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Molly is a turn of the century Jewish immigrant girl from Russia. She lives in a small town, where no one understands her, and other children make fun of her clothes, and accent and her ignorance of American customs. In November, her classmates are appalled that she has never heard of Thanksgiving. But as we get to know Molly better, we, and eventually her classmates, realize that this child, who left her country and moved to America so that she and her family could practice their religion without fear is no different from the first pilgrims.
By the time they reach second or third grade, most children have heard the story of the first Thanksgiving many, many times. This is a wonderful way to renew the meaning of the story for them, by reminding them that people are still coming to American for the same reasons they came hundreds of years ago.
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Giverny is located to the north of Paris, and is connected to Paris by the rail line from Gare St. Lazare (which Monet painted several times). The view of nature we get there is a reflection of Monet's very French focus on creating gardens, a lily pond, and walkways that bring natural beauty into our controlled grasp.
I have had the pleasure of visiting Monet's home at Giverny several times since it was restored and highly recommend that you make this journey as well when you are in Paris. Your concept of Monet's work will be changed by seeing his working conditions. The grounds are primarily an extension of his studio, for making observations of nature easier. First time visitors will be shocked to realize that the lily pond was dug and expanded at great effort and expense by Monet. Without his persistence, we would be missing many of our favorite Monet paintings.
Throughout the time that Monet lived in Giverny, his eyesight deteriorated . . . mostly due to cataracts. As an artist friend of mine points out, that eye affliction greatly improved his painting by making it freer and less detailed.
He also pioneered many techniques of al fresco paining, such as creating an artist's studio in a boat for his famous river scenes. This enabled him to capture many unusual perspectives from the water to the river bank. Similarly, one purpose of the Japanese bridge over his lily pond was to give him a similar point of perspective.
The book contains a map of Giverny and Monet's property (purchased in 1890 after he originally rented it), and 81 works that he created in the area.
Missing from these reproductions are the famous water lily paintings that he gave to the French nation which are now housed in the basement of the Orangerie. Be sure you see them when you next visit Paris. Many people go to the Orangerie and never make it to the basement. These are among the greatest jewels of Impressionism.
You will be pleased to see the 25 works from the Musee Marmottan in Paris. These masterworks are also often missed by those who visit Paris because they do not know about this small gem of a museum and its superb Monet collection.
The reproductions are organized around themes: (1) river scenes (from the boat) (2) haystacks [sic] (3) poplars (4) river and fields (5) morning on the Seine (from the boat) (6) the Japanese footbridge (7) the Garden Path (8) early water lilies (9) the late series (my favorites are the rose trellises over the garden path) (10) pond subjects, and (11) late water lilies.
The end of the book also has a chronology of Monet's life and works that will help you integrate this show into his entire work.
You will come away with a new excitement and respect for nature from these images. You will also feel more connected to and with the beauty of nature. Your mood will be lifted, just as Monet intended. What you see will be uniquely yours, also just as intended. Monet pays you the ultimate compliment here of letting you participate in the creative process by arranging the work in your mind to fit your mental needs and perspective.
After you enjoy these images, I suggest that you come away inspired to make what you do more accessible to others. How can you make your life and your work easier for others to participate in?
Live in beauty!
Beyond the absolutely vivid and beautiful quality of the paintings displayed in Monet's Years at Giverny, I greatly appreciate the style of language used throughout the book. Unlike many major art books which often seem to forget about the layman reader, this book reads more like a beautiful story of his life providing great insight into his works.
In college, I was fortunate enough to see a collection of his Water Lilies in Paris. Although at the time I was amazed to see them, through Monet's Years at Giverny I came to fully appreciate them---Not only the paintings, but the man himself.
Excellent addition to any collection!
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Some of the highlights in the story include the "Infamous Playtrain Circus" At the first mention of it, the circus didn't sound so appealing but when you actually get to the surreal details of it you'll become memorized. Maddening drums! I love it! The kite fight match is fun. It opens up a great little subplot to the book and helps to broaden Sam's horizons in the underground. But I have to say, if you can follow it, the mystery is well built. You'll kick yourself for not figuring it out on your own.
