can, with his acceptance of life and death, and change. However, his denouement at the end, that we should live each day as if it were our only one, felt flat. We've heard it before and it's been boiled done to a kitchen plaque cliché that I've always found irritating when it's not further explained. I don't think I'd plan on spending my only day on earth wondering if the roof should be redone this year or next and booking dental cleanings, as I'm doing today. My grudge with the cliché is that it seems to imply that we should regret whatever it is we've been doing up to now, rather than accepting that some days are simply going to be filled with the mundane details of living. It also holds an inherent suggestion that we should seek pleasure. But the kind of pleasure that makes life worth living is an elusive phantom and comes only after we've sought experience. Pain or regret may also result, regardless of our intentions. We have to embrace the experience regardless of outcome; if it's pleasurable, it's a bonus and we've earned it. Jonathon tried to focus on the experience rather than the goal or glory at the end, and I think that's what was meant in the book, but perhaps each of us sees it differently.
But Jonathon's effect on people was the result of more than what he did, it was the result of his personality, and Jonathon simply being Jonathon. We all affect the people we contact each day. Whether it's for good or ill is up to us. Partly because of his own innate goodness and partly because of his efforts, Jonathon had a positive effect on the people who know him. The lesson I would take from his life is that we could all have a similar impact if we made the effort to be nice - and I apologize for the lackluster word, but there it is - nice. The circumstances in which I first met him was one where egos could become inflated, inflamed, or deflated in an instant, and the silly posturing and puffy tempers certainly were a contrast to Jonathon's calmness. It's an odd thing, given that I didn't know him that well and it's been a long time, but I am still influenced by him and try (not always successfully!) to behave in difficult situations as he would have. Our lives do indeed affect others.
The book focuses on personalities, and that gives it a heart and poignancy which are often lacking in adventure stories. As for his journey with Asia Wright, it begins in Nepal, continues on to Mount Kailas, across the Chang Tang Plateau in Tibet, and ends at Asia's father's grave. The book is nicely-written and over-all the description is strong enough, although there were places where it lacked the vitality that would really bring an area to life for me. I will say (and this truly is surprising, since he recounts a fair number of disasters, not to mention numerous other assorted miseries) that Rick Ridgeway managed the impossible - he made mountain-climbing sound appealing even to me.