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What is it? Petr Bogatyrev was a Russian ethnologist who should have been better known than he is. He was born in 1893 and died in 1971. Among his other accomplishments besides this book is his translation into Russian of Hasek's 'Good Soldier Svejk.' He spent his early academic life studying the folklore and customs of Czechoslovakia, eventually earning an honorary Doctor of Philology for this book. He pursued his career in Russia upon returning, but eventually fell victim to the Stalinist fervor of the times and spent most of his life in obscurity. To our loss, since 'Magical Rites...' reveals a keen and interesting mind.
Bogatyrev was an exponent of the synchronic method of ethnography, which he came upon in his linguistic studies. In it's essence it was a rebellion against historical ethnography which attempts to trace backward from contemporary studies to discover the original myths and legends as they existed in some prehistorical period of cultural unity. Instead, Bogatyrev believed we should try to study the present legends and belief systems in context in order to understand their contemporary significance. This allows us to understand the 'magical' mechanisms underlying folk practices, categorize them appropriately, and recognize the sources of variation and commonality. This method reminds me most of Mircea Eliade, who uses a similar approach in 'Shamanism' in 1951, albeit with much greater success.
The flaw in this method is that the reader is often confronted with a massive catalog of facts, without the kind of organization that makes it easy to see the forest rather than get lost in the trees. Only in isolated paragraphs do we find discussions which gradually bring the material together into a conceptual whole. Often the message is disappointingly trivial. Bogatyrev spends a great deal of time and effort rediscovering Frazer's principals of magic; the law of similarity and the law of contact. But he never muses on his inability to discover examples of the law of opposition, and so leaves his findings in question, or at least, lacking in depth.
Since catalogs of Subcarpathian folklore are not common, the book's intrinsic value is greater than it's expository worth as a demonstration of methodology. That it belongs on the shelves of ethnographers is without doubt. The exposition is well written. The book is organized into a methodological introduction followed by a large section organized according to the folk calendar. Subsequent chapters discuss births and baptism, weddings, funerals, finally ending with apparitions and supernatural beings. In no case, however, should you by this in the hope of discovering anything relevant to vampires. They are most definitely not what Bogatyrev was interested in.
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The story of JonBenet's last day of her life, Christmas Day 1996 is told by her parents.
The many ways the murder was exploited by the tabloids, the press, the Boulder Police Department with their leaks to the press, and the internet sub-culture with its hate-the- Ramseys forums is discussed and many of the side shows that have attached themselves to the case in bizarre ways.
The actions of the Ramseys and the investigators are discussed in the book in detail. A must read for the serious follower of the JonBenet murder case no matter which side of the fence one is on.
For 6 years, the Boulder police, DA, and tabloids have tried this case with lies, hearsay and fake proofs. Their theory (among others) ? Patsy Ramsey, a mother of two with a history of cancer, found her six-year-old daughter JonBenét had wet her bed on Christmas night. She then became hysterical, killed the child, hid her body and made up a fake ransom note. Her husband covered it up.
"We were not able to find a slap in a supermarket" said a policeman. Routier, Downs, all the parents who killed their children had a history of mental illness, family abuse and those parents confessed to their crimes within a few days. JonBenet's parents have NO past history whatsoever. They have been screaming their innocence for 6 years. No evidence is linking them to the murder.
For 6 years, JonBenét Ramsey has been pictured as a 6 year old Lolita in revealing costumes, a "pageant addict" that her mother "forced on stage".. Being in pageants myself I can tell you that the average pageant child competes in 20 to 25 pageants in a year. JonBenet Ramsey competed in 9 pageants over 18 months, 8 of them were tiny local competitions. Had she lived, she would probably have never made it close to a local newspaper headline. She was just another kid.
This book tells the story of parents who not only lost their beloved child, but who were not allowed to mourn her. It tells the story of two persons who will never be able to have a fair and unbiased trial in America because their case was tried in tabloids and trash talk shows. It tells the story of a ruined investigation, because for 6 years the prosecutors REFUSED to look anywhere else but at the parents. What did they find ? Nothing.
I find it interesting that this book only gets 3 stars... but they always say truth doesnt sell.
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By using abstract language, Ms. Lather goes on to convert readers into her feminist ideas. Only radical feminists and gender-concerned individuals would enjoy this work.
As Lather traces her way through the contradictory discourses of feminism, neo-Marxism and poststructuralism she identifies the hallmark of a liberatory praxis as the ability to act "within an uncertain framework" at a time "marked by the dissolution of authoritative foundations of knowledge". She suggests that above all, emancipatory action requires reflexivity and the ability to attend to the politics of what we do. She recommends a "Foucauldian awareness" of the oppressive role of ostensibly liberatory forms of discourse."
