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One immediately gets the sense that this is a very personal endeavor for Salvatore (the lead character is named Gary, after the author's brother; his girlfriend, who appears later in the series, is named Diane after Salvatore's wife; the dwarf, Geno, shares his name with Salvatore's son, etc.). The premise is certainly a winner. A disenchanted fantasy addict from 'Real-earth' (aka, our world) happens into a fairy tale world (or, in other words, a generic Middle-earth clone), and winds up embroiled in a Hobbit-like quest to slay an evil dragon. Unfortunately, for everything "The Woods Out Back" gets right, it gets something else quite wrong.
On the positive side of the coin, Salvatore delivers some vivid characterizations (all save Gary, the somewhat bland everyman of the trilogy). His action sequences, while overused, are up to his usual standards. And, as per Salvatore usual, the writing is colorful, even if his prose is sometimes awkward. It's also clear that Salvatore was passionate about this work, and it shows. "The Woods Out Back" is definitely endearing, and fantasy buffs should find it instantly relatable.
However, it is a flawed novel. For starters, Salvatore often has his characters dispute J.R.R. Tolkien's classic, "The Hobbit." "If your Mr. Tolkien knew anything about trolls, he'd know that sunlight doesn't turn them to stone!" says one of the leads (though not in those exact words). I find this unsavory, for it seems, despite his obvious respect for Tolkien, that the author is trying to convince the audience that his world is the TRUE Middle-earth. Forget that "The Hobbit" and "The Lord of the Rings" are far more believable and enchanting than "The Woods Out Back." On top of this, despite being a fairly brief read, "The Woods Out Back" seems overstuffed with useless segments - the action scenes, while superbly well-crafted, are repetitive, for instance. Salvatore is often in the habbit of repeating himself as well, and he does so here as per usual.
"The Woods Out Back," like others in the series, suffers from an unbalanced tone. For example, one moment the death of an enemy goblin may be intentionally comical - but the next moment finds Gary lamenting such a kill. I also feel Salvatore missed a golden opportunty to insert some underlying message, given the premise of the tome - and while one feels that Salvatore is attempting such a message, it's muddled at best. To top it off, there are small annoyances such as Gary's manner of speaking, which is completely unrealistic for a 22-year-old American. And what of Faerie (or the generic Middle-earth, so to speak)? Is it truly a place of fantasy, as Salvatore implies one moment, or a place of brutal reality that rivals our own, as he also implies?
In the end, though, "The Woods Out Back" is Salvatore's finest work outside the Drizzt Do'Urden novels (which will forever be his magnum opus). It's a good, solid read, although not without its glaring flaws. Still, I recommend it to fans of the writer, and fans of the genre in general. It's no ground-shaker, but it's good for a vibration or two.
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As another reviewer mentioned, over the course of the previous ten novels, the characters and their mannerisms/characterizations have been fairly static. With this novel, Salvatore attempted to breathe new life into some of these characters. Wulfgar journeys on his own to fight his inner demons. Entreri sees himself for who he truly is and what the driving factor is in his life. Jarlaxle is also developed more and has become an even more sinister and deadly foe.
This book is broken into three main sections: Wulfgar's journey, the Entreri/Jarlaxle teaming, and the travels of the remaining members of the Companions of the Hall. This was obviously written in such a manner to lead into the following two novels: "Spine of the World" to further Wulfgar's story and "Servant of the Shard" to further the Jarlaxle/Entreri story.
While still a good read, it's not up to the standards set in the earlier novels, especially the first two trilogies. Maybe Salvatore thought his characters were becoming too static and in order to continue the series, changes had to be made. The first part of the book dealing with the encounter with the giants was classic Salvatore. However, the middle third of the book tended to drag a bit as the book was split into the three sections. However, the ending, while predictable, was action-packed and entertaining, even though the fight scene was essentially a rehashing of prior encounters.
R.A Salvatore, one of the most talented and amazing authors for the Forgotten Realms series, leaves us utterly astonished once again in this spellbinding novel.
The book is so detailed, the combats, the scenarios, the characters, everything can be pictured so clearly in your mind that you unroll your own movie as you read along!
The captivating novelist, R.A Salvatore, is especially known for his great writing abilities during battles, however that is not his only great attribute in this novel. The readers are magnetized and enchanted by the book, and that I believe, is the work of the persuasive author.
