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by Joseph L. Harsh.
Ouch!!!! Talk about painful!!! Harsh (a history professor who grew up in Hagerstown) simply cannot write!! Some people can write well; others write poorly. Harsh is at the bottom of the latter group. (I feel sorry for his students -- they probably suffered severe ear and brain trauma from his lectures. And he writes as if he were lecturing!!)
He LOVES R.E. Lee. (According to Harsh, everything that went wrong was someone else's fault -- without exception!!) Then there are Harsh's numerous "moments" when he tells you what a particular person MUST have been thinking at any given time -- as if Harsh (or anyone else!!) could know! Finally come are his analyses of various events and situations. In Harsh's eyes, all ideas that contradict his opinions OBVIOUSLY MUST be wrong -- it's just plain "foolish" to think otherwise.
It's too bad that Harsh just didn't tell what happened and allowed us to form our own judgements. (By the way, he plays pretty "fast and loose" with the facts. Plus, he omits vital information that doesn't correspond to his interpretation.)
In his preface, Harsh even has the audacity to state that, besides his book, there are only one or two other books that cover the Maryland Campaign in depth. Well, I have been studying Antietam for over 35 years, have been there several hundred times, and have read literally thousands of books, articles, and documents about Antietam. Harsh is full of it!!
If you were thinking of buying this book, don't bother. You can gain just as much by pulling out all your teeth with a pair of pliars, then dropping a 200-pound lead weight on your foot.
(Disclaimer: I sat in on a few classes of Dr. Harsh's as an undergraduate).
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The book does not cover: File Drivers, Network Drivers, Graphic Drivers and User Mode Drivers.
One would think that in this day of age of Communications, High End Speed Games, etc, that a rather large book titled "Developing Windows NT Device Drivers" would cover these important device drivers. At a minimum, its should of covered NDIS Device Drivers. It does not.
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If you desire an academic commentary which covers the entire corpus of Scripture in a single volume, this is the book for you. Named after the premier Scripture scholar of the Patristic period, it is an update of the Jerome Biblical Commentary of more than a quarter century ago.
Not only is every book of the Bible discussed in detail, there are numerous scholarly articles dealing with history, critical methods, contemporary issues and the like. It's perspective is honestly centrist; catering to neither the fundamentalist, nor to the deconstructionist. Controversial issues are handled in an appropriate manner, giving numerous bibliographic citations representing a wide range of learned opinions.
Although Catholic in orientation, the book is equally valuable to believers from other faith traditions, and indeed, to non-believers as well. Its editors, especially the late Raymond Brown and Joseph Fitzmyer represent the very best of Catholic critical scholarship.
This book is probably not the best choice for the average layman; it presupposes a certain familiarity with theological academics. However, it is indispensible for the seminarian, the graduate student, the clergy, and the academic.
(For an "informed layman's" version, please see my review of the excellent "New Jerome Biblical HANDBOOK").
I heartily endorse this book.
Inside this work you will find the books of the Bible listed individually, with detailed commentary on verses and even partial verses. Prior to the detailed commentary, a helpful historical sketch is given to assist the reader in situating the particular biblical book in its context. It includes maps and charts.
Though this volume comes highly recommended, it is not always on the "cutting edge" of biblical scholarship. If you choose to utilize this volume, you have made a wise choice, but you should not limit your library to this commentary alone.
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In this edition of the continual homage paid to Lovecraftian lore, there are two above average tales and five standout pieces that bring this 258 page edition to life, making it well worth buying. Briefly breaking some of them down and leaving out two well-crafted pieces, ( "Darkness, my name is," by Eddie Bertin, and The Terror from the Depths," by Fritz Leber, which spatial constrains keep me from going into detail about) and one above average tale ("Where Yidhra Walks, "by Walter Debill, Jr.) they are:
"The Fairground Horror," by Brain Lumley, deals with the great tentacled one's priests and the mark they bare. It begins by focusing on Hodgson's Funfair and a man named Anderson Tharpe who has recently added a new freak-house frontage called "Tomb Of The Great Old Ones." Within it are the normal oddities that freakshows like to use, the cons that have been sold throughout the ages, but there are also some other things, pieces taken from his younger brother, Hamiliton. Without delving too much into it, this is basically a lesson in why you should try to play with things belonging to the sleeping old one.
