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He manages to create one of those characters that you love despite (because of?) his faults, and he surrounds him with a great supporting cast and many subplots. I recommend this highly to anyone who likes Barrie's work (or as an introduction to it).
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It's a solid general reference on the physics of sound (music in particular) from instrument through air to the ear. It predates cognitive science, it doesn't address that.
Also recommended: PENTATONIC SCALES FOR THE JAZZ-ROCK KEYBOARDIST by Jeff Burns.
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I read this book because I watched the movie from Disney called "The Sword in the Stone." It sparked my interest of knights and I was fascinated with the Middle Ages ever since. Then when I went to the library, this book was the only one about King Arthur that wasn't checked out, so I read this wonderful recount of the amazing life of Arthur.
I recommend this book to everyone above the age of 9. There are some "not so good for children parts" in this book. If you are a child who wants to read about King Arthur, then you should choose this book. If you want something that is easier, I suggest you not to select this book since it is kind of a hard book.
The medieval setting is painted in a rather idealized fashion, limited to the nobility and figures of the court, who embrace all that is beautiful, brave and noble. These virtues are sometimes portrayed rather simplistically, as unknown knights engage in mortal combat, and only after they have virtually killed each other do the introductions begin: 'What is your name?' Behind this medieval mayhem is a heightened sense of chivalry more reflective of legend than fact, where knights battle to the death for the sake of a woman - even one they have only just met. But isn't that what the Arthurian legends are all about? Nobody is under the illusion that they are to be taken too seriously. Journeying to Arthur's Camelot is a form of escapism - suspend your sense of disbelief, watch the flashing swords and fearful battles, and enjoy.
That's not to say that the Arthurian tales do not reflect any reality. Arthur's world is in many respects a real medieval world. Medieval beliefs in paganism and Christianity are evident throughout. Witchcraft and enchantment is presented as alive and deadly, and conversely the true religion ' in this case the beliefs of the medieval Catholic church ' is evident throughout as knights commend themselves to God in prayer, thank him for his help, and even repent from their sins. The whole notion of the Holy Grail is of course a very Christian tradition ' although a tradition that represents more fiction than fact. And the moral virtues of justice, truth and right for which the honorable knights fight are still noble ideals of virtue today. Arthur's kingdom is presented as a kingdom blessed by the grace of God, a beacon of light symbolizing all that is good and true and right, and a worthy model for kingdoms in today's world because it revolves around timeless virtues. Tales that promote dignity, courtesy, courage, respect for right, respect for female dignity and purity are as ennobling as they are entertaining.
How much truth there is behind the Arthurian tales will always be the subject of debate. The fact remains that there is an extensive and confusing body of legend to wade through. In this 1923 work, Knowles has essentially followed Malory's fifteenth century classic 'Morte d'Arthur.' Even his language is antiquated and tedious, but persevere because you will soon find that this an enjoyable and essential addition that heightens the heroic atmosphere of the story and gives the legend a fittingly majestic touch. But it is doubtful that Malory or Knowles have been successful in making a great deal of sense out of the confusing mass of legend, because it is not unified in a plausible manner. Those looking for a more readable or easier introduction to king Arthur would be better served by the works by Roger Lancelyn Green or Howard Pyle.
In the end these tales of King Arthur and his knights remains a hodgepodge of anecdotes with different styles that is sometimes hard to wade through. But that doesn't matter. This collection is primarily of historical value, in giving a true picture of the original legends as they have been transmitted across hundreds of years. Even if it's not always easy to read, it cannot be denied that Knowles has produced a very comprehensive collection of the Arthurian tales, and the unbelievable exploits of knights in shining armour will continue to entertain in the future just as they have done in the past. Along with the tales of Robin Hood, the tales of King Arthur are the most exciting tales that British history has produced. This is the stuff of legend, and it's worth a read.
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I'm sure there are deeper levels of analysis for this book - good books often do.
- johnny -
I'm sure there are deeper levels of analysis for this book - good books often do.
- johnny -
At Christmas time, a Green Knight enters Camelot and challenges any Knight of the Roundtable to smite him with one blow of a battle axe. The only catch is that one year hence the smiter must receive a similar blow from the Green Knight. Sir Gawain volunteers for this strange duty. He beheads the Green Knight who thereupon picks up his laughing head and reminds Gawain of his obligation & tells him to find him in exactly one year to receive the blow.
The enchanting adventure leading up to and inculding their subsequent confrontation is beautifully rendered by Raffel. The poem is exciting, humorous & deals with great themes: courage, honor, etc.
GRADE: A+
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The only reporter brave, or stupid, enough to face the professor's wrath and get the story is Edward Malone, young, intrepid journalist for the Daily Gazette. At a boisterous scientific meeting, Professor Summerlee, a rival scientist, calls Challenger's bluff. Summerlee will return to South America and prove Challenger wrong. The young journalist volunteers to go along. Lord John Roxton, the famous hunter, can't miss an opportunity to return to the jungle and adds his name to expedition. Professor Challenger is happy they are taking him seriously, even if they don't all believe him. But what will they find in South America? A strange, living time capsule from the Jurassic period filled with pterodactyls and stegosaurs? Or will they only find vast tracks of endless jungles and Challenger's daydreams? Either way there will be danger and adventure for all.
