Although Steve Delsohn's writing reads more like a 3rd draft and he doesn't seem to find his rhythm until half way through the book, I think Aissa's voice still effectively comes through quite well.
This is not a book for those who "lived near back lots" and only want sun-baked warrior/actor stories about the 'image' they know from the screen.
This book is an amazingly honest and intimate narrative seen through Aissa's eyes and feelings. She takes great care not to denigrate or hurt anyone except herself. I suppose after reading this book and all the intimate emotions she shares, I would now have to add one more accolade to Aissa's character, and that would be "Courageous".
With so many "tell-all" books out there about John Wayne, this one showed me the more vulnerable, real side of the man, as seen by his own daughter.
Aissa Wayne's candor was so refreshing, and it opened my eyes to a more human side of the strong man we all know as the "American Legend."
I've read other books about the Duke including the one by Pilar Wayne. While Pilar's book was nicely done, I appreciated Aissa's perspective very much, and I would recommend this book to everyone.
I have given "John Wayne, My Father" as a gift a few times, and it was very well received.
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I highly recommend this biography for the causal reader and the serious scholar, which certainly ranks among the best bios of Sam Houston to date.
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Robert Kennedy, on the other hand was the man who worked behind the scenes. From all accounts, the young lawyer and later Attorney General sublimated his own interests, needs and identity so as to push his brother forward. Robert Kennedy was the clean up man, the one who from many accounts shielded his brother to the best of his ability.
When President Kennedy was assassinated in 1963, people mourned the loss of Camelot. Sadly, what I think people during that era were really mourning was the loss of the illusion of the "picture perfect" White House world.
Robert Kennedy literally came into his own following his brother's tragic death and, it is he who inadvertently "left the lights on" in Camelot. He was the man who, in his own inimitable fashion exposed the myth of Camelot to the light of day during the LBJ White House years. It was Robert Kennedy who actively campaigned for Civil Rights issues and who, along with Johnson (interestingly, these men were at sword's points) forced the world at large to confront some harsh societal ills that the illusion of Camelot omitted.
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Monaco first came to attention when Prince Rainier married the film star Grace Kelly, who brought glamor and modernity to the teeny little country. Grace's past -- involving multiple love affairs -- was swept out of sight as she ascended to the glamorous -- and severely stress-inducing -- position of princess, wife and mother. Rarely happy in her long and paparazzi-studded marriage, she nevertheless gave it her darndest and died tragically and suddenly when she was starting to find fulfillment again.
The book shifts focus after Grace's death in a car accident, to her three *ahem* spirited children: Caroline, who married one playboy after another, got pregnant out of wedlock, and once burst out of her top at a club, then had to shift into the social position that her mother left vacant. Albert, a playboy himself, who played around with one woman after another but wouldn't make even a vestige of commitment--even to one ex-girlfriend who had his baby, Tamara Rotolo. Stephanie, who shocked Monaco with her wild antics, drug use, explicit singing career and wild modelling career, bodyguard live-in boyfriend, and humiliating divorce after marrying said boyfriend.
Sound like a tabloid? Well, that's a royal family for you. Fortunately, Glatt doesn't speculate on the inner thoughts of the Grimaldi family (said to be under a curse from a witch raped by a Grimaldi) but allows their actions to speak alone. His writing style is pleasant to read, and gives us insights that other biographers apparently didn't get. I especially enjoyed the interviews with Cassini (Grace's ex-fiancee) Robyns who wrote a steamy biography but edited it at Grace's request, excerpts from members of the Grimaldi family, and from people who knew/know them.
This is hardly flawless. He describes Grace as a devout/militant Catholic, yet chronicles love affairs (with men married and single), an abortion, astrology beliefs, etc. Sorry, these are not the actions of a "militant" Catholic, though admittedly it is possible that she confessed these to a priest (something we will never know). He does occasionally linger on stuff that is more than we want to know, but it does give us a good look at the Grimaldis.