"The Silence of Erika Zann," by James Wade, plays off of a previously introduced idea by modernizing it, placing Erich Zann's granddaughter in a Rock Band that delves into some odd forums. Any time they play, there is a strange roar that seems to come from nowhere, and it seems to be taking its toll on her. What is it, the main character asks over and over? Well, its an above average tale that is good but loses some ground when compared to the works around it.
"All-Eye," by Bob Laerhoven, is an odd mixture of story with a surprise ending. Initially, I wasn't certain I would like it at all because it seemed like the basic forum introduced, the "found a book, it had a map, I went looking and something happened" story design, but that quickly changed when I read all the way through. Its hard to say that much about it without ruining the story, so I'll simply state that the style used pleasantly different.
"The Tugging," by Ramsey Campbell, shows exactly how talented this word painter actually is, with his analogies and comparisons actually deserving a bit of acclaim. It focuses on Ingels, a man plagued by dreams that he and his father seem to share. When he sleeps he dreams of a city beneath the waves and that the clouds in the sky are becoming something, but he always awakens before he find out exactly what that is. The dreams provoke a dread for sleep, an insomnia that begins to interrupt reality, and before Ingels knows he sees a correlation between both realms as they mesh together. Again, without giving away too much, this story is well worth you time to read.
Glimpse, by A.A. Attansio, is an odd tale involving the Lord of Holes himself, Yog-Sothoth, revolving around an oddly pierced stone that defies description. Sometimes it seems like a simple stone, other times it seems like a strange congammeration of ribbons. Our initial main character, Gene Mirandola, is given it when he goes to meet with his uncle, an oddly eclectic individual that tells him to take it to a Dr. Marc Souvate. Well, he does, and finds out the oddities of the One-in-All and All-in-One, things that deal directly with his uncle and that deal with Souvate's odd history as well. The story takes a strange turn in the center, taking a simple threat to one soul by Yog and his followers to one that threatens the entirety of the world. It's actually really well done.
The next, by Robert Price, is entitled "Dope War of the Black Tong," Its a story revolving around the Tcho-Tcho and their worshipping habits, reminding me very much of something Robert E. Howard would have done. It has all the essentials; a storyline, some tentacles, a bit of death, and Asian oddities.
Again, this set of stories is well worth checking out because their focus is not uniformed and their styles certainly differ. It is in this variety that you gain something, something wonderfully evil, and evil meshing with all-encompassing madness is always a wonderful thing.
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The book deserve five stars for cogently and persuasively presenting a much-maligned theory which counts among its recent adherents such intellectual lights as Derek Jacoby, Michael York, John Gilgud, Mortimer Adler and Supreme Court Justices Blackmun, Powell and Stevens.
As other reviewers have noted, it does not matter so much whether Sobran's arguments are correct -- this reader finds many of them persuasive -- as that the subject itself warrants serious and sustained attention. At present champions of the orthodox Shakespeare retain their intellectual monopoly within higher education primarily by means of excluding non-specialists such as Sobran from the debate over the Shakespeare question and vociferously denying, against a host of contrary evidence, that the subject even exists.
On the contrary, anyone who cares for the future of literary studies should acquaint themselves with the arguments made in this book. Not all of them are, in my opinion, equally valid. But that is no cause to ignore or belittle Mr. Sobran for tackling an important question which (sorry) ain't going to disappear just because a few powerful Shakespeare industry insiders insist on feeling threatened by it rather than seeing it as one of the greatest boons which could befall a shrinking intellectual discipline.
"Shakespeare" has never been more interesting or more real than he is in this book.
For readers in search of a compact, intelligent, entertaining introduction to the authorship question -- a question which is only now, after many years of suppression and neglect, beginning to come into its prime as one of the great questions of our day -- this book is a great place to begin.
Roger Stritmatter