Shakespeare For All Time by Stanley Wells (Emeritus Professor of Shakespeare Studies, University of Birmingham, and General Editor of the Oxford Shakespeare series) is an inherently fascinating and extensively informative biography and analysis of the life and work William Shakespeare, piecing together all that is known and much that is speculated about one of the greatest playwrights who ever lived. Illustrated with both black-and-white and color plates, and written in down-to-earth terms for all students and enthusiasts of Shakespeare's work (regardless of their level of familiarity with the plays themselves), Shakespeare For All Time is an excellent read and an especially recommended addition for personal, academic, and community library systems for offering informed and invaluable insights into the man and his plays.

Ever wanted to read one book to know about the life of Shakespeare and the life of his plays? This is the only book you need. The world's preeminent Shakespearean scholar at long last presents his knowledgable views on Shakespeare's life and how the different ages, including ours, have appropriated Shakespeare for their own. The first 100 pages are straight-up biography, and a spot-on one at that, providing all of the facts that we know and wise, cautious speculation about what we don't. The following 300 pages illustrate how Shakespeare wrote what he did, and how each age has seen and transformed Shakespeare. Most impressive is that each chapter explores theatrical developments alongside textual and editorial innovations. Not ignored is Shakespeare's representations in visual art, music, and opera. A most impressive volume that is written in an easy to understand style. Any person could pick up this book and understand the history of Shakespeare for all time. Highly recommended as a companion volume is Prof. Wells's earlier exploration -Shakespeare: The Poet and his Plays. That volume discusses each individual play and the poems on an interpretative level, and a highly insightful level at that.

This is the version used in my college Shakespeare courses, way back in 1972! It was lost in a housefire, and I haven't seen it since. The one hundred page introduction is dense and rich in historical detail. This IS the best version I have ever encountered. What a find!

This is the most excelent compliation of the works of William Shakespeare that I have ever seen. The introductions to the works are thorough and the footnotes are easily understandable. I highly recomend this book to any Shakespeare fan

Starting With Shakespeare: Successfully Introducing Shakespeare To Children introduces students in grades K through 5 to "A Midsummer Night's Dream"; "Macbeth"; "Hamlet"; and "Romeo and Juliet". For each play, a complete historical background, introduction to the characters, and a simple retelling of the story is provided. A variety of integrated activities extend learning to history, geography, science, art, music, movement, math, and language arts. In addition, Starting With Shakespeare is enhanced with verses for memorization, a complete script for class performance, and a list of resources for further explorations and studies. Starting With Shakespeare is a superb addition to any school literary studies and theatrical studies reference library.

I am a special education teacher in a middle school and I have used this book to bring the incredible stories of Shakespeare to my students. The activities were easily modified to meet the needs of older students, and I especially enjoyed the retellings of the plays since they contained debate and discussion questions. The students I teach were highly motivated to learn Shakespeare in this interactive way. This book makes Shakespeare accessible to everyone, not just the "highly gifted." My students will never forget the year we brought Romeo and Juliet to life. Now they are able follow the story line, understand the characters, and compare the play to West Side Story in the mainstream classroom. Amazing!

A Theatergoer's Guide To Shakespeare provides a companion to the plots, characters and themes of Shakespeare's plays, and will delight both beginning theater buffs and those studying Shakespeare. Fallon's treatment avoids the usual jargon and presents a clear picture of the play's events and characters, providing lively commentary on the plots and history. A recommended picks for a wide range of audiences, from students to drama fans.

In this fine introduction to Shakespeare, Prof. Robert Fallon had more sense than to try to "dumb down" Shakespeare. It can't be done--however, you CAN approach Shakespeare simply and cleanly, as the "Dummies" guides absolutely fail to do. The appropriate approach is to present the basics that are required to appreciate Shakespeare's plays, and that is exactly what Fallon has done in an enjoyable, highly readable text with no frills, distracting unfunny cartoons and trivia quizzes. To put my cards on the table, I worked in the recent past in a publishing company where I was not permitted to publish this excellent introductory guide myself, because it did not take a "for dummies" approach. I greatly regretted the stupidity of this decision (ever have a stupid boss?) and I salute Fallon for filling a need on the theater shelves of the bookstores. And bravo to his intelligent publisher Ivan R. Dee for putting out a well-designed volume. So take it from me, a theater lover for ages: This is the guide to choose if you want to begin to feel comfortable with Shakespeare or just want a solid guide to complement your experience of the plays.

