I am very pleased with this book as far as the content. As a Clinical Psychologist who works with bereavement issues, I think the exercises and handouts contained in this look very good and very applicable to people dealing with grief and loss. I was very disappointed though, to have paid $40 for a book that was listed and described as bound, and I received only loose pieces of paper that I now have to find some way to bind myself. Be aware that this description is inaccurate and I don't think it would have hurt the publisher to spend a little bit of money binding the handouts. Even if it was cheap binding, I'd feel better about paying $40 for somthing that was bound than loose pieces of paper!

These handouts are a godsend. I use them in my bereavement support groups and am able to use some of the handouts with other groups/individuals. I am pleased they are not bound as they are easier to reproduce. (pages are numbered and there is a contents page) Pfeiffer provides practical, concise and poignant information that is essential for the bereaved. As a professional counselor I send a copy of Pfeiffer's Book: A Different Season to clients/members of my church who have lost a loved one.

I have used these reproducible handouts with clients who are grieving, for the bereavement support group I facilitate, and as an adjunct to Mr. Pfeiffer's book "A Different Season". Each topic is so appropriate to the grieving individual--topics such as "anger", "depression", "how long will this grief last", and what to do with "possessions" of the lost loved one. I have recommended this to other therapists, bereavement group facilitators, and even a local funeral home. I also have utilized some of the handouts as assignments for clients in between sessions. I highly recommend it!

An excellent biography on John Dillinger. The authors did their homework well! The book features the outlaw's life from beginning to end and it would be an wonderful edition to any Dillinger reader's book collection.

Dillinger : A Short and Violent Life by Robert Cromie and the late Joseph Pinkston is genuinely the most accurate book ever written on the life of John Dillinger. This book gives a detailed account of Dillinger's early years with his family leading up to his bank robbing criminal career, amazing escapes and his execution by Federal Agents on July 22, 1934 in a dark Chicago alley. I give this book with five stars because of it's accuracy. I highly recommend this book to anyone interested in learning the true facts surrounding Dillinger's life as the most wanted man in America.

This is the best of all Dillinger biographies. Forget the speculative fiction of Jay Robert Nash. From birth to violent death, this is the most detailed and accurate account of John Dillinger's life and crimes. The research for this book was done by the late, great Joe Pinkston, a wonderful man and scholar who had researched Dillinger and collected artifacts on America's only real Public Enemy Number One since his own childhood in the '30's, eventually turning his lifelong fascination into the John Dillinger Historical Museum formerly located at Nashville, Indiana. Only slightly marred by the lack of source notes or index, this book is still a handy reference work, the proper beginning for any student of Dillinger and a priceless addition to any crime library.

This book as with " A White Sport Coat and a Pink Carnation " pack a lot of emotional impact.This book defines what a leader of men, such as Marines, should do. He "must always make a decision, right or wrong but must make a decision." A must read particularly in light of 9/11/01!

It warms my heart to know there is still some good in the world. This is a great book that should be shared with your whole family. Thank God we have people who value Duty, Honor,Country!

A Heart warming story about good friends and their interrelationships, set in a background that is historically accurate. The story-line is timely in lieu of the 9/11 tragedy.Also,It is the sequel to 'A White Sport Coat and A Pink Carnation.'

As a person who appreciates drinking wine I keep looking for books that will help me appreciate it even more. As soon as I started thumbing through this book, I knew I had found a winner.

While the book doesn't go into any great depth on the many aspects of wine, it does give the reader a foundation in just about all the topics that make wine drinking enjoyable. In a very short period of time, the reader will know how to select, buy, store, and serve the right wine for the right occasion. It won't make you an expert, but, it will give many of you a way to make a wonderful hobby even more enjoyable.

I highly recommend this book to most people who enjoy drinking wine.

Firstly, I don't even indulge in drinking wine, but have been known to toss a bit here and there in my cooking. I'm interested in the variety of wines on the market I can use in cooking and enjoy reading about the history and tastes of various wines so I know what flavors they will add to dishes I am preparing. Will the hint of blackcurrant or bouquet of melon pair with the dish? Will a cheaper wine do or should I buy a more expensive wine?

"Some classic French dishes, such as coq au vin, rely on wine for their flavor, just as others rely on mushrooms or oranges or rosemary. Some require wine to be slowly simmered with beef...so that the flavors become absorbed and transformed; other dishes, and many sauces can be given a life if a dash of wine is added near the end of cooking. If you do the latter, don't overdo the quantity."