Salavatore's signature character, Drizzt Do'Urden, is included in "The Silent Blade" and so are his riveting companions: Wulfgar the mighty barbarian, Cattie-Brie with her remarkable bow, Regis the hypnotizer, Breunor the dwarf and Drizzt's powerful cat, Gwenhwyvar. Powerful enemies also lurk about the Forgotten Realms, and these include the deadly assassin Artemis Entreri, the cunning drow, Jarlaxle, and his apprentices, Kimmuriel Oblodra, the psionist and Rai-Guy the wizard-cleric. However the most manipulative and powerful enemy lies in a simple artifact, the Crystal Shard, Crenshinibon!
The theme of the book is very interesting and keeps readers in the book. The motif of the novel concerns dilemmas. The characters have many problems that they try to rid and resolve, however, doing so is no simple task.
This is one of Salvatore's greatest books and I highly recommend this book to anybody who enjoys fantasy and dungeons & dragons novels. If you ever have read a book from J.R.R Tolkien, such as the Hobbit or the Lord of the Rings, then this is also a book for you.
The cruel demon, Errtu, is also featured in the stimulating novel, but only as a character from the past that still, emotionally, torments Wulfgar. Drizzt and his companions are worried for their friend, and at the same time, must keep an eye on the demoniac artifact, Crenshinibon. All of these dangerous and difficult obstacles occur while Artemis Entreri, the deadly assassin, allies with cunning drows to form an army in the streets of Calimport, and wishes revenge on his superior. It is up to you to help Wulfgar and Drizzt in an amazing battle!
Hurry and purchase this gripping novel, and pick up your blade and enter the fascinating Forgotten Realms dimension!
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Two things that Salvatore is brilliant at: characterization and battle scenes. Drizzt has got to be one of the most interesting, three dimensional characters in all of fantasy. He is passionate, caring, and introspective. It is a joy just to read his philosophizing on how he lives his life. The supporting characters are all individualized with their own quirks and passions. The interactions among them are at times a joy to read and, at other times, very frustrating, mainly because we come to care for them.
Salvatore's fight scenes are probably the best I've ever read. His description, though detailed, his very fast paced. Every time I read one, my heart races and my hands shake. It is pure brilliance and this book is no different, except for the fact that there are more battles in this book than in any two of the previous books.
If you are a Salvatore or a Drizzt fan, you're going to love this book. If you haven't read any of the Drizzt books I mentioned above, I suggest you start there so you can get the full appreciation for this one.
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This is a good book for a lightweight read.
The plot is fairly thin and there is absolutely no character development. There is nothing in-depth or challenging about this book at all. It's also a shade shorter than a normal Dark Elf novel (barely reaching 300 pages).
However, having said that, the writing syle is good (usual Salvatore) and it is fast paced and easy to read.
The book seems a little rushed (which would explain the solitary plotline and limited descriptions). It's almost as if Salvatore has too much work on his hands at present! He's writing his second Demon Wars trilogy (releasing a novel a year), he wrote the Star Wars II novelisation during this period - as *well* as his contracted 'novel per year' in the Dark Elf saga.
In addition, he is busily writing a TV treatment for a possible 'Forgotten Realms' series.
With all this work it isn't suprising that one or more areas are left a tad thin.
I gave this book 3 stars - and it's mainly for the standard characters and writing style. It's far from his best work. Hopefull the next installment will be back up there with the earlier novels.
To his credit, the author resolved and wrapped up many hanging treads left throughout the series.
The characterization of the pirates was wonderful, but the opponent Salvatore lined up for Drizzt came of as a shadow of Entrari. I felt that he could have completely left this character out or developed someone within the pirate crew to cover the need for a dramatic closing fight (Salvatore's greatest strength).
If Salvatore continues to write books with the Heroes of Mithiril Hall (which I pray he does), I look forward to seeing who or what he comes up with to challenge the party.
Bottom Line: A good book, and worth the wait. Even Salvatore's B work is better than 90% of the rambling epics on the fantasy market.
To his credit, the author resolved and wrapped up many hanging treads left throughout the series.
The characterization of the pirates was wonderful, but the opponent Salvatore lined up for Drizzt came of as a shadow of Entrari. I felt that he could have completely left this character out or developed someone within the pirate crew to cover the need for a dramatic closing fight (Salvatore's greatest strength).
If Salvatore continues to write books with the Heroes of Mithiril Hall (which I pray he does), I look forward to seeing who or what he comes up with to challenge the party.
Bottom Line: A good book, and worth the wait. Even Salvatore's B work is better than 90% of the rambling epics on the fantasy market.
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