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Unlike some of the recent re-edited editions of Stevens' and Catherwood's work, this Dover Publications edition Volume One of the two volume "Incidents of Travel in Central America, Chiapas and Yucatan presents dense, complex, and revealing insights into a brilliant writer's impressions of travel in nascent Central American countries.
Regarding his charge to enter into diplomatic relations with the governments of these countries, Stephens reports, "I was not able to find one..."
In following Stephens eccentric and sometimes high-handed travels through these unsettled societies, we are by contrast in his ruminations given glimpses of the political and social climate in the United States at that time - a commercially predatory, exuberantly expansionist, segregated society. Despite the biases of his times, Stephens is always adaptable to the ways of his hosts.
Although not great in number, Catherwood's illustrations of the stelae at Copan are truly great. His revealing comments on the difficulty of adapting his Western perception enough to capture the scenes even with the help of his camera lucida - tell us just how unusual the sculptural forms were.
As a team - Stephen's enthusiasm and wry humor and Catherwood's sublime skill and dogged persistence - consistently produced great and discerning works of scientific and historical value.
It should be illegal for anyone to edit or abridge these books.
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The title sounds exciting and suggestive,and so is the book itself. It features parts of the Lanzendorf Collection,which is the largest dinosaur art collection in the world. This 160-page book features about 20 per cent of the collection,but it is still amazingly much. Of course,it would be impossible to collect all dinosaur art beeing made today,but if anyone did,John Lanzendorf would be the one to do it. His apartment contains only dinosaur collectibles and artwork - no other decorations!That must be a really amazing home to live in!
With this book,I have the option to view some of the work hanging there. Although this book has some pictures of beautifull,triassic dinosaurs and jurassic ones as well,it focuses mainly on the cretaceous period,which is called "A Cretaceous End to A Lost World". And that is may be because most of the really fantastic dinosaurs lived during the mid-late cretaceous. There are a lot of pictures of T-rex,which is particulary my favorite dinosaur,and the most inspiring one in this book. Some of the other amazing dinosaurs featured here are Sinsauropteryx,Carnotaurus,Lambeosaurus,and many more.
It does have some inspiring,peacefull pictures of plant-eaters,although the pictures of theropods are the highlights.
Each artist has their own,unique style. John Sibbick has an immidiate sense of detail,and is one of the best. Luis Rey has a little sense of surrealism in his detailed,a little strange paintings. Mark Hallet has the classical style in dinosaur painting. John Bindon is the master of black/white dinosaur art.
Donna Braginetz always make it feel so real you believe they are really there!
Of course,the bronze sculptures makes a nice addition to the artwork,and they look very real. Must be nice decorations!
Over all,the combination of the artists`s different talents makes this book a wonderfull coffee-table book,and a unique collection of dinosaur art that should be a part of every paleontologist`s or dinosaur maniac`s library. I know it is quite expensive,but believe me,it`s worth every penny you spend on it!It has been very helpfull to me when learning to paint good dinosaurs,and the different talents makes me take little inspiration from every painting in the book.
So,if you like dinosaurs seriously,this is a must-have!No dinosaur artist should be without a copy of this book.
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Trollope presents a dilemma for most readers. On the one hand, he wrote an enormous number of very good novels. On the other hand, he wrote no masterpieces. None of Trollope's books can stand comparison with the best work of Jane Austen, Flaubert, Dickens, George Eliot, Tolstoy, or Dostoevsky. On the other hand, none of those writers wrote anywhere near as many excellent as Trollope did. He may not have been a very great writer, but he was a very good one, and perhaps the most prolific good novelist who ever lived. Conservatively assessing his output, Trollope wrote at least 20 good novels. Trollope may not have been a genius, but he did possess a genius for consistency.
