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Information on the topography was of vital importance to any army, whether planning a large campaign or a single battle. Both the Union army and the Confederate army employed many men capable of creating detailed images of the lay of the land. One of the most famous is Jed Hotchkiss, mapmaker to Stonewall Jackson. Several of his maps are reproduced in this volume. Using every medium at their disposal, from pencil to water color, he and others created detailed or rough drawings. Most are worthy of framing and hanging on the wall.
This is a valuable reference work for students of the war and students of mapmaking. It is a large volume and the details stand out.
But superbly reproduced maps are not the only treasures in McElfresh's book. The introductory chapters about the work and importance of topographical engineers to the Civil War is perhaps the best account of them yet published. And one-page biographies are provided for many of them, some famous for other, post-war careers (Ambrose Bierce and George Armstrong Custer, for example).
This is a book which belongs in any collection of Civil War material.
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I have stood in 'bloody row' and read and in the tower and read. Since then I made it a book club selection. When people visit and want to go to the battlefield, I send them home with a copy of this book. Even history haters can love it. It is well worth your time.
This book showed me the importance of the battle. The battle was very important in the history of the war. For the South it was a failure. Only a couple hundred recruits were mustered in Maryland for the Army of Northern Virginia. The South would have to try another invasion sometime later. At the Battle of Antietam, George McClellan, a slow but brilliant general, almost captured Lee's whole army. Had it not been for A. P. Hill's timely arrival, Lee might have been forced to surrender.
On the Northern side, there was great providence at work for them. A copy of Lee's general order showing the detailed orders for each division of the army fell into the hands of McClellan. McClellan acted quickly (at least for him) and soon had Lee in a desperate situation. Lee had the Potomac river behind him. Well, if you want to know the rest of the story and all the interesting details, get the book.
In my opinion, Sears is the best writer on Civil War battles. If he write a book on the Civil War, get it, by all means (well, not *all*). Sears shows the brilliance of both McClellan and Lee (of course, Longstreet, Jackson, the Hills, etc. also). You NEED this book, if you are a Civil War buff.
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The theme of the book is lost opportunities for both the Union and the Confederacy. The Peninsula Campaign is probably the only time in the history of the Civil War where each side had an ability to end the conflict on terms that were advantageous. For the Union, a victory and the capture of Richmond, probably would also have resulted in the destruction of the main Southern Army. For the Confederacy, if Lee had been able to cut off and destroy the Union Army, as Lee wanted to do, the Union would have been left with no effective force to stop an advance on Washington. However, errors on both sides led to three more years of death and destruction.
For Lee it was the problem of a new command, with subordinates not of his own choosing and with many of those subordinates failing to live up to expectations. For Stonewall Jackson, the Peninsula Campaign was far from his finest hour. From failing to communicate with Lee, to not having his troops arrive on time, to not pushing forward where there was a clear advantage, Jackson's failures assisted the Union Army in escaping the 'traps' that were being set by Lee. However, the blame is not placed solely on Jackson and his fellow Generals. Sears properly criticizes Lee for his overly complicated battle plans, especially given his unfamiliarity with the command.
Sears greatest criticisms are rightfully saved for McClellan. Like in the Battle of Antietam, McClellan great caution turned a real numerical superiority into an imaginary disadvantage. Where McClellan should have been driving forward and bringing Lee to battle, his incorrect belief that he was outnumbered two to one forced him to take the defensive and almost led to the destruction of the Army that he truly loved. The plain fact is that McClellan may have been the right General to have formed the Army of the Potomac, but as a battlefield leader he was a disaster. From his ordering retreats when they were not necessary, to his failure to establish a clear chain of command during battles, to his penchant for not being in the field when battles were taking place, and for his failures to take advantage of opportunities presented him, Sears systematically outlines the deficiencies of the General that was once known as the Young Napoleon.
This is a very good book, especially for those who are interested in the personalities of those that led the armies into battle. It is very readable and draws a fine balance between presenting the facts that one needs to be aware of as well as the personalties of the leasers and common soldiers that fought the battles.
Sears's expertise on George McClellan is especially welcome here, and he provides damning evidence and hard but fair criticism of the competence of the "Young Napoleon", who was so afraid of losing a battle that he deliberately and repeatedly removed himself far away from the battlefield. He also provides considerable insight into the lapses of Stonewall Jackson, who was "not himself" during the Seven Days, and chronicles the rise of Robert E. Lee and the birth of the Army of Northern Virginia.
Finally, the book is also supplemented by clear (if somewhat amateurish) maps and a generous supply of contemporaneous sketches and watercolors by observers of the campaign. I highly recommend this as a very welcome addition to any Civil War bookshelf.
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Sears makes sense of Chancellorsville, or at least presents the facts, and helps the reader and student better piece together puzzle of what happened in that campaign. Sears does not accept the pat arguments against Hooker, and makes his case to recessitate some of Hooker's image. Whether Sears is correct or not in his interpretation, the point is to reconsider all the standard epitahs that historical figures have; once you do so, you get a better understanding of the forces that shaped the development of history, especially military history.
Sears' book on Chancellorsville is indispensible for students of the Civil War and the battle itself. It is a vital resource and good, engaging historiography.
Anyone who has done much reading about the Civil War knows that one of the major challenges confronting Lincoln as commander-in-chief was finding a dependable general to put in charge of the Army of the Potomac. This volume reviews some of the problem generals with whom he had to deal--including McClellan (a Sears specialty) and Joe Hooker (whom Sears defends in an unconventional review of Hooker at Chancellorsville). But the book also goes below the command level to look at colorful characters like Dan Sickles and Phil Sheridan. Especially engaging are the essays dealing with the court martials and less than honorable discharges of generals who were unfairly treatged for a variety of reasons.
While to some degree, these essays are "insider baseball" and would be best appreciated by readers with background on the Civil War, they stand alone and can be appreciated by almost anyone with an interest in the era.
``Battles and Leaders'' was illustrated by hundreds of woodcuts -- woodcuts because it was difficult to reproduce photographs at that time. The woodcuts were made from illustrations made on the spot by what were later called ``combat artists'' (``specials'' to the Civil War public), or from photographs by artists who had experienced the war first-hand.
Nearly 400 of these illustrations (a few water colors, the rest woodcuts) are reproduced here from the files of Century.
In few of them is there much derring-do. The Civil War battlefield was much more crowded than a modern one, but still it was a lonely place. Explosions, even the big one at the Battle of the Crater, are the merest wisps against the skyline of huge panoramas where armies joust but are barely visible.
The soldiers themselves highly approved of these illustrations. The Century artists, they judged, ``got it right.''
Editor Stephen Sears notes this is not a history of the Civil War, though it does carry through all the major campaigns in a structured fashion.
Rather it is, for us, a look at what our ancestors took to be the look of the biggest event in American history.
Most of the pictures in this folio are rather homely, almost humdrum. It is the ensemble of all of them that punches home the message.
All in all, one of the better volumes for coming close to the common soldier's experience of that war.