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Well, the answer is in this little tome as it includes translations of all of the Non-English passages making you as "smart" as Brother William. This book furthers your experience when reading "The Name of the Rose" as you now can decode the juicy clues. Umberto Eco's "The Name of the Rose" is about crimes in a medieval abbey and the obsession of it monks with heresies, apocalyptic visions, and forbidden knowledge.
This "Key" is a delightful guide to the phrases and bizarre characters and has mirthful anecdotes that you're sure to enjoy and you'll solve the mystery of the seven deaths as fast as Brother William and enjoy the intrigue in doing so.
Professor Hein begins with a short biography of the author, and then proceeds to explain the author's work, examining its theology and significance. I found this book to be quite fascinating, with the author giving me a look at these masterpieces of Christian literature in a way that I had never thought of before. If you are a fan of any of the authors above, then I highly recommend that you get this book!
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Robert Wade lays out the most extensive collection of Fischer's games that I've seen. Many of the games are annotated, which allows the reader to grasp a better understanding of Bobby's playing style. And in my opinion, no one produced more magic on the chess board than Bobby Fischer. So playing through these games is sure to educate the reader on how chess truly can (and should!) be played.
I have owned this book for about 6 years. And it is timeless. I find myself returning to it year after year for some enjoyable reading and chess insight. I have spent dozens of hours including my own notes and thoughts in the margins of this book. I definately consider it one of my favorite pieces in my chess book collection.
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I especially liked the sections that the authors have entitled "Points for Management to Ponder". These short bits, interspersed throughout the book, forces a reader to link the theories to actual situations in a company. I found such exercises beneficial to the learning process.
However, I found that the authors tend to repeat themselves throughout the book. For example, Chapter 4 and 5 are essentially the same. Chapter 4 walks through the framework fairly quickly with a real case example while Chapter 5 examines the general framework in detail. I believe the 2 chapters could have been combined without much loss to content.
I recommend this book to practitioners, as this is a very practical book. For readers who just want to know more about service development but are currently not involved in any development work, this book is not for you. Like me, you may find some of the framework difficult to understand without a real case to relate to.
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I got my original recommendation from other Amazon reviews (5-Star rating) and I whole-heartedly agree with them. If you are serious about Analog IC design, then this book is a MUST for you. It will not remain on your shelf, I promise!
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If you are a novice filmmaker, and you want to make art with film or video, and you want a guidebook on how to THINK and FEEL about your chosen art form, this is a must.
Bresson inspired the French New Wave filmmakers, and in my opinion was one of the few directors this world has seen who actually considered the particular reality of the moving image and created a set of principles to guide his choices as a director based on the medium itself, and not on any inherited traditional technique. One of the primary divisions in film theory is whether you believe film to be an extension of theatre or something entirely different.
For Bresson theatre is a more intellectual, mind based experience, whereas film is an EXPERIENTIAL art form. Bresson was highly interest in TRUTH over the APPEARANCE of truth. For Bresson the camera and audio recorder capture the essence of a thing, and therefore he cautions against using actors, and sets, and instead suggests people being themselves and shooting on actual locations.
This book is actually a collection of notes that Bresson wrote to himself over the course of his career. It is a wonderful look into the mind of an artist. In this book I have found a kindred spirit, whose insights into the nature of film and film production are distilled down to their essential forms. What kind of Truth does the camera capture, what elements go in the mise-en-scene which add or distort that truth, how do you illicit the inner truth of the actor (model) while still maintaining the requirements of the plot and script?
There are two books which have, for me, opened up the truest possibilities of film as an artform. These books are: "Notes on the Cinematographer" by Bresson, and "Sculpting in Time" by Tarkovsky. These books are a must read for anyone interested in exploring the true potential of film as an art form.
Also, this book goes in and out of print fairly regularly, so you should buy it whenever you see it being sold. Its relatively inexpensive, but contains a wealth of knowledge. It makes a great gift for someone interested in film or video as an art form.
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What I find most thought provoking is the authors' notion of the crucible (difficult event/test such as failure, imprisonment, or any personal defining moment) as an important input towards shaping the competencies of the leader as he/she extracts wisdom after having endured it.
The bulk of this book explicates the Leadership Development Model and how it applies to leaders of all ages, both geeks and geezers. In this Model, individual factors (e.g. gender, IQ, race) and the era (with a given shared history/culture/arena) determine how the leader would interpret the crucible, which in turn impacts the development of four leadership competencies:
1. adaptive capacity - hardiness & learning how to learn is key
2. engaging others by creating shared meaning
3. voice (purpose indentified after periods of self-introspection; EQ)
4. strong moral compass or integrity.
I applaud the authors for the elegance of the Model, and its usefulness in serving as a framework for self-introspection - so crucial in the development of timeless leadership.