The protagonist, a petit-bourgeois salesman named George Bowling, haunted by visions of the coming war in Europe, laments the loss of the England he grew up in before the First World War. "Is it gone for ever? I'm not certain. But I tell you it was a good world to live in. I belong to it. So do you." Bowling belongs to the Left Book Club and seems to have a deeper awareness of the world than most of his peers, but he prides himself on being a simple sort of man and looks down on everyone, Left and Right, with a sort of genial disdain. Some of his observations are quite amusing, albeit quite cynical: "Nothing matters except slickness and shininess and streamlining. Everything's streamlined nowadays, even the bullet Hitler's keeping for you... I felt in a kind of prophetic mood, the mood in which you foresee the end of the world and get a certain kick out of it." George comes into an unexpected sum of money betting on the horses and decides to use it to revisit his childhood village. Needless to say, nothing of his boyhood remains, his fishing hole has been converted to a trash dump, his first love has become a fat, dumpy hausfrau, and he goes back home to his wife after an RAF bomber accidentally releases live ordnance over the town.

"The bad times are coming, and the stream-lined men are coming too," warns Bowling. "If there's anything you care a curse about, you better say good-bye to it now." Orwell would go on to describe the bad times in his major novels. This one's well worth a look, both for the way we see Orwell learning to deal with the materials that made up the bulk of his major work, and as a not-badly-written entertainment as well.

However, there are several points that make this book somewhat unappealing from a practical perspective.

First, note that it was written by 15 different authors. This incorporates many different writing styles, making it unwieldy. The previous edition was written by 8 people. Do not attempt to use either book as a cover-to-cover tutorial.

Second, the code examples are written almost exclusively in VBScript, although the book acknowledges that Javascript (also known as JScript) would work just as effectively. From a real-world perspective, I have found that many ASP programmers prefer to use Javascript for both server-side and client-side development.

The use of 2 scripting languages in one application is simply impractical. VBScript persists mainly because it is a Microsoft invention, as is ASP itself. However, Javascript (or ECMA Script) has become the industry-standard scripting language for web-based applications.

Another issue with the code examples is that they are not line-numbered. For short examples, this is not an issue. But for larger code modules (as one would encounter in the real world), line-numbering is considered part of best practices in explaining and debugging code before it is deployed.

For readers with any ASP background, this book would be a useful desktop reference. Carrying it around in your briefcase may cause lower back strain.

Throughout the book, Homer discusses the importance of
COM/COM+ and what that technology can do for your web
application. He writes examples of a COM+ component in
Visual Basic and shows the user how to register/load
the component into memory along with utilizing the
functionality of them in an Active Server Page. Homer
further explores the features of Windows 2000 by
introducing the features of Active Directory and
explaining/demonstrating how ADSI can connect an Active
Server Page to the Active Directory. The book goes into
further detail on enterprise level topics by discussing
how CDO interfaces with Microsoft Exchange Server.
Using CDO, a developer can access all of users Exchange
account information including mail, contacts, calendar,
etc. The book ends with performance and security issues
for web applications running on a Windows 2000 Server
and how an administrator should configure a Windows
2000 Server for maximum performance and security.

The software/technologies the book uses are based on
products/technologies developed by Microsoft. Since
Active Server Pages is a Microsoft technology, it would
be reasonable to use only Microsoft
products/technologies. However, in the real world, many
businesses have heterogeneous environments with Oracle
database servers and JavaScript web developers. The
fact that this book only exposes the reader to vendor-
specific technologies could be a down fall, however
creates a centralized focus for the reader.

This book covers a wide spectrum of advanced knowledge
with Active Server Pages, however is completely based
around Microsoft technologies. Several other authors
composed this book, which helps the reader get a
dynamic flavor of knowledge from chapter to chapter as
one can see. Any intermediate/advanced web developer,
interested in enterprise web application development,
should purchase a copy of this book for reference
purposes.

My own experience suggests that there will then be at least three whatever was undertaken was doomed to fail; also, therefore, that such efforts should never be undertaken again; finally, defenders of the status quo (whatever it may be) will become even more aggressive in their opposition to change in almost any form.