With that said, I have the experience of pouring vermouth on a baked chicken and then I closed the oven and I distinctly remember the oven door flying open all on its own as my right arm was completely hair free but not burned in about 1 second. Let's just say, I won't be doing that again. So, cooking with wine also has certain, shall we say...responsibilities.

The KISS books are my favorite "topic" books as they delve into the rich details of any topic they present. You also get the benefit of Trivia, definitions and internet links. This book presents the reasons why wine has been such an important drink throughout the history of human civilization.

After reading this book, you will also be able to tell one wine from another. Are you stocking your cellar or just choosing a wine for immediate use? And how does a grape become a Merlot? You will know why European vines are grafted into American rootstocks and why a great wine will always be a combination of science and art.

Essential Reading for Food Writers, Cookbook Authors and
anyone who wants to learn the language of wine.

KISS puts out many "Keep it Simple Series" books that cover topics in an easy to understand manner. In this guide, a big-nosed dog helps you through the tasks of understanding and learning about wines. It does its job well!

The book begins with the basics - the history of wine, what wine is, and a brief overview of wine and health. Then it moves into section 2 - learning how to taste wine. It talks about the basic moves involved, and then gets into the flavors you will find. It goes into acidity and sweetness, with simple explanations of both. It even goes into what you should NOT taste in a wine, and describes what a 'corked' wine is like. It points out that cork bits floating in your wine do NOT cork it, and that this is perfectly harmless :)

Another area tries to explain styles of wine by comparing them to celebrities - from Shirley Temple to Arnold Schwarzenegger. It's an interesting exercise, although not all readers will have seen movies with all of the people mentioned!

The book goes in to how to buy wine in stores, how to store it, and how to serve it. It then goes into the main grape varieties, and how each differs from its relatives. And then it gets into the meaty last portion - the region by region reviews. It goes through each - France, Spain, Italy, the US and others - with interesting facts and history, plus recommendations for what to buy and try. It discusses how Chablis should come from France and Port from Portugal, and what to beware.

The end area has a glossary of terms, vintage charts and other handy references.

While it doesn't give you much information about any one topic, this is a great way for a newcomer to wine to gain a solid grounding!

I hate Blake. He and his Zoas and Los can go suck the ample breasts of Albion's emanation Jerusalem. At least Joyce (the only other person I know with this personal mythology splattered out for everyone) had a sense of humor. This guy, though.
Nevertheless, the illustrations are something, and there is something in the poem, I don't know exactly what it is (nor does anyone else, regardless of how convoluted and esoteric their arguments), but I'm convinced that in order to understand the least bit of these poems, you must read them all. Study them, in fact. The notes in this version are very good, and the extra illustrations are great, particularly the painting of Adam and Eve discovering Abel with Cain running off covering his newly marked forehead. Also, there is a large Lacoon, undoubtedly Blake's best thing. (I don't want to call it a poem, painting, or even "work" for some reason).

Try as I might, I haven't come up with the blend of radical individualism thwarted by universal awareness which would make this kind of book an intellectual treat for most people. I have read the poems by William Blake (just a few thousand lines, really) that are in this book before, and I even compared the abridged copy of his poems which I've had for years with a complete text from the library to discover what I could about the process of selection. Most of this is still a big mystery to a lot of people, and buying this book was my first attempt to get the whole picture of what a lot of professors might think about a single work, which is printed on plates numbered 1, then 1 to 8, 8*, 9 to 32, 32*, 33 to 46, then a Preface, copy B, plate 2, and even a plate f, followed by variations of the pictures which were on plate 13 and other Supplementary Illustrations. I had some trouble making out words on the colored plates, so the most educational part of the book for me is the printed text with notes from pages 111 to 217.