Stephanie, Caroline and Albert have already been in the spotlight, tabloidwise, so I suppose Glatt felt that there was no real reason to sugarcoat things. Rainier gets away the easiest, for though he was unfaithful to Grace during their marriage, very little space is given to it (as compared to Albert's girlfriends, Stephanie's partying days, etc).
In recent years the Grimaldis seem to have calmed down, but this book is nevertheless a heckuva read. If you liked the Royals but didn't like the made-up parts, try this book on for size.
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To suggest this apparently random collection of third-party unverified information has anything to do with a supposed "Torment" of Buddy Rich is silly.
Whatever this document may be, it is not a completed work of any kind and certainly would never be published by any other than this author's vanity press.
For those of us blessed to take unconstrained joy from the life and music Buddy Rich poured, these dregs must be tasted. But for those sane in this life, stay away.
WEO
I went to a concert with his big band of the late 'Seventies at the Guthrie Theater in Minneapolis. It was a two show gig and Buddy found out the Guthrie had somehow managed to sell tickets to only one show. What does Buddy do? He invited the crowd to stay on, had an intermission and then played a completely different second set! I could swear the band never knew what tune he was going to call next. That was one of the most disciplined big bands I have ever heard. Maybe not the Worlds Greatest Drummer but for sure one of the Worlds Greatest Shows.
If you like Buddy's kind of music, you'll appreciate the book. In addition: you get plenty of insight into the man, what for me, was an added bonus: Buddy's devotion to friends and good-hearted nature (ie: the passage with Johnny Carson, Count Bassie, et al). Granted, he wasn't always the easiest guy to get along with, but what matters most is that he had a good heart, loved music and those who had the same love and dedication for it as he did. Reading the book made me want to take the albums out and play them, etc.
While I'm at it here, have wanted to express for years now how impressed I was with his daughter Cathy's version of the Sonny Bono tune entitled THE BEAT GOES ON. She does a terririfc cover of it on Buddy's Big Swing Face album recorded years ago. Cathy was only 12 and 1/2, mind you, at the time, and showed great promise in my opinion, and have wondered why she never pursued a singing career, etc.
There is so much more I could say about this book, but it would take too long. You get a good glimpse into what life must have been like for Buddy and his family in this country during the 30's and 40's, etc., (through various interviews with family members), what it was like for him as a gifted kid at age 3 to be traveling the world as "Traps the Drum Wonder," all that.
The only thing that bothered me (and this is a relatively minor objection, if you can even call it that) is the awful photo of Buddy Rich used for the cover, as someone else mentioned as well. I mean, couldn't they have found something more flattering? I think the legendary Buddy Rich deserves better.
All in all: nice job, Mr. Minahan. Thank you.
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That many critics have rejected the book because "we've learned nothing new", or "that we've learned more about Richard Blow than JFK Jr" to me is to me is this books greatest selling point.
I don't want to know JFK Jr. as much as I am interested in the people who worked with him, lived with him and had to make decisions in spite of him.
I like that Blow emphasizes his job and the environment of GEORGE more than some sordid details of the Kennedy clan that sells books. I like that he sticks to what he knows.
Blow is very up front from the beginning that this is a book about his experience working at George. He never tries to own any information that is not in his perspective --which of course will make this book light weight to media hounds who want gory details --he simply reflects on his life as a GEORGE editor, who is both a human and an employee of a magazine that is run by an American Icon. I commend him for coming out and saying what his experience was.
Had a woman written this book, I doubt she would have been leveled by the critics as Blow has been. It might have read as a great "expose" of a woman who had beaten the odds (i.e. kept her job in spite of his celebrity.) But because Blow exposes his own "privileged" background, many think he is fair slaughter.
I want to Thank RB for delivering the light, rather than keeping it hidden under a bushel. I've learned something and I appreciate it.
Maria
That JFK, Jr. was able to put together a political magazine as he saw that world, does indeed make for fascinating reading. The inner workings, in-fighting and eventual ending of a publishing phenomenom is a nice change from the usual tabloid fare that we are used to seeing about members of the prolific Kennedy family.
I thought it was a great read showing a different side of John Wayne. She seems honest and sympathetic towards her father. The writing itself could have been better, otherwise I would have given the book a 5.