Of course, Senge understood full well when he wrote The Fifth Discipline that those who attempted to implement an appropriate (emphasis on "appropriate") combination of his ideas and suggestions would encounter all manner of resistance. In my opinion, that is why he then co-authored the Fieldbook. (I strongly suggest that it be read only after reading The Fifth Discipline.) Here is how The Dance of Change Change)

The Challenges of Initiating (Not Enough Time, No Help [Coaching and Support], Not Relevant, Walk the Talk)

The Challenges of Sustaining Transformation (Fear and Anxiety, Assessment and Measurement, True Believers and Nonbelievers)

The Challenges of Redesigning and Rethinking (Governance, Diffusion, Strategies Purpose)

As you can see, Senge and his co-authors provide a cohesive and comprehensive system with which to achieve and then sustain (emphasis on "sustain") "profound change." Once again, I want to stress the importance of carefully selecting what is most appropriate from this wealth of material. The selection process should be unhurried but expeditious. It should include only those who are wholeheartedly committed to achieving "profound change." Moreover, their number should not threaten effective communication and collaboration. My final suggestion (not necessarily Senge's) is to proceed with a "Big Picture" clearly in mind but to focus on the sequential completion of specific tasks according to plan. Like buildings, learning "blueprint," sufficient resources, materials of the highest quietly, inspiring leaders and effective managers, talented associates, and (most important) a shared commitment. Obviously, your organization will need its own "blueprint." Success or failure when implementing it will depend upon its own people. It cannot be otherwise. View The Dance of Change created by Senge and his co-authors, therefore, as an invaluable resource...and proceed accordingly.

You may also wish to consult Isaacs' Dialogue in which he addresses many of the same issues but from somewhat different perspectives. I also recommend Bennis and Biederman's Organizing Genius as well as O'Toole's Leading Change. Their own experiences, insights, and suggestions may also prove helpful to your efforts. I wish you great success!

The question one is left with, as with many books of this type, is not the value of the book (it is excellent), but How many leaders of change will read this volume, take its insights to heart, and ACT upon them?

The book is divided into three sections around the challenges of initiating, sustaining, and redesigning and rethinking. Within these sections are the ten key challenges to profound change. The notes from the field provide a record of organizational change initiatives and specific approaches taken by GE, Hewlett-Packard, British Petroleum, Ford, Dupont, and others. The book includes case histories, round-table discussions, team exercises, checklists, and solid guidance.

This work is densely packed with valuable insights, guidance, and developmental techniques. It offers enormous potential to receptive and motivated readers who are able to move from thought to action. Highly recommended. Reviewed by Gerry Stern, founder, Stern & Associates, author of Stern's Sourcefinder: The Master Directory to HR and Business Management Information & Resources, Stern's CyberSpace SourceFinder, and Stern's Compensation and Benefits SourceFinder.

It is a simply written and rather pointless novel littered with transparent metaphors; weak analogies; self-contradictions; blatant leftist doctrines; a whopping tautology; and a visible conclusion. George Orwell didn't seem to pay much attention to his own advice found in 'Politics and the English Language'.

The main character, Gordon Comstock, a struggling poet, lived in self-inflicted exile of poverty and decay to flee from the 'Money-God' and to rub elbows with his fellow working class heroes. Living in hovels, eating swill, falling into debt, dressing in tatters, working minimum wage jobs, allowing himself to become slightly malnutrishined, Gordon Comstock had romanticized the proletariat to the detriment of his health, social life, and career. He didn't seem to understand that these conditions are a dibilitating and not a fortifying aspect of working class life. Conditions despised by the very people he tried to emulate.

The simple Aspidistra, a potted plant, is Gordon's symbol of the middle class value system he detested. But the plant appears to be ubiquitous as it is found on every window sill of middle class family homes in England, from which Gordon is trying to flee. Then Gordon had a revelation that the middle class were the working class who had kept themselves respectable - had kept the Aspidistra flying. (This is a theme that occurs in later Orwell writings.)