So, what to read? Trollope's wrote two very good series, two other novels that could be considered minor classics, and several other first rate novels. I recommend to friends that they try the Barsetshire novels, and then, if they find themselves hooked, to go on to read the Political series of novels (sometimes called the Palliser novels, which I feel uncomfortable with, since it exaggerates the role of that family in most of the novels). The two "minor classics" are THE WAY WE LIVE NOW and HE KNEW HE WAS RIGHT. The former is a marvelous portrait of Victorian social life, and the latter is perhaps the finest study of human jealousy since Shakespeare's OTHELLO. BARSETSHIRE TOWERS is, therefore, coupled with THE WARDEN, a magnificent place, and perhaps the best place to enter Trollope's world.
There are many, many reasons to read Trollope. He probably is the great spokesperson for the Victorian Mind. Like most Victorians, he is a bit parochial, with no interest in Europe, and very little interest in the rest of the world. Despite THE AMERICAN SENATOR, he has few American's or colonials in his novels, and close to no foreigners of any type. He is politically liberal in a conservative way, and is focussed almost exclusively on the upper middle class and gentry. He writes a good deal about young men and women needing and hoping to marry, but with a far more complex approach than we find in Jane Austen. His characters are often compelling, with very human problems, subject to morally complex situations that we would not find unfamiliar. Trollope is especially good with female characters, and in his sympathy for and liking of very independent, strong females he is somewhat an exception of the Victorian stereotype.
Anyone wanting to read Trollope, and I heartily believe that anyone who loves Dickens, Austen, Eliot, Hardy, and Thackery will want to, could find no better place to start than with reading the first two books in the Barsetshire Chronicles, beginning first with the rather short THE WARDEN and then progressing to this very, very fun and enjoyable novel.
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The fictional and lovable hero, Marchus, a relative of the famous Hannibal, accompanies him on the Carthaginian campaign against Rome. I learned so much about Hannibal through this book, yet the majority of the plot involves other adventures that Marchus gets into. He has near escapes from bears, wolves, lions, treacherous tribesmen. In two instances, he escapes with the help of an elephant, and a raft in the subterranean reservoir of Carthage. This was fun stuff, and I am so impressed that this book I found, that is so old it doesn't even have a publication date in it, could be so delightful. Someone could make a great movie out of this!
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It would be good to see it updated every 5 years or so. I see the pub date is 1991. Things have changed a bit. It has a very good list of references, but with the advent of the web, it would be good to see some the reference material cite the web.
If you have to work with any type of laboratory equipment you would be insane to NOT have this book on your shelf.
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The theme of this book is centered on early Africa, early Africa's stolen legacy and early Africa's contributions to civilization. It also puts an emphasis on how those early contributions was translated into today's American society. In chapters 1-3, Mr. Browder talks about the people of early African civilization. He tells where they came from, who they were, what they did, and when they existed. He puts a special emphasis on the many accomplishments of the early African people. In chapters 4-7, Mr. Browder talks about the stolen legacy of early African civilization. He shows how other civilization took what the early African contributed and made it its own. He goes to great links to show and prove that what the Europeans claim as theirs was actually African in origin and rightfully belong to the African. In addition, he explains how American society has adopted early African symbols into its government structure. The finally chapters 8-10 are designed to assist the African/African-American mind to cope with the information given in chapters 1-7. The last chapters all have to do with building pride and understanding where we still must go and what we still must be.
The period of this book stretches from about 4000BC into the present. The book is structured as to give a chronological development of early African history and its gives you a progressive pattern of how this history has contributed to civilization.
The first seven chapters of this book are excellent. I have read many books on the subject of early African history and its contribution to civilization. This book is the easiest to read and understand. I believe that my son when he reaches the age of 10 would be able to read and comprehend this book. The only weakness of this book is chapters 8-10. These chapters I feel are an extension of his earlier books The Browder File Vol. II and I. I feel as though these chapters have nothing to do with the basic theme of this book, which is centered on early African history and its contribution to civilization
Overall, I think that this is a very good book for young children or for adults who have an interest in learning about early African history.