Lather looks to pedagogy as a site for learning about strategies for a "postmodern praxis". She uses Lusted's definition of pedagogy that concludes that knowledge is produced at the intersection of three agencies, the teacher, the learner and the knowledge they produce. She concludes that it has been the practice of "transmissive" rather than "interactively productive" pedagogy that has been the "root of the failure of emancipatory objectives".
I applaud Patti Lather's project as a feminist, a critical theorist and as someone who appreciates the postmodern turn to a consideration of reality as constructed rather than found. As a teacher, a researcher and an activist, Patti Lather has created a dense, rich text that expands our understanding of what and how we can know and how emancipatory practice might be conducted.
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This is a well written and very well edited exercise featuring a centerfold of family portraits, including several modest shots of JonBenét. The Ramseys give a close rendering of the events of Christmas day, 1996, and the next morning. The story of Patsy's successful fight against cancer is told in some detail, and the beauty pageant issue is addressed. The book ends with John Ramsey's profile of the murderer and a chapter of advice on how to protect your children. There is no index.
Throughout, the Ramseys tell their story in the first person in alternating sections. First John speaks and then Patsy, and then John again, and so on. What they are intent on demonstrating is their innocence. They try to accomplish this by convincing the reader of their abiding love for JonBenét and for God, and their adherence to the Christian faith. Both seem to have a special relationship with God that allows them to hear his voice. John writes "there's a point where...you know and understand the truth of what God has done through human history and you grasp his plan for the future through his son, Jesus Christ" (p. 72).
Patsy in particular has felt the "divine intervention" in her life on many occasions, particularly in her successful battle against cancer (p. 77), but also when her cable TV line was accidentally cut, thereby preventing her from hearing the lies about her on television (p. 230). She has received messages from God (e.g., on pages 82 & 243). In fact in several spots Patsy seems to liken her experience to that of Jesus. As she was watching the "Geraldo Rivera Show" on October 22, 1997, for example, she heard voices calling for the crucifixion of herself and her husband (p. 229). And as Christmas, 1997 approached, her faith, like that of Jesus, was sorely tested, and she found herself "mad at God" and screamed, "I hate Christmas!" But there came a "stillness at the center of" her "being" and she "received a message from God" telling her that she more than anyone needed Christmas, and her faith was restored.
Even in day to day activities, Patsy found herself calling on God to guide her and he did. For example, before picking up the phone to insinuate herself into the Princess Di media discussion she was watching on Larry King Live, Patsy told her mother, "I'm praying that God will give me the right words." After being on hold for a while, "suddenly" she was "talking on live television, launching...into an attack on Larry King..." (p. 210). She relates on the next page that she was so successful that Larry King called to thank her and to ask her to appear on his show.
Almost as annoying as this "holier than thou" posturing was the Ramsey's unrelenting attack on the media and the Boulder police as the cause of all their troubles. I thought it was significant that they blamed the police leadership more than they blamed the officers who had so compromised the crime scene (p. 178). I also thought it telling that John Ramsey in particular tried to tie the crime to "how transient" their "University Hill neighborhood really was," and to people who "pushed New Age experiences" (p. 204). In Lawrence Schiller's book, he is quoted as saying that Bill McReynolds ("Santa Claus") should be a suspect partly because "he doesn't have two nickels to rub together." This high-handed and snide tone, I believe is as much responsible for the public's suspicion of the Ramseys as anything else.
Nonetheless, after reading three books on the subject, I am forced to say that I don't think there's enough evidence to prove beyond a reasonable doubt that they are responsible for their daughter's death. I think the Boulder District Attorney's office and the Grand Jury are to be commended for not charging the Ramseys with a crime they could not prove. Whether this book will help their public image is another matter.
I felt that the Ramseys were extremely justified in writing this book. After years of unrelenting attacks in the media, and incredible pressure by the Boulder Police Department, I think they had every right in the world to tell their side of the story. And to me, their story is believeable. The extreme amount of their pain over the horrible murder and loss of their child, as evidenced in their writing, is something that could not be faked had they indeed been the murderers.
As to the contents of the book, I see it as part of their grieving process. The book is a diatribe against the failure of the Boulder Police Department to call in the FBI or to vigorously pursue other suspects, and against the supermarket tabloids which so shamelessly intruded upon their grief. Their early grief turned, through the years, to rage against the impossibility of their situation. It is *their turn* to speak out. Heavens knows, the rest of the world had its turn.
The Ramseys take us through the night of the murder, the ensuing *investigation*, and the subsequent media harassment, grand jury hearing, and end with an admonition to society to protect its children. Throughout their book, whenever a source is quoted the name appears with the source. There are no "unnamed sources" they rely upon to prove their point. Indeed, everything they have written is well-documented and is meant to be a counter-point to all the erroneous reporting.
One can't help empathizing with their feelings of utter hopelessness as they realized the murderer was not being pursued because they were the prime suspects.
Having followed this murder since it was committed, I am glad to finally have heard the Ramseys speak. I would encourage anyone who thinks they have all the "facts" in this case to read this book.
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