We all know about Shakespeare, so a review of his writing is not required. However, I would like to say that the Everyman's Library series are worth getting. Unlike omnibus editions (such as the Riverside Shakespeare), these are actually portable so you don't need a table to hold them up while you are reading. The Everyman's Library series have good hardbindings, are conveniently sized to carry around, and have illuminating and extensive introductions. The typeface used is old, but the letters are large and easily readable (something that is a concern with some other editions).

Tragedies, Volume 2 contains: Titus Andronicus; Troilus and Cressida; Julius Ceaser; Anthony and Cleopatra; Timon of Athens; Coriolanus

We all know about Shakespeare, so a review of his writing is not required. However, I would like to say that the Everyman's Library series are worth getting. Unlike omnibus editions (such as the Riverside Shakespeare), these are actually portable so you don't need a table to hold them up while you are reading. The Everyman's Library series have good hardbindings, are conveniently sized to carry around, and have illuminating and extensive introductions. The typeface used is old, but the letters are large and easily readable (something that is a concern with some other editions).

Tragedies, Volume 1 contains: Hamlet; Othello; King Lear; Machbeth

I recommend J. B. Cheaney's books "The Playmaker" and "The True Prince" to my community college literature classes for two reasons. First, these books have obviously been painstakingly researched because they give readers a "feel" for the time. Shakespeare emerged from and was nurtured by a vibrant, energetic (and a little dangerous) era, full of possibility. These times come alive in Cheaney's books. Second, in additon to the full-fleshed characters and engaging plots many young adult books have, Cheaney also gives readers something they don't experience as often: good style--"sparkling" one reviewer called it, and sparkling it is!

This is the second in JB Cheaney's series of novels about young Elizabethan apprentice actor, Richard Mallory(the first was the excellent, The Playmaker). It is even better than the first! Characters are drawn in great depth and subtlety, the story's a real rollercoaster of an intrigue, with disguised highwaymen, mysterious writers of 'putrid plays', hints of strange, malevolent magic, all part of the mix, and the atmosphere of Elizabethan theatre life and London streets is so vivid you can see it, smell it, touch it: and all done with a light, deft touch. A fabulous read. Don't miss it!

My mom bought this one for me when I was about eight years old. I'm nineteen now and I still love it. :) The pictures are exquisite... awesome illustrations bring Shakespeare to life so much it will be familiar to even little kids years later. These pictures are really buried deep in my memory and I'm glad. :)

I checked this book out of the library...hoping the beautiful pictures would captivate my 3 and 5yr old and they would then listen to Shakespeare. It WORKED!!! So I knew it was worth purchasing. The book contains only small selections from Shakespeare's work...but a great way to introduce your child to the beauty of his words. Wonderful Illustrations!!!

McKellan's sceenplay for his movie of Richard III is a great read for anyone interested in how a script becomes a play or how a play becomes a movie. McKellan's side bar comments on how scenes were shot or decisions were made on what language to cut, change, or move are insightful and a lot of fun. Because the movie started as a stage production, the book addresses not only how to film Shakespeare, but also the changes that can or must be made when a play is filmed. Also worth nothing is McKellan's introduction, which contains the best explanation of blank verse (Shakespeare's verse form) that I have ever encountered. I recently repurchased this book through Amazon; I lent it to one of my college professors a few years ago and never saw it again. I can't think of many books that I'm willing to buy twice, so I give this book my wholehearted endorsement.

I use the word "collection," because readers will not only be treated to the screenplay, but also to Sir Ian McKellen's breezy, comfortable style of writing in his thorough introduction and annotations. For those familiar with his Official Homepage notes, Sir Ian captures you most willingly with his conversational tone and easy wit. (There are also plenty of well-captioned b/w photos to support "the script.") An excellent purchase.