Milton is a great figure in English literature, and the great poems which place Satan and God in a struggle that makes Adam and Eve seem like minor characters are the intellectual context for Blake's effort to write a poem using Milton to write about things that minor characters wouldn't even want to talk about. Things don't really start happening for me until plate 12, "According to the inspiration of the Poetic Genius/Who is the eternal all-protecting Divine Humanity" that Milton actually rose up and said, "I go to Eternal Death!" Don't expect to meet anyone saying such things on our streets. This attempt to be instructive in the art of self-annihilation produces one of the great intellectual puzzles of eternal questions, which attempt not to apply to a particular place and time. My appreciation of John Milton and William Blake is more concerned with their ideas than with artistic techniques. The importance of Blake was suggested, more than it was demonstrated, by Theodore Roszak in THE MAKING OF A COUNTER CULTURE, Chapter VIII, "Eyes of Flesh, Eyes of Fire," which observes that a "perfectly sensible interpretation . . . would tell us, for example, that the poet Blake, under the influence of Swedenborgian mysticism, developed a style based on esoteric visionary correspondences . . . Etc. Etc. Footnote." (Roszak, p. 239). What really impressed me was the intellectual context established in the Bibliographical Notes, at the end of THE MAKING OF A COUNTER CULTURE, which states, "Anything Blake ever wrote seems supremely relevant to the search for alternative realities." (p. 302). The radical element of that thought needs to be understood in a way that affirms the religious significance of what Blake was trying to accomplish, and other scholars might overlook how this search in Blake's work might oppose their own assumptions about our cultural inheritance. Harold Bloom, in BLAKE'S APOCALYPSE, (1963, shortly before the radical part of the sixties) said "The dark Satanic Mills have nothing to do with industrialism, but" poetically pick the most common example for why those who are bored might want to complain of "The same dull round, even of a universe, would soon become a mill with complicated wheels." (Bloom, p. 305). There are a lot of names to explain, as Bloom does in his book, and the scholars employed by Tate Gallery Publications for the production of this book display an extraordinary amount of work on this project for that purpose, and the intellectual puzzles are what remains mysterious even after learning what knowledge is available.

At the heart of the poem, "Milton," is the question of what such a character might mean to William Blake, and how, long after Milton's death, he might be of some use. A lot of works have been written to give an author the opportunity to say something that he wouldn't have otherwise had a chance to say, and this book seems to be one of the unique cases of a work which tries to say something that no one else is saying. Instead of treating Milton like anyone who had been dead for more than a hundred years, the treatment of Milton's thought also supposes that it exists through an "Emanation, Sixfold presumably because he had three wives and three daughters." (Bloom, p. 308). Bloom thinks this book is a result of "a complex relation of responsibility to what he has made, though his creation is in torment because scattered through the creation." (p. 308). After John Milton had become blind, his wives and daughters represented a tremendous portion of his remaining contact with the world.

Walter Kaufmann, in LIFE AT THE LIMITS, considered a sonnet by the blind Milton about a dream in which one of his wives, who had died, was seen by him "Brought back to me like Alcestis from the grave." The reality expressed in the final line of that poem, "I wak'd, she fled, and day brought back my night," seemed to Kaufmann to be "the most powerful last line of any English short poem." (LIFE AT THE LIMITS, p. 75). Blake approached this situation, in which picturing another person might be considered the strongest link with any reality, with what modern readers might consider an unctiously religious picture on plate 15, with the caption (explained on p. 139 with, "The giving up of selfhood to achieve a more inclusive sense of self is essential for the artist to create" which isn't so scary if it is only applied to artists and monks): "To annihilate the Self-[there is a foot here in the picture]-hood of Deceit & False Forgiveness." Then plate 16 starts with "In those three females whom his Wives, & those three whom his Daughters/Had represented and containd. that they might be resume'd / By giving up of Selfhood:" This poetic division of a single poet into six male-female relationships is the most surprising thing in the poem, for me. Trying to apply it to religion states a much more radical understanding of what religion has to offer than most people expect if they merely go to church, which seems to be one of Roszak's points about how our culture accepts religion by making it strictly mainstream, totally "God Bless America" as the most popular current phrase goes. Much of the scholarship on the creation of Blake's large works notes how uncommercial it was in Blake's day, as "Hayley discouraged him from anything other than `the meer drudgery of business' (p. 14)" and this book tries to make that picture perfectly clear.

In one of the few small works at the end of this book, Blake complained:

The Classics, it is the Classics! / & not Goths nor Monks, that / Desolate Europe with Wars. (p. 264)

I feel the same way, complaining about some books, but Blake assumed a society in which people were actually being taught things like a Platonic belief in forms, and the Classics were a large element of what seemed bad to him. He might have felt differently if he ever had a chance to observe our formless void, where any claim to wisdom is highly suspect. We can only look the other way.

Princeton University Press has thoroughly impressed me with this series. Using higher quality paper than I've ever seen in publishing, along with an unheard-of *six* color printing process, they have reproduced the colors like never before. In addition to the color plates, a full reprint of the text is included in typescript, as well as informed and thoughtful commentary. Well done! Too bad the hardback is out of print (or was at the time of this review).

I liked this book. I would really give it 4 and 1/2 stars. It's interesting, educational, and fun if you are the type who is curious about the psychodynamics of human behavior. Most people just want a pill to cure what ails them, but sometimes the only cure is finding out what is really going on in the mind. This book gives you some insight into that mysterious and fascinating world.

