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Whatever you wanna label this genre, "streetwise" or whatnot, let me just say that in my opinion, the author is in his element here. SPIDER MOON is the gritty, street-level, real deal. It is trim, wound tight, and written as if the author were dipping a scalpel into his own blood. John's book is decidedly 21st-century, written from a viewpoint that places the reader's perspective in the cradle of the bullet itself. It's as if upon reading this novella, I have been carefully picked up, loaded into Slim's .44 chamber, and thoughtfully fired down the barrel along w/the story, to become imbedded into the heart of all that has awakened Slim's sense of injustice in this world.
This book is a one-sit read at a fast-paced 170 pages. And one of the best things about it is, what a goddamned satisfying resolution! All I can say is "Thanks, John Shirley!" for providing such a necessary tale of redemption and oulaw justice. I am not kidding when I say that the whole story is effective enough to produce real tears in the reader...and I'm not talking about those old snuffly "sad" tears: I'm talking about that one droplet of saline squeezed out of a duct that has everything to do with "Right On!" and little to do w/the tearjerker mentality of artificially induced sorrow.
SPIDER MOON, despite it's straightforwardness & brevity (or because of it-?), will from now on sit on the highest shelf of my collection for me, because it says something so damn many of us have wanted to hear, have needed to hear, for a long time now. It's a crash course in poetic justice, and why the hell Quentin Tarantino doesn't collaborate with John Shirley, I'll never figure out.
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The basic premise of the rise of a neo-fascist "security" corporation during the starts of a limited nuclear war between the USA and Russia sets the background for the very believable characters, each with distinct personalities and flaws that come to life from the printed page. Mr. Shirley weaves a complex and intertwined tale of guerilla mercenaries, fading rock stars, and fasicst powermongers that would stand proudly with the great works on science fiction. If not for any other reason, his interpretation of developing cultural trends is at the same time illuminating and frightening.
Having only read the first book*, I am anticipating no less enjoyment from Penumbra and Corona, the second and third works in the series.
I recommend this book to anyone that enjoys a complicated read where each page yields a small reward.
* Sometimes I do need to spend a little time reading my college textbooks, too.
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Max, the main character, begins as a soap opera star whose ennui drives him to quit his TV role playing. He accepts the larger task of unraveling the role concealed within his being. The Angel with TV Eyes changes Max's perspective of his dream like visions describing a concealed world. At an earlier date Lord Greymark had been dissolved into pure information and implanted in the womb of Max's mother. Max's pursuit of a larger than life role triggers his revelation as Lord Greymark, a 12 foot entity concealed within the jaded actor's soul. Lord Greymark possesses great power that he uses to extinguish the fires of Thanatos, a character representing death and vowing destruction of all that is good in man.
Just as the pictures on a TV are converted from unseen waves, the vision of the Angel with TV Eyes flows via holowaves from within the quantum realm. This posits a reality which few can either detect or receive on their vision screen. By personalizing a character with TV eyes John Shirley creates an entity directed from within this hidden reality. A story that begins with a cast of bud-like human characters soon blossoms into a bouquet of revealed Spirits constructed of plastic, metal and electronic switches. As the evolution of man is expressed through DNA, so the Spirits evolve by means of vibratory packets-a non genetic form of evolutionary record keeping. Thus the author posits another method the unseen Spirits are using to throw the evolutionary dice. What the Spirits seek is the same as what man seeks-companionship.
"...And the Angel with Television Eyes" has an unbelievably fast-paced plot, some cool narrative gimmicks (just look at the chapter titles) and also profits from its author's insider knowledge of the media business. Definitely some hell of a ride.
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(The leader of the twists is a megalomaniacal psychology professor bent on domination :-))
The book is mu(l)ticoloured joy to the imagination and the central ideas are hilarious and deeply illuminating for the whacky light they cast on the nature of human life, our minds and our role in the cosmic scheme
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In this most imaginative premise (though I sense some inspiration from John Ostrander's DEMON WARS arc in the GRIMJACK comics), unstoppable, murderous demons have suddenly appeared on Earth. They can make their presence known anywhere and anytime. With no defenses, humans must make their way through this hell on earth as best they can (this is Shirley's most interesting facet in the book--how John and Mary Sixpack continue about their daily business in this new dystopia).
It was a pleasure to read DEMONS, and I look forward to Mr. Shirley's next work.
Shirley's book tells about a demonic invasion that threatens to engulf planet Earth. The demons come in various types; my own personal favorites are the Bugsys - sleazy characters who somehow manage to get human beings to be their pets. And as Shirley fans will know, he has a great capacity for melding the hyperreal elements of fantasy with the gritty reality of the urban.
Would discuss the implications of this powerful book further, but I don't want to give away too much of the plot. Highly recommended.