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Mr. Tiner combines an encouraging and inspirational story with layman's explanations for the experiments Mr. Morse conducted, which is his writing style for other books he has written for this series as well. In this way one comes away not only with the kind of story that encourages one to persevere, but also with a greater understanding of how the telegraph works if one did not already know.
Beginning as an extremely talented artist, Morse struggles to earn enough money to afford a house and be able to stay home with his family. He gains admiration, but very little money until he finally works on a highly profitable project. Unfortunately, his wife becomes ill and dies while he is away, and this information takes days to reach him.
His sorrow over his wife's death, and having earlier seen a war begin because communication was delayed, cause him to remember what he has learned about electricity. Then only a novelty in science, he designs a way to turn it into instant communication. For 12 years he works on the design and also seeks funding for the project, only to meet with either ridicule or admiration but no funding. At one point he nearly starves to death. Finally the government agrees to fund the project, and the rest, as they say, is history. The guiding force which helped keep him through these trials was his faith in God and the encouragement he drew from the Bible.
We memorize cold facts in school like "Morse invented the telegraph" but rarely learn anything about the human drama behind the facts. Here is a famous American who nearly starved himself trying to get his idea off the ground, an idea he KNEW was revolutionary, that none of the "experts" one would support! It's a story of perseverance and courage that eventually paid off and changed the world.
This book is immensely better fare for young people than the mindless drivel on TV and video games. As far as it having a Christian flavor, so what? It's true. Morse is one of many Christians who changed the world--Newton, Kepler, Pasteur, and many others. Does that aspect make the story politically incorrect? Should historians neglect the driving force behind a man's work? Get real, teachers, and tell your students more about Morse and less about Madonna. There are some excellent role models in American history and this is one of them.
John Hudson Tiner makes the character come alive and captures the misery of rejection and the triumph of vindication. It is EASY reading for any student not held captive by teachers that don't teach them how to read. There's nothing like true stories of real people (good-bye, Harry Potter), to inspire, motivate and stimulate young people to become the achievers of tomorrow. Read this and all the others in the Sowers Series, as well Tiner's other excellent books. You'll not only be inspired, you will learn a great deal of amazing history the textbooks never told you.
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John Shirley speaks from his own horrors of drug and sex addiction and when an artist pours his soul into his work it ceases to be pornography, it is art. This book is dark and ugly and highly confrontational in regards to addiction and its consequences as well as the nature of humanity. It is raw and visceral and honest in ways I've never experienced before. This book is a profound story with a message which may be too honest for most people to handle... John Shirley pulls no punches and even I wished that I could put the book down and forget I had heard of it, but I couldn't because it's too compelling as a horror novel, as a drama, as well as somewhat of an autobiography in symbolic and metaphorical ways. John Shirley simply made it severe enough that people would take notice. Whether you love it or hate it WETBONES leaves its mark. It's a pretty hardcore book and not for the squeamish. It is ultimately about hope and pulling through the darkness of our souls (and what feeds on them)however it is a long and hard journey through that darkness and the only way past it is through it. Read this book and if you don't feel anything than stick to flat and "dull" works of other horror writers who only wish they could write like Shirley. Wetbones is a journey to places within ourselves that we don't want to be or see, but that's the beauty of it and the formula for really good horror. Out of a possible 5 stars I give it 10. There is no other book like this and more than likely there never will be again.
A cult-like group can manipulate people by stimulating their brain centers and doling out Punishment or Reward. Several people with nothing apparent in common -- a man hung up on his ex-wife's death via self-mutilation, another searching for his juvenile deliquent brother, a reverend who counsels drug addicts, and an ex-cult member performing grotesque murders -- all find their paths crossing at the cult's compound. At the compound they discover unspeakable rituals and the cult's secret of mind control.
However, _Wetbones_ does more than just describe the horror of hacked-up human bodies; it is also a study of addiction and the depths of despair. Its intensity and flat out weirdness make this book a highly recommended read for the "slice-and-dice" horror set.
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Every third story is an adaptation of a Conan Doyle story, so the quality of those stories is superb. When Meiser is left to her own devices in writing, she can produce very uneven work. "The Case of the Well Staged Murder" makes for satisfying listening, but "Professor Moriarty and the Diamond Jubilee" is quite contrived, and "New Years Eve in the Scilly Isles" is downright silly. A firebug is seen deserting a ship as it sails out of harbor. The Captain is radioed that the ship will probably go up in smoke at the stroke of twelve on New Years Eve. The lives of 2,000 passengers and crew hang in the balance. So does the Captain turn around and go back to port to unload the passengers and search for the time bombe? Nope. He sails on for 18 hours until he is far at sea and there is only an hour left until midnight. But Holmes arrives in a yacht just in the nick of time. This has my vote for the most contrived Holmes radio pastiche of all times.
John Stanley sounds more like Rathbone than Rathbone, and doesn't muff his lines as often. Alfred Shirley tries manfully, but he cannot quite convey the warmth of Bruce's Watson. The organ music is more subdued and not quite as annoying, but Meiser makes Holmes far too disagreeable. He is the rudest Holmes I have encountered, and very nearly the most conceited. I'm sure that on several occasions, the only thing that prevented Watson from inviting Holmes outside for fisticuffs was the fact that Holmes was an expert amateur boxer.
The 60 page booklet that comes with the collection is a gold mine of information for Holmes afficionados.
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