I read this book under its previous title, "The Pornographer's Grief," and am glad to see it has been re-published under the title "Sexual Mysteries" (a better description of its contents). This is a charming book of insightful stories from the author's general psychiatric practice. Each of the chapters discusses a different patient in dialogue form. While these are true stories of therapy, they are so well written they read like good fiction. They provide an unusual opportunity to look in on someone else's life and their problems, how those problems play out in their sexual life (or how they are manifested in sexual symptoms), and how the problems are solved through therapy.

For example, the chapter called "The Acrobat's Stocking" tells the story of a man's longstanding problems with using a condom. Through therapy the man discovers the psychological roots of, and solves, his problem. Some of the other chapters are titled "The Pornographer's Grief" (exploring the psychological roots of a man's addiction to pornography), "The Woman Who Thought Her Orgasm Was A Gift," "Don Juan's Regret" (about a womanizer coming to terms with his behavior), and "Sexual Appetites" (about a bulimic college student and unconscious sexual elements of her binges).

"Sexual Mysteries" is easy-reading but intellectually stimulating. I recommend it highly.

As a graduate student in counseling I found this book fascinating. (It had the same effect on my fellow classmates) Many of us wrote reaction papers on different chapters plus we spent quite a bit of time discussing it in class. Initially I was shocked by the material, later I was in awe of where the counselor went with the clients.

This text is the first word in Biomedical Ref. It is arranged in a user friendly manner and is filled with useful data. The ethics section is a plus for ISO compliant users. Charts, formulas, and frequently used Engineering terminology abound. This updated version is a vast improvement over the 1995 edition.

This handbook provides the reader with an excellent overview of what Biomedical Engineering is and what are the trend that we can expect in the future.

The handbook covers 18 different sections, each one containing about 6 different topics. At the beginning of each section there is a short explanation of the main issues that will be covered.

Although the Handbook will not be useful for an expert in one of the topics, it will certainly be useful to explore different areas in Biomedical Engineering for professionals, or students who need a brief but concise and depth analysis for a particular topic.

As a quality assurance manager whose educational background is in management rather than engineering, I had the privilege of using this book as a college text.
I cannot say how well I would have fared by using this book as a stand-alone tool, but it was a valuable tool in my college Design of Experiments course.
We use DOE to a point in my company, a plastics molder. In our business, however, many quality inspections are of the attribute properties, such as appearance, rather than actual, measurable variables. That is no fault of this book; however, it is frustrating that I am not able to utilize DOE more.
The book delivers its message fairly clearly, keeping in mind that I went through it page by page with an experienced instructor. It is not necessary to be a mathematical wizard to use this book, although an understanding of basic statistics would be helpful.
Anyone involved in a manufacturing operation with mutliple variables in the process would be advised to learn more about DOE, and this book would be a valuable resource, particularly for those with an engineering background.

This book was recommended to me by a quality manager of long experience and it was a very good recommendation. Having aquired an engineering degree before DOE became very widespread, I have largely had to educate myself in DOE methodology. "Designing for Quality" is written in plain language and has easy to understand directions and tables to use both in designing your experiments and analysing the resulting data. With this book, I planned, conducted and analysed data from several experiments before I ever had the assistance of a knowlegable practitioner of DOE. When I gained such assistance, I had my results and conclusions from these experiments confirmed. I am now Quality Manager for a plant of 650 employees and when I need to teach DOE, whether to an experienced engineer or a novice technician, "Designing for Quality" is the text I always use.

There is hardly any significant fact about viruses that missed-out in this edition of "Fields Virology". Page after page, this sound all-inclusive reference doles out authoritative information on both viruses and viral syndromes. From taxonomy to etiology, metamorphosis to replication; the analyses of this text is grand. The same applies to its attached CD-ROM. Its practical outlook was intended to benefit both microbiologists and pathologists. Bernard Fields and his colleagues made their mark with this book. It is a great effort.
However, most botanist may not be pleased to know that little attention was paid to plant viruses. Again, many potential buyers may be demoralized by the rather high price that this virology-set demands.

It covers all fields of virology. Perfect and wonderful ! Easy to understand. I really recommend this book to who is involved in biology

The photographs are excellent, but the index sucks. It is poorly organized and incomplete. Take my advice and buy this book for Neuroanatomy just for the pictures. The paperback edition is very afforadable. Just put lots of little flags on the pages or sections you use most. It will save you much brain-ache.

Hanaway's brain atlas is best neuroanatomy atlas for medical students in pre-clinical level. Its photos and illustrations are very clear and easy to understand. And it is good for self study.

"I will certainly use [The Brain Atlas] to teach our residents in neuroanatomy and will encourage them to purchase the book as well." --Volker K.H. Sonntag, M.D., Barrow Neurosurgical Associates, Ltd.