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Inside 3D Studio Max shows you the concepts behind how the program works, and allows you to apply these concepts, and skills to your own work, rather than a preformatted tutorial. It is this fact, however, that makes the book not extremely useful for modelers who are new to the program. This book often speaks of the manual which ships with 3DS Max, and the writer made it clear that this was not yet ANOTHER MANUAL. Inside 3D Studio Max explores how to expand your ability.
If you have no prior modeling practice, read the manual which ships with Max, then buy this book. If you do that, you will appreciate what is taught in this massive book.
This is an overall GREAT book, and it has really helped me to become a much better 3D artist.
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And i agree with the author that India is going to be a Power in South Asia
As USA and the free World have one thing common with India and that is Democracy and to work hard and live in a civilized world
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It allows you instantly to review your progress. And with it's comprehensive review questions it's very useful for helping to pinpoint troublespots or missing areas in your study.
This is the only tool I've come across that easily helps you determine if what you THINK you know is the same as what you ACTUALLY know.
After completing all of the many review questions and practice tests contained in this product, the Exam itself was almost an anti-climax!
It deals especially well with some topics like Threads and IO which are really not covered all that well with other guides.
Initially I was somewhat concerned with the rather steep cost of this guide but as it turned out it was well worth the price!
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Obviously written by a fan of PKD's work and personality, Bishop writes a book that is funny and imaginative, while mimicking, in a form of tribute, the style of PKD.
While the actual delivery of the story lacks the power of PKD's writing, there are many funny moments and tidbits of PKD for fans to enjoy. Bishop employs the multiple narrative technique and the breakdown of commonplace reality that fans of PKD expected with each novel.
The ending is quite satisfying, with a respectful nod to PKD's contribution to our "koinos cosmos." A must-read for any true PKD fan.
Philip Dick and his novels are subjects of discussion among the characters. PKD himself appears in the story ("Horsy Stout"), as he does in his own novels RADIO FREE ALBEMUTH and VALIS; although here he's more in the background.
Most of the novel retains the eerie, bleak, surreal edge that you can find in many PKD novels. I didn't like the ending quite as much as the first 90% of the story; but I can say that many of the PKD novels tend to disintegrate toward the end as well (e.g., DO ANDROIDS DREAM and PALMER ELDRITCH). But the ending to this one is harder to take seriously. And the whole thing's a bit too long (340 pages), considering that most of the PKD novels run to about 200 pages and never exceed 300 (not his science fiction).
On the whole, it's an entertaining psuedo-Dick novel. I haven't read anything else by Michael Bishop, but he certainly has done competent work with this story, I think.
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The Shield of Achilles is a very worthwhile read, but not because its conclusions wash. Reading a book like this, which, sarcasm aside, is a very intelligent production, is valuable more as an occasion for thought than as a historical TOE. What's vividly missing from the book is finally more important than what is in it. Bobbitt managed to write a 900-page book about the state, warfare, and politics without saying anything about who benefits and who loses. He is often very good about the what and the how of history but the question of who is absent without leave. Thus he manages to write about the contemporary situation at great length without noting that in America, at least, the disparity of wealth between the rich and poor is increasing markedly so that a regime supposedly dedicated to increasing opportunity is actually reducing opportunity for most people. He claims that the media are becoming more democratic when, in fact, five corporations control something like 80% of airtime. There is also no mention of the enormous growth of prisons in the U.S., a social fact that must have some relation to the author's thesis. More generally, Bobbitt writes about tendencies like deregulation or privatization as if the intentions of their promoters were irrelevant. It is also puzzling that Bobbitt seems to think that the transition from what he calls the nation state to the market state continues the Cold War triumph of democratic institutions when political participation rates and even the 2000 American election suggest that democracy is in general retreat.
His is profound thinking with far-reaching implications. It strikes home in our post-9/11 awakening. (Its publication was coincidental.) It takes longer to read than its 800+ pages would indicate because one must often stop and ponder his words. If you are willing to take this book on, you will be well rewarded. A resounding 5 stars.
Focusing on military strategy and technology, and international law and politics, considered by Bobbitt as "the makers of history", he reviews the major European wars from 1494 to 1990 and the major peace agreements that ended them. He also devotes a chapter to the recent war in Bosnia.
His insight into the methods, motivations, skillfulness, and ineptitude of the major players gives us new perceptions on the use of geopolitical power. He uses all this background to consider our current and probable world problems and then, using methods pioneered by Royal Dutch/Shell Group Planning, relates them to three alternative scenarios of how these new market-states may evolve and deal with these issues.
At 827 pages plus notes it is not short, nor is it light reading, but it's lessons are imperative for people involved in government, the military, foreign relations, and global strategic thinking. I also highly recommended it for anyone who desires a thoughtful analysis of what is likely to be in store for our civilization in the days ahead.
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The plot was a familiar one and decent, but the events that took place -- at times, seemed a little far-fetched. There wasn't a lot of character development, but what was done was sufficient. However, the inclusion of characters from the earlier book seemed to be just to show continuity -- which isn't a bad thing, but it didn't seem necessary since there was no in-depth interaction among them. Despite its "faults", the book is entertaining enough to pass the time with and it is a decent read. And, there were some pretty good suspenseful scenes in the book that kept me on pins and needles.
If you read the book and don't expect the caliber of story you typically get from a Ludlum book, you'll be okay.
In the past I have read some of Philip Shelby's work and thought that he showed promise. I have been impressed by his skills as a wordsmith, but found his story ideas to be somewhat lacking. Combining his writing talents here with the imagination of Robert Ludlum, however, has produced a blockbuster of a novel. This is not great literature by any means, but it is an engrossing story that will definitely keep you turning the pages.
With his death earlier this year, Robert Ludlum left a huge void in the international suspense/thriller genre. Thankfully, we do have writers like Philip Shelby and Gayle Lynds who are eager to take up his mantle. If "The Cassandra Compact" never rises to the level of the best of Ludlum's work -- and it doesn't -- reading it is still a very pleasing way to pass some time.
--David Montgomery, Mystery Ink
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This novel is very unique. Impressive things are described beautifully here and there freely from the time-line and logical consequences. It is like Picasso's paintings. My artistical sense is not good enough to understand this novel.
This 'why' quickly takes a back seat to the out-of-sequence internal flashbacks that slowly reveal most of her adult life and routine. Told in a manner both simple and complex, it's not unlike a self-confession, and in this I think it makes its mark. The goings-on of the particular appointment doesn't seem, at the end to matter, for as the speaker tells us, "The trick is not to go mad."