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The cartoons would often be morale boosters for those who had family fighting the war, and topical humor would be found in cartoons poking fun at Hitler, Mussolini and Hirohito, although many would also make light of situations on the home front - women in the work force, rationing, war bonds, etc.
Complete essays discussing different periods of WWII give examples of the rise of wartime references and their eventual disappearance when the war ended. A very thorough list of cartoons is featured with plot summaries and notes of what type of topical references appear in the films.
Reading this book gives one a surprising look at the social impact of cartoons produced during these years, and since many of these cartoons contain what are considered nowadays racial caricatures, it is certain to make you look at cartoon animation in a whole different perspective from much of the tripe that passes for animation today. If you own books by Leonard Maltin or Jerry Beck, this is a perfect companion.
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A farmer friend of Tim O'Leary met a goblin who claimed to be Tim. The goblin said that if the farmer would retrieve a witch's treasure, he would turn back into Tim. After undergoing a horrible ordeal, the farmer retrieves the treasure and the goblin steals it away. Disappointed with the loss, the farmer heads home and meets Tim. He explains how he parted with the riches. Tim comforts and thanks him for sacrificing the money. Tim reminds him that all the treasure isn't worth the friendship they have.
The other fairy tales follow suit, and give new life to the realm of fantasy. New twists wrapping Corn Dollies, rainbow cats, and magic wine give the reader a world to explore. Those parents exhausted of sending their children to sleep nightly with the same glass slipper and big bad wolf should seriously consider a new collection of the freshest fairy tales since Grimm.
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There is a great mixture of new and more traditional stories which I never got bored of reading.
Favourites include "The Stowaways" and "Handsel and Gristel" as well as "The Guest who ran away".
It doesn't matter where you open the book, you can always find something to amuse you.
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Everything in this book is at the very least provocative even when read from a distance of 50 years. The author even names his characters to overtly provoke, and incite. Gottlieb Judejahn and the other primary characters are family and obviously share the last name. Gottlieb's possession of the name is arguably the most notorious. He is generously characterized as an unreconstructed Nazi SS Officer whose last name combines the word for Jew with the balance that translates to madness, and weed out. Another name Pfaffrath is a disrespectful name for a priest, and the name Adolf needs no elaboration. The author evens ratchets up the tension when the son (the Priest Adolf) of the unrepentant SS Officer witnesses his father as he fouls a room deep in The Vatican. The author says that as he watched, "Adolf Wept".
These examples are just parts of the setting that surround a bizarre family reunion in Rome. While unfortunate that Mr. Koeppen's work was so suppressed; it is not a stretch to understand why. With the wounds of the atrocities still fresh in the worlds' mind, and with some of the architects still roaming the streets of Europe, this author had the courage to not follow the crowd advocating let's put the past behind us, and to be brutally candid about what the end of the war meant and did not mean.