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The story opens in May 1864 on a battlefield in Cold Harbor, Virginia, as Thomas Wilson receives word of the birth of his little girl in New York City and dreams of returning soon to his wife, Fanny, and their child. Shortly afterward, however, he dies in battle.
Amid the hustle and bustle of New York City life, Mary Ellen's mother attempts to care for her little girl, but poverty soon forces her to abandon the child. We learn of Mary Ellen's stay in an almshouse for a time before being taken into a foster home where she is beaten, locked in a closet, burned, and permitted no contact with the outside world. She remains in this home for 6 long years.
Shelman and Lavoritz accurately and poignantly describe the New York City of the 1860s and 1870s, allowing the reader to experience the overcrowding and the sounds and smells of the infamous Hell's Kitchen area of NYC where Mary Ellen is finally found and rescued.
The story follows two threads, first told separately, and then woven skillfully together. We learn of Mary Ellen's plight, while at the same time in NYC, Henry Bergh is working to found the American Society for Prevention of Cruelty to Animals (ASPCA). We are with Bergh as he enforces the new animal protection laws in NYC. He fights to protect them all --from turtles to horses. He is often ridiculed as he charges, "Turtle abuse!" But he persists. Amazingly, in 1874 there was no agency to aid mistreated children. When Etta Wheeler, a dedicated social worker, appeals to Bergh and his animal rights society to take the lead in the child's rescue, he and the ASPCA's talented attorney, Elbridge Gerry, conduct the then famous trial that ultimately brings Mary Ellen freedom and a new home and results in the founding of the New York City Society for the Prevention of Cruelty to Children, still in existence today.
The story culminates in the standing-room-only trial where Mary Ellen's foster mother is charged on several felony counts. The authors effectively recreate the circuslike atmosphere that prevails throughout the trial at which witnesses from all walks of life testify about what they have seen and heard. The transcripts of the trial are complete and authentic.
While most will read this book as a novel, a complete index at the back provides access to the wealth of factual material carefully researched by the authors. An epilogue tells what finally happened to Mary Ellen as an adult. Adding to the authenticity are a number of previously unprinted photographs provided to the authors by relatives of the principals.
An invaluable reference for those interested in the history surrounding child and animal protection, "Out of the Darkness: The Story of Mary Ellen Wilson is also just "a good read."
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Mary Motte Alston Pringle may have been the last of the legendary Southern Women. Truly born to the manor and accustomed to every luxury as a young woman, she rose to challenges during and after the Civil War that would have destroyed a lesser human being. The letters that she wrote just after the war to her adult children who were scattered from California to Europe would have left me in despair if they had not held such a powerful message about the durability of the human spirit.
She had no money, her beloved family home was occupied by Union soldiers and she was separated from many whom she loved, yet there is such courage in these letters that the book left me filled with inspiration. Men and women today can find much to admire and emulate in this indestructible family. "Mary's World" has a permanent place on my bookshelf and in my heart.
my boyfriend's mom lent me her copy to read to the little girls i nanny. (it was her favorite book as a child, i'm 28). well, i picked it up myself, began reading, and couldn't put it down! what a clever story.
so many children dream of secret worlds existing just beyond the next wall, or over the hill, or under the streets- and this book-with it's good and naughty children, tiny doll people world, and one very odd neighbor- lives up to and beyond the expectations any child might have about hidden, magical places.
publishing houses- bring back this book, along with the other children's book she wrote- loretta mason potts should be reborn on the bookshelves! it's sad that one would have to pay almost $[amount] to buy her fiction, but it also shows how treasured it is!
i'm so curious about the witch book she wrote! maybe one day i'll luck out and find it somewhere (and pay a reasonable price for it)!
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This story is centered around Sara Dunstan, whom is still grieving over her adopted son Steel Brightblade three years after the summer of chaos. In the begining, she is living as a exile from the Knights of Tahkisis, and is pretty miserable. Then she starts having some dreams that call to her for help. Eventually, she sets out to find the source of the dreams and comes upon a wounded and riderless blue dragon whom she nurses back to health.
Thats all I'm telling you about this book. But It was page turning. I just added Mary H Herbert, to the list amazing Dragonlance storytellers, right under Richard A Knaack, whom we all know is the best. I Cannot wait to learn more about the "Leigon Of Steel" which is founded in the end of this work!
By Huma's Shield, this was a Fantastic Book!
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Buzzeo's poetic language convey's the emotional mood perfectly. She carries the reader along for every heart-stopping moment, from the first crashing of the storm to the catch-your-breath scene when the baby is found by the lighthouse keeper and his lonely daughter, to the very satisfying conclusion at the end of the story.
Grandpre's stunning oil paintings are the ideal visual for this poignant story.
Toni Buzzeo's story opens with a small girl and her elderly aunt holding a dream in their hands - a care-worn photograph of a newborn the girl's parents have gone off to bring home. While the girl, an only child, waits with longing, the aunt tells her how she got her own sister, generations earlier.
The aunt's story is a Maine legend - based on an actual shipwreck that occurred off the coast in the mid-1870s near Southport Island. The ship went down, but one bundle tossed into the gray waves bobbed and rolled until it reached shore, near Hendricks Head Light. The keeper found it - a collection of feather mattresses fastened together with rope. Inside, there was a baby, still alive, with a note from the captain and his wife, "committing the child into God's hands."
Buzzeo's dramatic retelling of this legend is well-served by the vivid, engaging illustrations by Mary GrandPré, best-known as the artist who brought Harry Potter to life in the American editions of J.K. Rowling's series. GrandPré, who lives in St. Paul, has a warm style that makes an isolated island in the North Atlantic look like a jeweled place to live.