Anyone with a college course in psychology would recognize that the character Gordon Comstock displayed symptoms of chronic depression; latent homosexuality; anxiety neurosis; bi-polar mood disorder; and obsessive guilt.

If, as some critics have suggested, this work is autobiographical of George Orwell, then the observation made by one of his biographers that, "The British are the only people who spend a lot of money to send their children to school to become emotionally damaged", was a process that afflicted George Orwell.

But who was this book written for? It would seem the author's fellow socialists. The author had to communicate his proletariat values somehow to his international fellow travelers! It always appears that socialists try to out-do each other's counter-bourgeois experiences. And KEEP THE ASPIDISTRA FLYING came across as a chronicle of leftist one-upmanship: the - I'm more working class than you are - attitude, by living shoulder to shoulder with the poor, then leaving when bored. (We call this 'slumming' in my working class neighborhood, and its annoying!). What is so original or novel about a struggling youth living his dream? KEEP THE ASPIDISTRA FLYING is more of a socialist polemic than an original story with a moral.

A good book to compare with 'KEEP THE ASPIDISTRA FLYING' is: 'WANDERER' by Sterling Hayden. Schooner captain Sterling Hayden gave a similar account of working class privation as he fled from a middle class background, then tramped around the U.S. following his nautical dream during the great depression, and was deeply influenced by American socialists of the time. Yet Sterling Hayden's poverty was real, not self imposed as Orwell's.

I found 'KEEP THE ASPIDISTRA FLYING' somewhat disappointing, but required reading as a fan of George Orwell.

"Keep the Aspidistra Flying" one of the most starange titles you ever see, is about a "poet" (and formerly a copywriter for advertizing company) Gordon Comstock, who, with sudden desire to be free from the curse of money, left this good job and starts the life of an aspiring artist. As he had previously a book of his own poems published (the title "Mice"), and received a review from The Times Literary Supplement, which said "exceptional promise," why not pursue his way as an artist? And his next project "London Pleasure" which must be the next Joyce or Eliot will be completed soon, probably next month, or next year perhaps....

As his misadventure starts, Rosemary, his long-suffering but always faithful sweetheart, naturally is dismayed, and it takes a long time for him to realize that his happiness, whatever it is, is possible with her presence. But aside from the romantic aspect of the novel, which in itself is well-written with good portrait of independent Rosemary, the book attracts us with the author's satire on the middle-classness of England, which is represented by those ugly, die-hard aspidistra decorating the windows of every house. Gordon's loathing of respetability is deftly turned into a dark comedy that attack the parochical mind of some people, sometimes including Gordon himself. For instance, Gordon, no matter how poor and disheveled he becomes, never lets his girlfriend Rosemary pay the check of lunch because, in a word, it is not proper. Those who are interested in Englishness might find something amusing in this book, I assure you.

As is his satire, Orwell's English style is always full of power, brisk and lively, and never lets you bored. The only demerit is, as time has changed since then 1936, some names are no longer familiar to us; once hugely popular novelists like Ethel M Dell is mentioned with derogatory comments from Gordon, and her bestselling novel "The Way of an Eagle" is clearly treated as trash in Orwell's mind, but in the 21st Century whoever read them? Hence, some part of the book is lost on us if you don't know these names like Dell or Hugh Walpole, but never mind. Such part consists only small part, and if you don't get it, just skip it.

At the time of publishing, "Keep the Aspidistra Flying" was never a commercial success, and in Orwell's lifeime it was never reprinted, but these facts should not discuorage you from reading it. It is wickedly funny book that makes you, if not smile, at least grin not a little.

The book was made a movie in 1997 as "The Merry War" starring Richard E Grant and Helena Bohnam Carter. The film, more inclined to romance side of the book, is also a good one. Try it.

