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Well worth reading for anyone who loves the Northeast coastline - whether or not they have ever entered an unfamiliar harbor, short of food and fuel, just ahead of a storm.
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The book gives action verbs on page 11 but goes back to show the actual conjugation of the basic "to be" on page 13. Logically this should be reversed! The book also does not immediately address one of the very basics of Latin(finally page 8)...the masculine and feminine declension of nouns...and their relationship to their modifying adjectives is never truly explained well.
This book seems to be set up to "speak" the language as you would study Spanish or French if traveling abroad. The book begins with "hello", "good-bye", "what is your name?" and other vocabulary. Someone should tell the author that learning Latin is to learn the fundamentals of how language works, not to learn the language to speak the language. You would have a hard time finding an audience!
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Locke begins the "Essay" by rejecting and dispensing with the notion of "innate ideas," which basically says that we are born in possession of certain principles, elements of knowledge, or maxims that help us orient ourselves in the world. Through long and drawn out (one downside of Locke is his insistency on detail and repetition) examples and arguments, he attempts to prove that when we are born, we have absolutely nothing intelligence-wise, to recommend us. This is what is popularly referred to as the 'tabula rasa' theory, that when first born, our minds are like "empty cabinets" or "white sheets" of paper - which experience and experience only furnishes with our ideas about the world. His goal here is to get people to question their assumptions about the world, to ask questions and decide for themselves based on reason and experience, how best to interact with the world.
Locke says that the only two sources of all human knowledge are sensation (that information which is passively thrust upon our senses) and reflection (when we consider and think about that sense data, and about our own thoughts). From these "simple ideas," we are able to combine and recombine thoughts to form "complex ideas" and use clear and distinct language to express them to other people. This social aspect of this philosophy is something that really fascinated me about Locke. While focusing on the individual's growing base of knowledge, he is all the while trying to orient people to functioning in society. Saying that the end of all knowledge serves two purposes, viz., honouring God, and being morally responsible, Locke goes on to show how human life often works counter to these goals, with a view to correcting them.
Another of his famous formulations, one all too familiar to Americans, as part of our national idealism, is that the basic state of nature of humanity consists in the "pursuit of happiness." Compared to Hobbes, for whom the state of nature consisted in the attempt to attain greater and greater power over others, Locke's state of nature seems relatively benign - however, he goes to great lengths to show how the pursuit of happiness often leads to reckless and wanton behaviours, ultimately destructive both to self and society. The idea that we must examine our desires and discipline them to the greater good is something that many of us lose sight of, and is an element central to his system.
Briefly then, a couple of other items that might be of interest to someone thinking about picking up Locke's "Essay": His philosophy of language is one that still has currency and influence on linguistic theory all the way to Saussure and the post-structuralists; Locke's manner of addressing cultural and gender diversity is progressive, but vexed, which makes for fascinating work in trying to determine his stances toward non-white European males. Locke's constant invocation of gold in his examples can be maddening, which can only mean that there is some significance therein; and finally, his other hobby-horse, so-called "monstrous births" and their status in the human race bears heavily and still importantly on the debate over a woman's right to choose. All this and so much more awaits you - over 600 pages of Lockean goodness. Beware though, Locke is extremely repetitive and can get bogged down in what, for us to-day, may seem common sense notions. But this is quintessential reading, nonetheless, for everyone interested in the formation of the modern self.
Its not that Locke got everything right, but he does at least point us in the right direction.
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As a general reference, this book has just about everything you'd need, although the sections on computerized research and word processing are a bit outdated. There is plenty of advice for people who need help with grammar or who are trying to make their writing less awkward and more effective. It is well-indexed, allowing you to quickly find answers and advice, which is good because plodding through the book sequentially (even with the help of the table of contents) would be very tedious.
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The problem is that, rather than confine her account to the facts, the author often states how Doc felt, or what he thought about various things, people, events, etc. throughout the book. There is just no way she could possibly have such detailed and complete knowledge about such things, since Holliday never kept a diary, and indeed the only written accounts directly attributable to him were some letters written to his cousin, a Catholic nun - none of which go into the level of detail that would be required for Ms. Johns to know all of the things she appears to know. Most of what we know about Holliday comes from what others (many of whom disliked him cordially) said or wrote about him. Yet Ms. Johns writes as though she has an inside track on his innermost thoughts.
If she actually qualified such statements with words like "It seems probable that...", "it is very likely that...", or "the evidence clearly indicates that..." this would solve the problem; after all, it is a historian's job to present possible explanations for things the bare facts may not explain sufficiently, and to try and see past events to the causes and motivations behind them. But speculation and supposition MUST be labelled as such. To present it as though it were incontrovertible fact is poor scholarship. As a historian myself, I know this would never fly if the author were presenting this as a graduate thesis.
Ms. Johns is also inclined to make some pretty wild claims, such as Wyatt Earp's and Doc Holliday's "...friendship, may have caused many deaths, even Doc's own."(p.134) How Holliday's death from tuberculosis, several years after he parted company with Wyatt could, in any way, be attributable to Earp is a complete mystery to me. And this is only one example of some of the author's questionable assertions.
If your looking for entertainment, you'll enjoy this book. But I consider much of the information contained herein to be highly suspect, given that the author's scholarship is often very sloppy.
It is definitely filled with some historical truths, but at the same time the author tries to tell the reader what Doc might have been feeling when relating things that happened to him. I found that to be slightly annoying, because it's just based on pure conjecture. Sometimes it seems more like a fictional story rather than factual information.
It also seems like more information could have been put into the book regarding the relationships between him and Kate and him and Wyatt Earp.
All in all a worthwile book, but one not too put too much credence into. "Doc Holliday: A Family Portrait," by Karen Holliday Tanner is a better choice for the Doc Holliday fan. It has a good deal more factual information information about Doc, and much of it is based on family records, letters, etc.
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While I really like the book and think it is a must for any serious fan of SF, there are, alas, a few shortcomings--but only a few. For one, it does not contain an entry for BORIS KARLOFF'S THRILLER, which is surprising not only because the show is an American classic, but also because the show itself is currently broadcast on the very network that is sanctioning this book. Also, fans of certain less-popular but relatively recent shows may be disappointed to find that the entry for those shows do not include an episode guide (e.g., THE FLASH or THE ADVENTURES OF BRISCO COUNTY, JR.). I must also mention that there are a few mistakes in the book's Table of Contents, but this is only a minor annoyance and is easy to surmount.
In short, if you love SF, especially Television SF, you will enjoy this book.
For the main series profiled, the authors provide an introductory article as well as a complete episode guide. For each episode, they give a plot summary, as well as writing, directing, and guest-starring credits.
Not all the series are given such detailed attention; some only have the episode titles listed, and some don't even get that. In general, shows that get less comprehensive attention are shows that are primarily thought of as representatives of another genre: "Bewitched" (sitcom), "The Six Million Dollar Man" (action/adventure), etc.
Despite its sometimes incomplete nature, this is a wonderfully informative and entertaining book. Sci-fi staples and cult favorites are well represented: "Babylon 5," "Blake's 7," "Quantum Leap," "Star Trek" and its various sequels, "The X-Files," etc. I particularly liked the ample attention given to short-lived shows that were nonetheless loved by devoted circles of viewers.
Of course, a book of this nature is generally out of date by the time it hits the bookshelves, so I am already anticipating a new edition. But until then, this book remains in an honored position in my library.