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If you can grow it, the instructions are listed in this book.
Book contains hundreds of small, but helpful photographs that demonstrate a process or identify some plant anatomy.
Solid information, well worth the money!
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that barked in the night. It was difficult to put the book down.
Ellie goes off to housesit her aunt Kate's estate in the Virginia
horse country, and immediately encounters a resident ghost, or is
it? Various ancestors of "old families" make an appearance, and just what are the dark secrets the families have buried?
Between eccentric Aunt Kate, her friend Ted, the neighboring doctor and his son, Donald, some strange servants, and the present generation of the "old families," not to mention the large assortment of dogs and cats along with a pet rat, the story gets interesting. Is there trickery, perhaps mass hallucinations, or has someone really raised the dead?
There are some sidelights about the Washington Redskins, and an argument about who was the best quarterback of all times. Disagreement with Kate can give men a bad itch where gentlemen don't scratch. Overall, it was good reading for a rainy evening.
Ellie and her fiancee Henry arrive at the rambling mansion belonging to her aunt, who is an eccentric rumored to be a witch. Ellie is remaining in the house while Aunt Kate goes off on a trip, bringing a rare and quite dull book along as a gift (which she promptly forgets to give her). In the area is Ted, a friend of Kate's, and an enigmatic, quirky young man named Donald.
Soon Ellie suspects that the house is haunted, from a few specters that crop up. But she just as quickly suspects that the hauntings are all-human in origin. Is it the doc next door? The hypersensitive jerk? The humorless, desiccated librarian? The Senator who is up for reelection? The perky columnist? Creepy undertones are shown in all the characters, but which one of them would endanger -- and perhaps murder? And what secret is so terrible that would make this person so desperate?
Witchcraft, comedy, ghostliness and action are covered in this book, fast-paced and well-plotted, with lovable heroes (Ellie, Donald, Kate) and despicable people as well. One can only theorize who Marjorie Melody was based on, so cloyingly loathesome is she. And what kind of person could have inspired Henry, who readers will.... uh, react to from the first page.
A fantastic, chilling novel/mystery with wry wit, this is a book not to be missed.
Take the book at hand, "Devil May Care." The plot work is clean and classical. Ellie has been asked by her Aunt Kate to house sit while her Aunt takes a trip. The house is a fine old manse in Burton, Virginia. Ellie arrives with her fiancée Henry, a dull but successful Washington lawyer, to find Aunt Kate clog dancing with a neighbor and deep in football discussions. After a short interlude Henry and Kate head back to the city and Ellie settles in for the long haul. Immediately she finds herself surrounded by ghosts. Aunt Kate's previously unhaunted home suddenly has a transparent young man upstairs, a jilted husband chasing his wife and her lover all over the grounds, a crazy looking red haired woman in the... Well, you get my drift.
Ellie, who is an intelligent and well grounded young woman sets about solving these appearances with the help of Ted Fraser (her Aunt's clog dancing friend) and the very attractive (and not at all dull) Donald Gold, the neighbor's son. The mystery revolves around the original six families that founded Burton, and an old history book Ellie bought for a gift to her Aunt. But what it is eludes everyone, even after Ted barely survives a meeting with an irate spirit and the sudden reappearance of Aunt Kate. The reader is well on his way through this roller coaster ride long before the complexities of the plot finally begin to unravel.
What makes this mysterious farce enjoyable is not only a clean and lively plot, but an entire cast of eccentric and wonderful characters. I greatly admire Peters heroines, who always display a great deal of intelligence and forethought. Ellie is one of these. Her Aunt Kate is no less memorable, with a defiantly impish streak. The male participants, ranging from the very dull Henry to the quick witted Donald are perfect foils for these women. In addition, all six of the founding families are full of amazing confections and one can hardly leave out the long cast of Aunt Kate's pets, lead by the imperious Roger the Rat and Franklin the Fearless Pekinese.
This is mystery fiction intended to be entertainment and little else. Elizabeth Peters is an expert as mixing archeology, the supernatural, and history with the inevitable foibles of human beings and coming up with story after satisfactory story. This is perfect fireside reading for one of those rainy fall days around Halloween. Or for any other time as well.
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In "Mind Over Matter", Thorgerson explains in some detail the concepts and techniques behind the creation of some of the most evocative and memorable images in the history of Rock and Roll. With stories and recollections dating back to the band's foundations in the mid-sixties, Thorgerson goes piece-by-piece through most of the band's catalogue, recounting not only how he and his team created the images, but also detailing what they are meant to represent and how they relate to the music.
The book features beautiful color reproductions of the band's album covers, lyrics layouts, and CD booklets. (All but two Floyd albums-- "The Wall" and "The Final Cut"-- are included ; these are omitted because Thorgerson was, in his own words, "temporarily relieved of [his] duties" for these albums.) But the biggest treat to the serious fan are the reproductions and discussionsof lesser-known images, such as a tour promo and program from 1975, and artwork specially conceived for the 'deluxe' boxed set "Shine On". Also included are the designs for the remastered and repackaged CD releases of the Floyd's albums, as well as some art which was apparently created just for this book.