This novel is enjoyable on many levels. I found myself, like most, getting upset with Gordon Comstock for his self-destructive "nobility". I was ready to rant and rave about it until I remembered my post-college Bohemian days and realized that I went through such a stage myself. I'm sure many of us have and so I think there is a personal connection that will appeal to a lot of readers. For pure literary merit, this is a hard 20th Century satire to top. Orwell scared a lot of people with his futuristic novels "Animal Farm" and "1984". He tried to indoctrinate many a reader with his Socialistic essays including his half-novel/half-essay; "The Road to Wigan Pier". I have a feeling that he was poking fun at himself in "Keep the Aspidistras Flying". Maybe that's why it works so well.

Strange and Quinn meet after Strange is hired to investigate the shooting of an off-duty black police officer by another policeman. The other policeman was Quinn. The two team up because Quinn would also like to know the truth as to what really happened that night, and is also keen to prove that he is not a racist.

A subplot involving a drug-dealing father and son team and their dealings with their suppliers and distributors keeps pace with the main story and inevitably mixes together in a happy union creating a sizzling finale of revenge and violence.

Once again, Pelecanos' characters are heavily influenced by music and have definite ideas on what is "good" or "bad". The use of music is a big indicator of the personalities of each character and is a very clever and unique means of characterisation.

Unlike some of Pelecanos' earlier characters, I found both Strange and Quinn to be strong, capable and (to a point) moral. Overall, they are likable men. This has led me to look forward to more books involving them. Right As Rain is a compelling mystery containing all the elements that has made Pelecanos books so popular: violence, drugs, music...and Washington D.C.

Derek and Terry become buddies. The story reels in redneck Earl Boone and his dumb son Ray (Critter), a couple of dope smugglers, a few Colombians and Cherokee Coleman, a local hoopster of some note, good point guard but not good enough for the big time, who runs the drug operation.

When you cut to the chase, Terry's old partner Eugene Franklin was a bad guy and Chris Wilson was onto him. Strange figures things out, of course, there's some great action and the kind of not quite tied together ending that Pelecanos presents so well. The Metro Police don't know exactly what happened, but they have enough to give Chris Wilson the posthumous recognition he deserved. Derek and Terry go back to their separate day to day lives, but they'll be back in "Hell to Pay".

I thought both stories were great!

Strange is hired to investigate the shooting of her son, Chris Wilson, leading him to Quinn, who works in a little used bookstore in Silver Spring (Like all the locations in the book, the store really exists, it's a few blocks from my office and I sometimes swing by on my lunch break). The two men fall into an uneasy partnership as this discover more about he events that led to Quinn's killing of Wilson. They make an engagingly effective odd couple as they verbally spar with one another about race, underneath their respective flaws, they're good men. At the same time, both men are struggling to make relationships work, Strange with his divorcee secretary, and Quinn with a Latina student/waitress. As with most of Pelecanos's men, they often make selfish or simply clumsy moves in looking for love. And like most of those same guys, they have well-defined tastes in music, cars, movies, and books.

Following the tone of Pelecanos's previous work, what is gradually revealed is a sordid tale of drugs and corruption, with some powerful drug pushers, and a few violent rednecks. All this unfolds in a world instantly recognizable to Washington natives, where drug dealers work in the open, neighborhoods revolve around local restaurants, and corruption has spread to even the upscale oases (the well-known high-end restaurant Red Sage being one example). As we have come to expect from Pelecanos, everything comes together in a cinematic violent climax offering some attempt at justice. If you've read and enjoyed previous books of his, you're likely to enjoy this one as well. It's got two great new characters, and is a bit more explicit in examining racism, but is otherwise very much in keeping with his previous work.

For years after reading it, I could not shake the sensation of horror
that came over me when I thought again of what had been done.
How could anyone do it? And yet, the spell of love that is cast in the
beautiful telling of this story is equally haunting.

This is no average horror story. Readers who find Clive Barker and Dean Koontz
the height of enjoyment may not appreciate the delicacy, and gradual building
of this lovely tale.

The language of this book is nearly poetic in its beauty. It is rich with detail,
complex, and fully convincing. This is a sophisticated piece of work,
and incidentally, nothing like any of Richard Adams other books.
(I have read most of them, since after reading this book, I wanted
to investigate its author.)

