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The Putt at the End of the World is apparently the brainchild of last-listed author Les Standiford, shown as editor and compiler. It also seems to be a salute, at least in part, to recently deceased British writer Douglas Adams, author of the Hitchhikers' Guide to the Galaxy series which includes The Restaurant at the End of the Universe. It is certainly reminiscent of Adam's work, with zany characters interacting amidst nefarious schemes, all centered around a golf tournament. But not just any golf tournament. Computer zillionaire Philip Bates has bought a Scottish castle and cleared original growth timber to construct the ultimate golf course-as well as rehabbing the castle into an exotic hideaway retreat. This infuriates both environmental terrorists and the last of the MacLout clan, who claims that the MacGregor sellers usurped his family's claim to the property and he should have gotten the money. Then Bates (no relation to this reviewer) scheduled a conference and golf tournament inviting all of the world's political leaders and top golf players.
One of the invitees is Billy Sprague, club pro from Squat Possum Golf Club in rural Ohio. Billy is a magnificent golfer, unless there is money involved in which case he can't even get the ball of the tee. Billy's mentor is the old retired family doctor whose life is golf, who build the Squat Possum Club and who dies immediately after giving Billy his invitation and telling him that he has to go to Scotland and play in order to lift the curse and "...save the world as we know it..." Then FBI and British Secret Service refugees from the Keystone Kops get involved because of the terrorist threat, and the rest is-not history, but hilarious.
Each of the nine authors wrote one of the chapters. They did a good job matching styles, and/or Standiford did a great job of editing, because the novel is seamless. It is a farce, but at the same time has a "Bagger Vance" note of paean to the wonder of golf. It reads fast, and it reads great.
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It is well researched and not without intriguing tidbits, but the writing style provides too serious a distraction to study. It is exceedingly disjointed. Paragraphs are strings of often unrelated and badly sequenced sentences, full of odd digressions. The narrative does not flow any better as it moves from one paragraph to another. The prose itself lacks clarity. Misplaced modifiers are common, punctuation is dubious, and a careless use of pronouns often creates confusion.
What I found most distressing about this book was its consistently salacious tone. It lingers on the king's alleged homosexuality, his coarse sense of humor, and his interest in other people's sexual activities. The author's voice provides an apt frame for this portrayal. At one point he describes Lady Frances, wife of Robert Carr, as follows: "She was beautiful, but her portrait at Woburn reveals her sensuality and depravity. Beneath the curves of her dress can be seen her breasts, ripe and luscious." The reader must wade through a great deal of this.
If you are looking for a solid biography, I recommend Lady Antonia Fraser's book. It is out of print and difficult to obtain, but worth the effort.
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