William Shakespeare: A Textual Companion

Though billed as a companion to "The Norton Shakespeare, Based on the Oxford Edition," "William Shakespeare: A Textual Companion" is a superb reference for any reader of Shakespeare's plays. The book gives the editorial principles and the explanations of editorial decisions made by the editors of the Oxford Shakespeare. The Textual Companion deals with the plays and poems is a systematic basis. This book will deepen anyone's appricaition for the Oxford editors' solutions to textual problems. The real value of this book goes is that it goes beyond just being an explanation of one edition. This book offers a comprehensive overview of the textual problem that any reader of Shakespeare should be aware of.

An example good editing comes from "The Merry Wives of Windsor" 1.4.88-9. The line appears "Ile doe yoe your/ Master what good I can:" in the 1623 folio. John Jowett who edited the play says that the "yoe" is suspicious and goes on the give his reasons. He belives it is a miscorrection. "Yoe" was intended for correction, but instead the compositor inserted "your" and left the "yoe" as is. The line printed in the Oxford edition is "I'll do your master what good/I can". I agree with Jowett's reasons and his correction.

Even though this book goes a long way in presenting textual problems and editorial solutions there are some editorial problems which have not been resolved. For example in "The Tempest" 4.1.123 we read this "So rare a wondered father and a wise". Tthe Oxford edition has "wise" but in the note to this line on page 616 they follow Jeanne Addison Roberts' 1978 article and say the word was "wife" in the first folio. Whether the word was "wife" or "wise" is not yet a settled question. Blayney in his introduction to the Norton Facsimile 2nd Edition (p. xxxi) takes issue with Roberts's conclusions, and for now this does remain an open question.

This book is one of the great books of Shakespearian scholarship. Though I do not agree in every detail, I can say that my appriciation and admiration for the Oxford edition of Shakespeare has increased because of this book. No critical reader of Shakespeare should go without this book.

This book accompanies the ground-breaking Oxford Complete Works of Shakespeare (1986) and explains the choices made by the editors in their selection of early printed texts and in their correction of errors in the earliest editions. Additionally, this provides the most recent thorough examination of the problems of editing Shakespeare, of establishing which plays he wrote and the order in which he wrote them, and the relation between the solitary reading experience and the social theatrical experience. If you need answers to questions like "how many quartos of Hamlet were published in Shakespeare's lifetime?" and "which one best represents the play as performed?", this book is the place to look for a thorough scholarly exploration of these topics. If you want criticism about Shakespeare's plays and their meaning, this book is not for you.

Joy! Shakespeare--undiluted--for everybody, either kids or adults! The layout of this book couldn't be more helpful. After a brief introduction, the compiler gets down to business. Each speech or poem is preceeded by a brief explaination, and after the selection, a small word-list to aid understanding. All are swathed in beautiful, dramatic paintings that are truly helpful for comprehension. All the famous lines are here, from Henry V's Agincourt "St. Crispin" speech, his inly-ruminating soliloquey about the nature of power, scenes from Macbeth, Midsummer Night's Dream, Hamlet, and a couple of sonnets, and much more.

There are two things that are very impressive about this book. First, the compiler manages to introduce very adult themes about power,loyalty, etc., as well as the vocabulary of 400 years ago,even a brief explaination of iambic pentameter in a tone so chatty that you hardly realize you are learning. Second, the rich pictures impart a thirst for MORE Shakespeare. You'll hear, "Can we hear more? What's the rest of this story?" often!

Any publication that presents the Bard as accessable and enjoyable deserves a place in every school or public library, and certainly every home. Add this to Charles and Mary Lamb's "Tales of Shakespeare" as a new classic.

A perfect selection from Shakespeare's greatest plays with gorgeous artwork. An ideal introduction to Shakespeare for young people. With a smart and easy to read preamble describing Shakespeare's life and work and wonderful introductions to each poem, the book does a fantastic job of explaining how Shakespeare's work is both drama and poetry.