This book is a gourmet meal, full of fine ingredients, exquisite flavors,
and subtle blendings and contrasts. It is excellent.

"Soul Circus" is a western set in the part of D.C. "rarely seen by commuters and generally ignored by the press, out of sight and easily forgotten." PI's Derek Strange and Terry Quinn are lawmen in a lawless society.

Dialogue driven, full of vivid cultural realism, it is an intense story of the urban battlefield...not a whodunit, but rather a haunting crime novel with all the collateral damage and unintended consequences.

In the midst of a looming gang war between rival drug lords, Strange is driven by a complex moral anger, as he feels inadvertently responsible for a murder.

The interconnection of the subplots is profound. Mr. Pelecanos does have an agenda, but he integrates it seamlessly into the story without preaching.

The reality is truly disturbing, but it is skillfully written and a compelling read.

Not for the sqeamish...highly recommended!

The eleventh novel from Pelecanos and the third to feature private investigators Derek Strange and Terry Quinn, SOUL CIRCUS also includes a number of characters that have appeared in previous Pelecanos novels, including Nick Stefanos, another private detective whose character is based on Pelecanos himself.

SOUL CIRCUS finds Derek Strange searching for evidence that will mean the difference between life in prison and the death sentence for Granville Oliver, a dangerous gang leader and drug dealer on trial for murder. Strange has resolved to perform this service, despite Oliver's reputation, for a couple of worthwhile reasons, not the least of which is that decades before, while serving as a police officer, Strange killed Oliver's father. Strange feels that, in depriving Oliver of a father, he set a boy on the path to gangs, drugs, guns and violence, and therefore bears some responsibility for the situation in which Oliver now finds himself. But as Strange explains it to those who question his judgment in the matter, he is not defending Oliver --- he is defending Oliver's rights.

Strange's investigation leads him to a young woman who may have evidence that will keep Oliver off the injection table. But there are those who prefer to see Oliver dead and not just the prosecution. These people have long since rid themselves of the burden of conscience that might otherwise interfere with plans for kidnapping, extortion, murder and the other tools of the bad guy trade.

In the midst of this investigation, Strange and Quinn take on another small case: locating an absent girlfriend for Mario Durham, a petty crook and no deep thinker whose motives, unbeknownst to Strange and Quinn, have more to do with settling a score than they do with faltering romance. Mario, it turns out, is the brother of Dewayne Durham, another feared gang leader and drug dealer. It is Mario's desire to impress his brother that leads to the death of the absent girlfriend and sets in motion a series of events that trigger a cascade of gunplay and violence that winds its way back to Strange and Quinn.

SOUL CIRCUS intricately weaves several subplots into a taut and compelling story that plays out in neighborhoods of Washington D.C. that are so removed from the pomp and photo-op politics of the nation's capital that they might as well be in some third-world hellhole. Pelecanos very effectively demonstrates that living within sight of those familiar, gleaming white symbols of democracy are citizens whose voices are never heard and whose issues offer insufficient political payback to draw the attention of those in power.

But while Pelecanos has a political agenda, his message integrates seamlessly with the story. There's no preaching here and no soapbox --- just finely wrought characters playing out their interconnected destinies in prose that snatches you up and propels you along like a cigarette butt being washed down a storm sewer.

While the story is indeed dark and populated with cold, stone-hearted people, Pelecanos peppers SOUL CIRCUS with details and crisp, often funny dialogue --- particularly between Strange and Quinn -- that provide a precise balance of elements that keep the narrative well within the parameters of noir, without tumbling into a thoroughly depressing, hundred-proof nightmare. But be warned, there's enough violence and nasty business here to make you check to see that the cat is in and your doors are locked.

Readers already familiar with Pelecanos will find in SOUL CIRCUS the unblinking realism and relentless pace they have come to expect. Those new to Pelecanos will find themselves reaching eagerly into his backlist to devour every delicious, hyper-hardboiled scrap. As a vehicle for escape, SOUL CIRCUS will take you as deep into the urban battlefield as you can go without having to actually dodge bullets.