Sir Arthur Conan Doyle wrote "The Lost World" in 1912 for the Strand magazine, the same magazine that published his Sherlock Holmes stories. It's a great Edwardian science-fiction adventure, although some may not like the British Imperialism and Darwinian racism. Still, in "The Lost World" Conan Doyle lets his hair down a little. Changing narrators from the earnest Doctor John Watson to the rash reporter Edward Malone makes for a big change. There is a good deal more humor. The students in the scientific meetings are forever yelling out jokes at the expense of nutty Professor Challenger. Affairs of the heart play a big role in Malone's life. He matures from a young swain out to impress his girlfriend to more of a wistful man-of-the-world by the end. It is a very different Conan Doyle than some are used to reading. Different, but just as good, maybe, dare I say it, even better.
Doyle's human characters are described much more richly than Michael Crichton's minimally interesting protagonists in Jurassic Park (1990), so the story hinges as much on Challenger's eccentricities as it does on dinosaur attacks or Ned Malone's quest for validation of his masculine bravado. A weakness is the lack of female characters worthy of more than passing note. Ned's fickle and heartless girlfriend makes only brief and displeasing appearances at the beginning and end of the tale. Crichton does no better with females.
Hopp's Dinosaur Wars, published in 2000, does a much better take on genders, giving equal weight to a young male/female pair who brave the dangers of dinosaurs loose in modern-day Montana. It seems that even dinosaur fiction has evolved over the years.
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The lack of tactical detail could result from the fact that Fremantle, although a career military man had never seen combat until Gettysburg. It could also result from his desire to avoid aiding the north by giving away secrets while the war was still in progress. There are, after all, instances in the book where Fremantle makes it clear that he is not writing about all he saw for that very reason. Whatever the reason, I'm happy he left out the tactics for it would have only slowed down a marvelous account of Fremantle's trip through the Confederacy.
It is obvious early on that Fremantle is very taken with the south and some of his stories about happy slaves might reflect a bit of propaganda. Overall however, his stories of individual behavior are more than credible and drive home the point that this war was affecting the lives of real people, not historical figures. The stories of hotel keepers in northern territory that were hesitant to let him have a room until he produced gold coin for payment, the slave of a Confederate officer leading a Yankee prisoner by a rope tied around the poor prisoner's neck, and the several stories of southern women being far more antagonistic toward the north than were the men, all help bring the human side of the civil war to life. Reading Fremantle's account of General Lee's behavior as his broken troops returned to Seminary Ridge after the disaster now called Pickett's charge almost makes the reader feel as if they were there.
Read this book with a small grain of salt, remembering that Fremantle is writing this book in England while the war is still in progress. His anti-Irish bias kept getting under my skin but as with the rest of the book, you must keep in mind who is writing the narrative and when it was written. Overall however, I think the reader will find that Fremantle's observations are both entertaining and enlightening.
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Worth Reading, if your are into History.
P.S. I read this one for fun, not coursework
James MacKay gives a richly details account of the Scottish clime of politics that formed and fermented Wallace. It might be a little bit more than the average reader would be interested in (I would suggest Grey's book on Wallace in that case), but for those wishing to know more without wading through Blind Harry, this is a wonderful work.
A perfect gift to that friend that watched Braveheart more than once!!
While reading this book keep in mind that Mr. MacKay has little materal to work with from the time period. Most of his research is taken from materal that dates well after Wallace's death. Still by looking at this material along with what records do exist from the period he does a good job of telling us what probably did happen. In fact, this is probably as close as we will ever get to the real story. That is unless new records are found which is very possible. MacKay points out several places where in the future new records may be found including Rome where Wallace may have visited Pope Boniface VIII looking for aid for Scotland. It is known as a fact that King Edward did get a letter from the Pope about his treatment of the Scots.
This is a great read for anyone interested in Scottish history or anyone who enjoyed the Gibson movie. The reader will find for example that Wallace's wife was not killed before he began his raids. She was killed in fact while protecting Wallace. Let the movie make you wonder. Let this book fill in the gaps. Even for someone not into history at all this will be a joy to read.
His uncle, Captain John Ross, managed some of the most successful Arctic winterings-over of his time, as well as suffering some of the most appalling privations. (Captain John Ross' operant procedure for the prevention of scurvy deserves respect and praise.) At the same time neither of these gents was perfect in every respect, and Captain John Ross' career may be said never to have recovered from a premature decision he made to abandon a search for the Northwest Passage based on a disputed sighting of a mountain chain (later found to be non-existant) that would have made northerly progress impossible.
This book presents the accomplishments, and errors, of uncle and nephew in full recognition of their human failings and failures of judgment; but appropriately credits them for their accomplishments -- which are unexpectedly significant when seen as a whole.
It also traces the history of the animosity that existed between Captain John Ross and Secretary of the Admiralty John Barrow -- a relationship characterized by sometimes truly puzzling venom. It seems pretty funny now to read about the violence and vitriol with which the two of them spoke of each other in print, and there is probably something to be said about the cultural environment then versus now; but the conflict was very real, and had very real -- sometimes tragic -- repercussions.
This book may be very profitably read either by itself -- for the entertainment and interest it provides -- or in conjunction with Fergus Fleming's "Barrow's Boys," which also provides a window on the tension between Barrow and Captain John Ross (one is tempted to say, sometimes between Captain John Ross and the world).
It is a biography that covers a remarkable span of Polar exploration during the glory years of Royal Navy expeditions. A readable and intriguing study of the careers of two of the English-speaking world's more influential Polar explorers!