The train passenger's are fun. There's no real deepness to them but I'm not sure that's necessary. I have to admit I found myself laughing at Antonio the Demon's jokes. They're supposed to be bad and I guess I thought that's why they were funny. All of the characters are loony in one way or another. Horton is probably the most likeable but Teckle Rubar is genius. The Doves's songs I found annoying but I think that was the point. What's up with the sheep? It's kind of funny. She just slept the whole time and wakes up for a second at the end. Fitzgerald Fang might be one of the most clever character's created I've ever read. Maybe I'm thinking too much? I just realized that I'm writing more towards people who read the book already and not to the people who want to read it. So my advice is to read this book!
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household gadgets she needs. Would it be appropriate to enclosed
in the wedding invitations that she and her future husband want
to go to Hawaii for their honeymoon and that cash would be
appreciated?
What would you do if your child was invited to a friend's
birthday party and the invitation listed the gifts that would be
desired? What if your child couldn't go and his friend's mother
told him to drop by later on to drop off his gift?
Stuck so far? Here's an easier one: A colleague at work has a bad
habit of mooching the snacks that you bring for your own use.
Should you send him a note, along with a bag of goodies, telling
him that for his own good you will not share any more?
Less you think I'm making these up, all three problems are
covered in Judith Martin's latest book, Miss Manners Rescues
Civilization. We live today in a society that feels etiquette can
be dropped for common sense, a society that laughs at people who
worry which fork to use for their salad. But Miss Manners (her
column appears in a number of newspapers) disagrees.
One of the major problems in today's society is rudeness. You see
it on the streets, in the classroom, in the workplace, and even
in the home. Just telling people to show good manners isn't
enough, though; we have to specify what those manners are! And
just telling folks to do what makes them comfortable is an
invitation to disaster.
Thus if we remember the specific rule that invitations are sent
to people we want to share our happiness and are not indications
that we expect gifts, we can avoid quite a few headaches. High
school graduates, for example, don't have to worry that an
invitation to a friend will suggest they are asking for presents,
and receiving an invitation from a friend's child does not mean
you have to fork over. It merely means you are being asked to
share in their happiness.
You will probably find a number of your own pet peeves here: the
doctor who calls his 65-year-old patient "John" but who wants to
be called Dr. Jones himself, the nephew who hasn't sent a thank-
you note six months after you mailed a nice gift, and the sales
clerk who ignores you while she finishes her telephone
conversation with a friend.
You'll enjoy her examples and may even learn some manners!
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Upon closer scrutiny I soon discover from 'The New Complete Chesapeake Bay Retriever' that indead this was the superior choice over all other retrievers. The book explains that the Bay retiever is less popular than other retrievers simply because not many people have heard of this American breed. And as a benefit, over breeding has not occured with the Bay retriever. Hunters prefer the Bay over other bird dogs due to their undistracted committment to retrieve. As a family dog, they are gentle and stoic enough never to over react or bark in any situation
The book was a terrific guide for shopping for a pup and especially for raising and field training the dog as a hunter or as champion show dog.
My dog is a family pet and I owe plenty to this book for guiding me logically with the raising, training and breeding of my dog.
I discovered later that my dog's ancestry is mentioned in the book. His grandparents are previous champs and are showcased through out 'The New Complete Chesapeake Bay Retriever'.
'The New Complete Chesapeake Bay Retriever' is thorough, logical and very acurate with selecting, raising, and training the Chesapeake Bay Retriever.
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I was quite satisfied with the huge amount of excellent information in these two books, so much so that I think there should be more. Although he covers the most important aspects of anarchist history an practice, Guerin leaves a few things out, while focusing too much on other things (Proudhon for example.)
Overall, though, it is an excellent read, and an inspiring and useful addition to the long list of anarchist literature. No God's No Masters is not so much an introduction to anarchism, or an argument for it, it's more of an enlightening look at anarchism throughout history. Definately recommended!
In "No Gods No Masters" Guerin is concerned not only with anarchist thought but also with the spontaneous actions of popular revolutionary struggle. He is concerned with social as well as intellectual creativity. He attempts to draw from constructive social achievements of the past, lessons that will enrich the theory of social liberation.
One of the better books on Anarchism available for those who truly wish to understand the world and who wish to act constructively to change it for the better. Essential reading for any advocate of direct action for social change.
For those who wish not only to understand the world, but also to change it, this is the proper way to study the history of anarchism.
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This book is terrific. I really liked the fact that it put the attack in the context of the Second World War. It gives you a good understanding of the conflicts in Europe and the Pacific and helps you to see why the attack was so pivotal. I've never been all that interested in books about war, but this one proved to be engaging and very moving. Susan Wels has done an outstanding job presenting the people and the politics behind this much-discussed event.