As a full-sized coffee table book, "Mind Over Matter" is gorgeous to look at. Thorgerson's text, which is witty and insightful, makes for a good read. All in all, no Pink Floyd fan should be disappointed.
Storm Thorgerson, mastermind behind most of Pink Floyd's album artwork, has compiled almost all of the rare, unusual, interesting, and familiar pieces. It also includes stories on how they (the art) came to be (which, by the way, sheds a light on the innovative genius of the band). It goes from the early years of Syd Barrett to the post-Waters era. This book is a must for any Floyd fan, especially one who is interested in the history and progress of the band.
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The book is arranged geographically. Beginning in Siberia, Mr. Matthiessen takes through Asia to Australia and then on to Africa and Europe and finally to North America. There are no cranes in South America (or Antarctica).
The author is at his best when he is combining his wry observations of the people and places around him with an enthusiastic and well-informed account of the natural history of a region. I felt that he was less successful when he lets his righteous indignation get the better of him and begins to make snide comments about the absence of a love of the natural world in Chinese society, the wrong-headedness of various bureaucrats and the corruption of local officials.
It is not as if I disagreed with his point of view, but I knew that I already shared it before I even picked up the book. I can't imagine anyone who had any doubts about the importance of cranes as sensitive indicators of the general health of the environment being won over to the crane's side by this hectoring, doctrinaire authorial voice. But then, perhaps this books is really just an extended love letter to the cranes and to the environment in general. As such, it succeeds wonderfully.
He has produced an unforgettably bleak picture of ecological matters in China, and an optimistic account of our own country's efforts in getting whooping cranes started again. That we don't know what we are doing in dealing with the cranes is shown in a paradoxically happy outcome for them in Korea. Wars are, as the posters used to declare, harmful to children and other living things, and the Korean War was disastrous for humans and for cranes. There is now a Demilitarized Zone between the two Koreas, just a couple of miles wide but running from the Sea of Japan to the Yellow Sea. Human habitation is forbidden in the area, and farming is very limited. Matthiessen is thus able to visit the DMZ's boundary, accompanied by armed soldiers. ("One may visit a North Korean museum that reveals American atrocities, but we decline this educational opportunity, electing to go birdwatching instead.") He thus gets to watch cranes in the "most fiercely protected wildlife sanctuary on earth... an accidental paradise for cranes." Woe to the cranes if peace breaks out.
This volume includes paintings and drawings of cranes by Robert Bateman, lovely renderings that are more compelling than the usual field guide renditions. They complement Matthiessen's fine text. Cranes are long lived, and they often mate for life. Their windpipes are modified like French horns to produce eloquent and distinctive calls. Their size and their pugnacity, for they are protective birds and dangerous to handle, should make us respect them as fellow-citizens of the planet. There is no need to invoke anthropomorphism; there is a spiritual bond between humans and these animals which Matthiessen has movingly demonstrated. He knows, however, that "the time is past when large rare creatures can recover their numbers without man's strenuous intervention," and despite his romantic optimism, his stories show we are strenuously bent on something else entirely.
While Matthiessen is poetic and romantic as a nature writer he is a blunt and critical social commentator. Our species comes in for some stick. We neither stack up well in creation - look at the beauty of an African Crowned crane, the "red-black-and-white head crowned by a spray of elongated feathers on the nape, like spun gold in the bright sun...how wonderful it seems that even the boldest colors of creation are never garish or mismatched, as they are so often in the work of man." Nor do we do so well with what we create - China's Three Gorges Dam will destroy some pristine crane wintering lands and is, according to Matthiessen, "a grand folly of enormous cost." Worse still is that we are such a self destructive species. The dam, he goes on to say, will also cause "social and environmental ruin" in this part of China.
Poignancy, yes, even sorrow at the passing of so many of the last wild and unspoilt areas of the planet, but sentimentality, wistfullness, hopelessness, and inaction are not words that are in this author's vocabulary. Indeed the fact that cranes are the central focus here is cause for cautious optimism. Cranes have always been a vibrant part of our cultural history and remain evocative symbols of our spiritual and creative imagination and are seen as omens of good luck and longevity in many countries.
The fifteen species of cranes (eleven of which are endangered or threatened) have lessons to teach mankind. Matthiessen's recounting of the sectarian squabbling that took place at an international gathering of crane conservationists is illustrative. While economics, politics, and nationality remain common dividing factors among the human participants, more than half of the species of cranes are content to make the Amur River basin in central Asia their common gathering ground.
A powerful book for Matthiessen's writing, the beautiful paintings and illustrations offered in support, and the stories of the cranes themselves - Saurus, Crowned Crane, Brolga, Siberian and the rare Whooping and Japanese Cranes - two of the most endangered species that Matthiessen says are "heraldic emblems of the purity of water, earth, and air that is being lost." We need to conserve, appreciate, and learn from these birds of heaven, and heed the "horn notes of their voices, [that] like clarion calls out of the farthest skies, summon our attention to our own swift passage on this precious earth."