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I recommend My Name is Not Angelica because it is a somewhat brief anecdote that shows how Raisha deals with the slave revolt of 1733. It was admirable how Raisha gained her independence "waltzing" from location to location. After the unbearably treacherous happening of being removed from her home and in Africa at an age where she nearly understood the horror and details of the slave revolt. Although the heat of Africa was similar to that of St. John, the location of Hawks Nest, it seemed hotter to her to a scorching degree while suffering and slaving away. Even though her existent work was tending to Mistress Jenna. There were many sections of the story when Raisha found her self bedazzled by the new nature of her life. The strongest obstacle beyond her nature was when she constantly found herself looking upon a collection of white faces (especially in the market in the West Indies where she was sold). She also had to deal with the trauma of watching her friends suffer, and in one case die by the strokes of a whip. This 130 paged telling may seem like it is a children's book by it's length, but it has the potential of an award winning novel. It has been a winner of the Hans Christian Andersen Award in the past. But presently I'm sure it will tolerate many more awards to an utmost extent.
A negative characteristic of My Name Is Not Angelica is it was not as well organized as it could have been. An example is not having a directory of page numbers as most books do contain which made it difficult to find a concluding point when needed. It also could have added an adventurous twist to the beginning as well as midway and the end. That way in would have a forceful push to complete reading it. Most short story style "novels" are considered childish and don't dare to dream, but this author made a strenuous effort and greatly succeeded in executing it perfectly. This tale is a nail biter, not a head scratcher. This wonderful story has necessity for a sequel.
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Surprisingly, Rob Roy is not the main character of the book. Rob Roy's appearances in the book are spotty, at best. Instead, Francis Osbaldistone is both narrator and main character. Francis, we quickly find out, is more interested in poetry than in business. His father, who hoped for Francis to take over the family business, becomes angry with his son and banishes him to his brother's estate, Osbaldistone Hall. Francis's relatives are all country hicks, with the exception of Diana Vernon, an astonishingly beautiful "cousin" who stays with the Osbaldistones for reasons best left unrevealed here. Francis also encounters the treacherous Rashleigh Osbaldistone, the cousin who is to replace Francis at his father's business. Francis soon becomes embroiled in several adventures, usually with Scottish sidekick/groundskeeper Andrew Fairservice and Glasgow businessman Nicol Jarvie at his side. Needless to say, Francis falls in love with Diana Vernon and becomes entangled in the machinations of the Jacobite rebellion.
I found myself amazed at Scott's depictions of women in this book. Diana Vernon is not only beautiful; she's smart, self-assured, and a very dominant figure. Rob Roy's wife, Helen MacGregor, also is presented as strong and domineering. I find this fascinating in a novel written in the early 19th century. Even more surprising is Francis; he is depicted as weak and easily dominated. Between Rashleigh, Rob Roy, and Diana, Francis never seems to know what is happening and is easily brought to emotional frenzies by the other characters. You quickly begin to wonder how this guy can get anything done.
There are two minor problems in Rob Roy. First, I'll mention the Scottish dialect. Scott, in an effort to be authentic, makes liberal use of the Scottish accent. This isn't much of a problem in the first part of the book, but in the second half it becomes a serious issue. Even worse, Scott uses the Scottish characters to reveal major plot points. Therefore, if you can't read the dialect, you're in trouble. This wouldn't be bad if a glossary had been included in the book, but there isn't one. After awhile, I realized that "bluid" was blood, and that "muckle" meant much, but the inclusion of many Scottish idioms had me totally dumbfounded. Other Scott novels in the Penguin series include a glossary of Scottish terms, but not their edition of Rob Roy.
Second, the pacing of the book is most unusual. For some 200 pages, nothing much happens. I've read many novels from this time period, and most move faster than Scott. This doesn't make Rob Roy a bad book, but it does take patience to get to the end. Even when the plot starts to thicken, Scott still takes a lot of time to unfold events. In some aspects, this lends a distinct quaintness to the book. At other times, it can become annoying. It is easy to understand how many people would lose patience with the book and give up.
This is still an entertaining book, and I highly recommend it to those interested in historical fiction. Despite a few problems I had with the book, I would like to read more of Scott's work in the future. I shall certainly look for editions with glossaries so I can navigate the Scottish words. By the way, the man on the cover of the Penguin edition is William, 18th Earl of Sutherland.
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I enjoyed Sophie quite a bit, although she got pretty weird toward the end. Unfortunately for Henry, little revealed in the book shows him as The Assassin, except for his past exploits. I wish there'd been a little more Assassin in Henry throughout the present portion of the book, just for comparison. Besides, he's kind of a spineless wimp, it seems. But, it's a good read otherwise, and the way it is written keeps the reader entertained.
- Genuine emotion with only the tiniest bit of corniness for flavor
- Ballsy yet elegant prose ("...a gradual peeling away of the leathery cocoon Henry had wrapped himself in to ward off guilt and love and other sharp objects...")
- Hooked me enough so that I read four chapters while sitting on the bookstore floor, bought it, and then stayed up till 3am to finish the book
This book is a nice blend of humor, drama, and romance. It has a similar sensibility to the movie Grosse Pointe Blank, but with more psychology and less violence. It's the best fiction book I've read in quite some time. I look forward to reading John Scott Shepherd's future books.
it is a pageturner for sure. i loved the characters and also his style of writing. it was very young and very fresh.
i agree that this should be made into a movie! but...john cusac and kate winslet please.
ths was a wonderfully refreshing book and i was dragged into Henry's world immediatley.
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I was glad to learn about the Knights of Templer and that they were crusaders. I always wondered how Sam Spade in the Maltese Falcon knew that and it is because of this classic.
I was surprised that it talked so much about Robin of Lockesley. The story of Ivanhoe seemed to be the same only told by Ivanhoe's friends and not Robin's.
I thought that the DeBracyn and the Knight of Templer Brian de Bois Guilbert were pretty evil guys which made the story interesting. They were weasels when they had their backs to the wall but did preform with honor when required like when Richard gets DeBracy.
I guess I did not understand the prejudice of the time because they treated the Jews like dirt and they were so sterotypical. I really thought that the Jewish girl Rebecca was going to end up with Ivanhoe instead of that Saxon Lady Roweana. I guess you have to appreciate the times that they lived in.
It was a different look the Richard/Prince John history.
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I found the writing format, the telling through other's eyes, less engaging and certainly less tasty than Blake's current style.
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Unfortunately, the praise gets to be redundant and--may I say it?--almost hollow, without the balance of some thoughtful criticism. Personally, I wouldn't have much negative to say regarding Tolkien's work, but I found very little that was genuinely fresh or enlightening in this collection of "meditations." I did discover an interest in some of the authors included (not a bad reason for their involvement in the project) and in earlier 20th century writers that I have never familiarized myself with. Lord Dunsany, E.R. Eddison, Fritz Leiber, and Mervyn Peake are only a few of the old standbys mentioned repeatedly.
Although interesting, a quick read, and well-written, this collection might best serve those curious in unearthing the inspiration beneath some of their favorite authors. I was hoping for something with more vitality, but overall I'd recommend the book.
Harriet Klausner
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