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The novel, of course, and the plays are classics, but I found the letters to be a juicy narrative all their own. The twists and turns of his doomed affair with Lord Alfred Douglas, affectionately called "Bosie" in touching - and bitter - love notes from prison, are here to peruse. Reading them, you get a sense of Wilde's personal feelings at the time of his famed trial and arrest for sodomy, his anguish at losing Bosie and going to jail. It's fascinating, juicy stuff - made all the more touching by the fact that it all occurred without shame, in plain view, over 100 years ago.
Wilde's a great character, a great author, a good role model for gay life and a hysterical wit. And this book is a must.
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Probably one of the most satisfying aspects about the "Taint" is that the reader gets to sample Sargent in various aspects of his craft - from straight, Mythos horror, to subtle humor, to irreverent poetry and well-researched analysis. (The central novella, Nyarlatophis, set in ancient Egypt, is also superbly researched and delivered.) His range is as varied as is his manner of delivery - from a creepy "Live Bait," a sequel to H.P. Lovecraft's famous (and disturbing) "Shadow Over Innsmouth," to a thought provoking "Black Brat of Dunwich"-- a different interpretation of Lovecraft's "The Dunwich Horror." The two should be read side by side for the remarkable insights and conclusions Sargent manages to draw from Lovecraft's original story. To be honest, I found all the stories in this volume interesting and surpirsingly successful - despite their different construction and delivery. In the last story: "Double Screecher" Sargent manages to perfectly capture the claustrophobic paranoia of an insecure man in a movie theater. But don't be misled, you will think the story is going one way but then Sargent will pull the rug out from under you and go in an entirely different direction. Fabulous!
Another aspect of Sargent's savvy work that I found most appealing was his fluid style - and the individual timbre of each story which had a distinct feeling and "voice" all their own. Part of this is due to his gift of knowing how to give the reader just enough detail to prompt their mind into its own tangents of description. In other words, instead of describing something in complete detail, he gives the reader just enough key words or phrases which then propels their mind into creating its own mental scenarios. A rare gift. I found this especially impressive in such stories as "Live Bait."
If all that were not enough, the book has illustrations by D. L. Hutchinson, Allen Koszowski, Daniel Alan Ross, Peter Worthy, Jeffrey Thomas and Stanley Sargent himself! The book is also given a superb introduction by Richard A. Lupoff, which immediately establishes the quality of entertainment that will be found between the book's covers, and each story is prefaced by comments from none other than Robert M. Price - the respected and veteran Lovecraft scholar.
Do yourself a favor and get this book. Sargent is a vivid, colorful writer. It is most unfortunate that his first volume of stories, Ancient Exhumations, is now out of print.
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My favourite part of the book was where they develop a model of the macro economy of a country - and explanin how the monetary and fiscal policy can alter how the economy moves. In light of the recent dip in the economy this was very useful in understanding why the Fed behaves the way it does.
Highly recommended for macro economics!
Keep it. You'll refer to it every once in while. I still do after 20 years. Lots of good econ guys at MIT (big surprise there, right?).
Check out Paul Krugman's popular work too, particularly the highly readable "The Return of Depression Economics," his analysis of the 1997 Asian Flu that started in Thailand. Good background for Act II of Monetary Crises and Emerging Markets starring Treasury Secretary O'Neill and George Bush, now playing in Argentina, Turkey, SE Asia, and geopolitical spheres of influence worldwide.
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stellar thirteen episodes, which include some of the finest in the series: "The Invaders", "Death Ship", "Nightmare at 20,000 Feet". And at long last, here they are in readable form.
Unfortunately, the two volumes offer little more than
the scripts themselves. Those familiar with the "TZ Companion"
by Zicree and the newly-released "TZ Scripts of Earl Hamner"
(with commentary by Tony Albarella) know of the in-depth commentary offered for nearly all the episodes.
Stanley Wiater does little more than repeat what has
been said elsewhere about Matheson's episodes. No
real analyses or significant insight precedes the
scripts themselves, thus making the book rather uninteresting
on the whole.
The stories presented on the show are intelligent and have a timeless quality and charm about them that makes even repeated viewings seem new. One of the main reasons for this is the contributions of Richard Matheson. A noted sci-fi and horror novelist with several books turned into classic movies ("Incredible Shrinking Man", "I Am Legend", which became "The Last Man on Earth", and later "The Omega Man" with Charlton Heston, and "Whatever Dreams May Come"), Matheson was a master of the short story, a style perfect for the 30 minute "Twilight Zone" format. While the scripts cannot fully take the place of the televised story, reading them is like reading a short story, with the advantage that the reader is able to see how the story is constructed from scene to scene.
The scripts included in this volume are as follows: "The Last Flight", A World of Difference", "A World of His Own", "Nick of Time" (Who can forget the sight of William Shatner feeding penny after penny into the fortune telling machine with the Devil's head?), "The Invaders" (Agnes Moorehead versus tiny invaders from another world. It was the first episode I saw as a child and continues to scare me.), "Once Upon a Time", "Little Girl Lost", and "Young Man's Fancy".
For those who loved the series or just for those who love a good script.
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stellar thirteen episodes, which include some of the finest in the series: "The Invaders", "Death Ship", "Nightmare at 20,000 Feet". And at long last, here they are in readable form.
Unfortunately, the two volumes offer little more than
the scripts themselves. Those familiar with the "TZ Companion"
by Zicree and the newly-released "TZ Scripts of Earl Hamner"
(with commentary by Tony Albarella) know of the in-depth commentary offered for nearly all the episodes.
Stanley Wiater does little more than repeat what has
been said elsewhere about Matheson's episodes. No
real analyses or significant insight precedes the
scripts themselves, thus making the book rather uninteresting
on the whole.
"Mute"
"Death Ship"
"Steel" (Great performance by Lee Marvin)
"Nightmare at 20,000 Feet" (The classic with William Shatner. Much better than its remake in "Twilight Zone: The Movie")
"Night Call"
"Spur of the Moment"
Like the first volume, worth your money and time.
Since the articles were written there have of course been advances; I will just mention that a number of Jim Propp's matchings problems have been solved, and that Mark Haiman has proved the n! conjecture.
Contents: Matroid bundles (L. Anderson); Combinatorial representation theory (H. Barcelo, A. Ram); An algorithmic theory of lattice points in polyhedra (A. Barvinok, J. E. Pommersheim); Some algebraic properties of the Schechtman-Varchenko bilinear forms (G. Denham, P. Hanlon); Combinatorial differential topology and geometry (R. Forman); Macdonald polynomials and geometry (M. Haiman); Enumeration of matchings: problems and progress (J. Propp); The generalized Baues problem (V. Reiner); Littlewoord-Richardson semigroups (A. Zelevinsky).