--- Reviewed by Bob Rhubart

It's an old story with a predictable arc, like the tragic act of senseless violence brewing separately from page one. And that inevitability is a central theme in George Pelecanos' warmhearted, gritty, streetwise series. While the music pounds, shouts and wails to fit his (and others') moods, Strange fights the ugly lure of street swagger by coaching a youth-league football team and instilling respect not only for teammates but the opposing team as well. Meanwhile he's wrestling his own demons and endangering his relationship with Janine (also his office manager) by massage parlor sorties.

Though the spotlight stays on Strange, Pelecanos switches viewpoints to include boys trifling with murder; Strange's young office helper, Lamar, a frightened kid trying to stay alive; Quinn, his life saved by the woman he's falling for, and others reflecting the streets that make up Strange's D.C. - pimps, broken drunks, young mothers, prostitutes.

The story, with its throbbing undercurrent of violence and wasted lives, generates plenty of suspense. Quinn ready to meet any insult with his fists, Strange working on a longer, slower, but perhaps more deadly fuse, work both sides of the color divide, mixing it up with dangerous, confident, soulless people, death an inflection away. Strange is an involvingly complex character, wise and impulsive, moral and angry, goodhearted, blunt, smart, sometimes annoyingly opaque. And Pelecanos brings D.C. alive as an edgy place of thriving, striving neighborhoods marred by drugs and easy money, hot cars and dead-eyed kids. A stand-out series.

Strange is a middle aged black private investigator who is essentially a good man who has to deal with all manner of low-lifes, and consequently is forced to do things that weigh heavily on his mind. Hell To Pay focuses on Strange's devotion to the black youth living in the projects of Washington. He is determined to give them every possible chance to make something of themselves by building self-esteem and confidence.

Furthering the youth theme and, in a way, counterbalancing all his good work, are the two cases that Strange and Quinn work on throughout the book. The first involves a fourteen year old prostitute and their attempts to get her off the streets and back home to her family. The second is the investigation of the murder of a child. This becomes a much more emotional case that turns personal, with Strange walking a moral tightrope.

Once again, Pelecanos has delivered a powerful story that graphically portrays the mean streets and dangerous characters of modern day society. Although relentlessly illustrating the everyday tragedy surrounding us all, there is at least an underlying tone of hope.

HELL TO PAY made me angry and pulled at my heartstrings. It is written so descriptively that it feels real; it takes the reader to the projects and portrays and examines the effect of a young innocent victim's death on everyone else in the story. The story also describes racism and illustrates how kids grow up fast, are exposed to violence, drugs, and fear. Strange, who wants to find the killer before the police, struggles with his own beliefs and values. HELL TO PAY will transport most readers to where they've never been. It's worth the trip!

Richard Adams has long been my favorite 20th century novelist. His ability to make an epic fantasy feel intimate and utterly believable, in addition to his brilliant imagination, sets him apart from every other fantasy novelist I've ever read.

Shardik is no exception. I just finished reading Shardik for the second time and can't help but marvel at Mr. Adams' genius. The world he describes in Shardik (and again in Maia) is as unforgettable as its denizens.

Shardik and its companion piece/prequel, Maia, are no longer available commercially, but there are still a lot of copies floating around out there that I'm sure Amazon could hunt down for you. Don't miss the opportunity to read this story. Not only will you love it, you'll probably find yourself wishing that Mr. Adams had written even more about the land of Bekla.

Richard Adams has long been my favorite 20th century novelist. His ability to make an epic fantasy feel intimate and utterly believable, in addition to his brilliant imagination, sets him apart from every other fantasy novelist I've ever read.

Shardik is no exception. I just finished reading Shardik for the second time and can't help but marvel at Mr. Adams' genius. The world he describes in Shardik (and again in Maia) is as unforgettable as its denizens.

Shardik and its companion piece/prequel, Maia, are no longer available commercially, but there are still a lot of copies floating around out there that I'm sure Amazon could hunt down for you. Don't miss the opportunity to read this story. Not only will you love it, you'll probably find yourself wishing that Mr. Adams had written even more about the land of Bekla.