Buzzeo has paced the story expertly, creating mystery and one turn-of-the-page that is certain to produce a gasp from unsuspecting readers. This is a beautiful book to share with a child. The language is lyrical and demands repeated readings, but it is one of those rare picture books many parents will not mind reading over and over again.
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The heroine isn't bad, but the hero is delightfully complex, and just this side of delectable. The whole book was utterly realistic until the end, which I thought was a bit stretching reality, but that's really the most I can find to complain about. This book was absoloutly wonderful.
I'd recommend this to someone that wants a romance with realistic characters and a good plot. This author's writing is very good.
Reginald's character is written so well - it's as if MJP was able to get inside the head of an addicted person and those around him who either collaborate with the addiction, or try to neutralize it. This story has credibility and depth, and is one that I'll be recommending to my friends. Excellent job.
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the death of Queen Victoria.
Every reader will be drawn into the honest and readable writing
style of Vera Brittain, who remembers the time of WWI when she
served as a nurse. As many other reviewers say, her momoir is simply stunning and even shocking in its description of her experiences during the tribulations. Though the some
descriptions about the hot, (or chilling) dirty hospitals, wailing patients, or stupid supervisers are understandably subdued, her feelings reacting to these surroundings are always touching, and sometimes even with some witty remarks.
On top of that, I was impressed with her daily way of life, which expeienced the rigid Victoraimism before the comrapatively free, modern post-war era. Some episodes are remarkable in telling us how a young woman had to live in a provincial town in England at the turn of the 19th century, when a die-hard Victorian conservative moral codes were still prevalent. In fact, Vera, rather humourously, recounts how travelling alone by train could be inappropriate for a lady at that time, and how she had to arrange the meeting with her love, Roland, using some skills.
Moreover, some readers may find this book interesting in different way;
that is, as this book was written during the time between WW1
and WW2, you get a strange feelings that something is missing
from the book that should have been there. For example, Hilter
is mentioned only once, but not the Nazi, and the name of
fascism appears, but very briefly (though she records one
episode in Italy which predicts the future events).
And the League of Nations, for which she passionately devotes
herself, was, as you all know, to collapse. Considering the
book alongside with the history WE know, the book becomes all
the more fascinating just because of the things the book could not tell at the time of writing.
And this strange sense leaves me wondering -- "What did Vera
Brittain do during the next world-war?" "How did she respond to
WW2 and possibly other big events in the world?" This is the
reason I didn't give 5 star rating, because the text itself is brilliant, the book gives me little information about the
author (anyway I will find it though, but...). Though a short
introduction by her daughter is attached, we know little about
her, and that is a shame, because this book is deserves much wider
range of readers, from those who remember the war to the students of Victorianism and feminism, and her life would
interest all those readers.
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Nick, the hero, is complex but approachable and I liked him from page one right through to the end. The heroine, Clare, is smart, funny, and practical.
Although this book touched on some social issues: the work conditions of Welsh miners, the strict mores of early Methodist churches, racial discrimination against Gypsies, the interaction between Nick and Clare saves the book from being too dark.
For fans of Mary Jo Putney I highly recommend reading Thunder and Roses, the writing is fast paced and interesting. The plot remains solid, and Ms. Putney does a great job of bringing in the other 'Fallen Angels' as secondary characters, but keeps the main romantic focus on Clare and Nick.
So far, this is the fourth Putney book I've read and she's yet to get less than five stars. This one, however, would get ten if they were available. The book is full of tension, anguish, emotional moments to bring a lump to the reader's throat, moments when there is no option but to gasp in admiration at Putney's skill. I actually felt a sense of loss when I reached the final page: I wanted this book never to end. And I couldn't resist going back and re-reading some of my favourite passages there and then.
Nicholas is a deeply cynical, embittered man in his thirties, who has no intention of taking an interest in anything beyond casual affairs and other such pleasures. But Clare has other ideas for him: she demands that he do something to prevent the inhabitants of the local village from either starving or getting killed because of the appalling working conditions in the local coalmine. Nicholas just wants her to leave him alone, so he suggests a bargain he's sure she'll refuse: her reputation in return for his assistance. But she accepts him, along with his condition that he is allowed one kiss per day and that he will make every attempt to seduce her.
He keeps his word, in every respect, and soon Clare learns that while the Gypsy Earl takes his responsibilities very seriously, he also takes seduction extremely seriously. She's soon wondering just how long she can resist his advances and her own attraction to him....
In this book we also meet the other three Fallen Angels: Rafe (who has already appeared in the - chronologically - earlier The Bargain), Lucian and Michael. Michael in particular plays a significant cameo role in this story, which has left me eager to read his own story. Putney has created some delightfully complex and intriguing heroes here, and I'm looking forward to exploring them in greater detail.
Putney, in addition, has clearly put a lot of time and effort into research: she is head and shoulders above most US Regency writers in this respect. If it wasn't for the use of US spelling conventions, I would never know I was reading an American writer. The detail in respect of Methodism, the coalmining industry, the Napoleonic wars, societal conventions in the early nineteenth centuty and so on is both accurate and interesting.
Sure enough, this was no children's book. What Richard Adams did for rabbits in Watership Down, Mary Stanton does here with her horses. The antagonists are truly evil in ways most storybook villians only aspire to, and the equine mythology/religion thoroughly detailed. My only disappointment was in thinking this masterpiece was a one-shot wonder, a belief that was thankfully proven wrong by the discovery of this book's more epically titled sequel, "Piper at the Gate"
NOT for young children (say, under 13). Anor the Executioner will give them the screaming meemies, and Anor's master (the equine analog to the devil) will give them nightmares (no pun intended) for weeks. But a MUST READ for anyone over the age of 13, whether you like horses or not.
NOTE: Due to the dark and supernatural nature of the storyline and antagonists, I'm tempted to catagorize this one under "anthropomorhpic/horror" instead of fantasy.